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Britannia Hospital

  • 1982
  • R
  • 1h 56min
NOTE IMDb
6,2/10
3,1 k
MA NOTE
Britannia Hospital (1982)
The chaotic workings of a hospital with staff on strike.
Lire trailer2:56
1 Video
33 photos
ComédieScience-fictionComédie noireSatire

Ajouter une intrigue dans votre langueThe chaotic workings of a hospital with staff on strike.The chaotic workings of a hospital with staff on strike.The chaotic workings of a hospital with staff on strike.

  • Réalisation
    • Lindsay Anderson
  • Scénario
    • David Sherwin
  • Casting principal
    • Leonard Rossiter
    • Malcolm McDowell
    • Brian Pettifer
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    3,1 k
    MA NOTE
    • Réalisation
      • Lindsay Anderson
    • Scénario
      • David Sherwin
    • Casting principal
      • Leonard Rossiter
      • Malcolm McDowell
      • Brian Pettifer
    • 34avis d'utilisateurs
    • 30avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 3 nominations au total

    Vidéos1

    Trailer
    Trailer 2:56
    Trailer

    Photos33

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    + 26
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Leonard Rossiter
    Leonard Rossiter
    • Vincent Potter: Administration
    Malcolm McDowell
    Malcolm McDowell
    • Mick Travis: The Media
    Brian Pettifer
    Brian Pettifer
    • Biles: Administration
    John Moffatt
    John Moffatt
    • Greville Figg: Administration
    Fulton Mackay
    Fulton Mackay
    • Chief Superintendant Johns: Administration
    Vivian Pickles
    Vivian Pickles
    • Matron: Administration
    Barbara Hicks
    Barbara Hicks
    • Miss Tinker: Administration
    Graham Crowden
    Graham Crowden
    • Professor Millar: Medicos
    Jill Bennett
    Jill Bennett
    • Dr. MacMillan: Medicos
    Peter Jeffrey
    Peter Jeffrey
    • Sir Geoffrey: Medicos
    Marsha Hunt
    Marsha Hunt
    • Nurse Amanda Persil: Medicos
    Catherine Willmer
    Catherine Willmer
    • Dr. Houston: Medicos
    Mary MacLeod
    Mary MacLeod
    • Casualty Sister: Medicos
    Joan Plowright
    Joan Plowright
    • Phyllis Grimshaw: The Unions
    Robin Askwith
    Robin Askwith
    • Ben Keating: The Unions
    Dave Atkins
    • Sharkey: The Unions
    Mark Hamill
    Mark Hamill
    • Red: The Media
    Frank Grimes
    Frank Grimes
    • Sammy…
    • Réalisation
      • Lindsay Anderson
    • Scénario
      • David Sherwin
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs34

    6,23K
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    Avis à la une

    7frankbannister-1

    shocking satire about world collapse

    Lindsay Anderson was several years ago one of my favourite directors and then, 5 years ago, I thought that this film is possible his best. Since then I saw again Britannia Hospital at least five times - and it didn't worked always - in contrast Anderson's If..., which is better and better with every watching. However, Britannia Hospital is still a very good film, but its content maybe too disturbing for a lot of viewers. I mean, not only its details (for example, eating pieces of brain, by the way, didn't Hannibal - the movie - discover it), but the consequences of the whole film. This film's dark and painful thoughts about mankind and our future are very frightening, because they - if we can face it - almost (or entirely?) the reality. Although Lindsay Anderson's satire is focused on Britannia Hospital, where the most of the plot plays, this parabolic form is about the whole world: from the poor people to the rich, from the caretaker to the mad scientist. Britannia Hospital is full of moments of horror and black comedy (namely its subplot is parody/paraphraze of Frankenstein-story), but its strongest parts are when its laughing (or crying) on the figures of government and other leaders (the master of BH, the main strikers, even the Queen). The solution is Britannia Hospital - in a paradox way - there is no solution for mankind. Maybe the speech of the professor at the end is a little didactic, but at same time quite honest; but not he has the last world in the film. For those who have already seen this film, it is known, what I'm talking about; for those who are going to see BH, let it be a surprise. It's unforgettable, but extremely sad moment: a shocking last shot to Britannia Hospital.
    6smiths-4

    Savage, Unsubtle satire with plot holes and needless characters

    Firstly i must note that If.... is one of my favourite films and within that film Malcolm McDowell is Mick Travis, as good a character as Alex De Large (Clockwork Orange) and one which he makes his own. I found that film to be beautifully shot, excellently acted and the satire to be pinpoint accurate. It was a very important British film and is one of a few classics from the sixties (Saturday Night Sunday Morning, Loneliness of the long distance Runner, Billy Liar etc).

    Next came O Lucky Man, with Travis out of school and working as a coffee salesman. We see his rise and fall and eventual rise again as a accidental film star. I also think this film is very important with a extremely gifted cast including Arthur Lowe in several roles and Graham Crowden as a mad experimenting doctor. The music by Alan Price greatly contributes to the film (lesser so Price's attempt to act!).

    Finally, the 80's and Britannia Hospital. A great cast, an interesting premise but alas a flawed film. The major characters, bar Graham Crowden have little to do (McDowell, Rossiter, Hamill,) and i found myself feeling no empathy for anyone. The pickets and protesters were annoying but were outdone by the upper class visitors to the hospital and as for Mick Travis, an ignoble end. It is never explained why McDowell is there (why isn't he investigating the luxury treatment of the African Dictator which is causing everyone else so much grief!.....why does the nurse decide to continue his work/was she an insider who gave him info on Crowdens project??). The idea that the Queen would be allowed to visit the hospital in such inhospitable(pardon the pun) times is ludicrous etc etc.

    But perhaps i am being to empirical about the film, what of the satire? About as subtle as a punch in the face! The upper classes are still treated differently to the working/middle classes be it in the workplace or in health care....wow, what a revelation!! Anyway, there is some joy in watching it unfold if you disengage from the satire element and enjoy the face spotting (John Gorden Sinclar, Robbie Coultrane, Robert Pugh, Richard Griffiths, Brian Glover, Arthur Lowe, Alan Bates, Roland Culver, Jill Bennett etc) and general mayhem of it all. I suppose Travis had to go somehow but why like this? My recommendation is to watch If.... and O Lucky Man and if you are satisfied with the ending to the latter film, leave it at that.
    7jwild49

    A Relic of old Black Comedy.

    It's sad to see that there are no directors like Anderson these days. In fact, there never was a director like him and I doubt there ever will be one like him ever.

    To start, I must warn any potential viewers that this film is a hand full. If you turn your head for more than 2 minutes you might be totally lost. To understand the humor of this film don't expect the kind of humor we find in today's comedy's or satires.

    There's something genuine about this movie. Anderson has created his own little universe with his Mick Travis Trilogy and expect the unexpected when watching this film.

    Overall, I say it was a good watch. It certainly intrigued and impressed with it's multiple characters. Mark Hamill has a hilarious part, and so does Malcolm McDowell. It's too bad they weren't in the movie more.

    Anyone who loves weird movies will have to give this one a watch. It is simply one the best of its breed and will never fail to entertain. It gets slow in some parts but the scenes with McDowell pick the film right back up. His characterization of Travis is just brilliantly funny and odd. The ending scene is as epic and classic as any scene you'll find in cinema.
    5EdgarST

    Sad ending to Mick Travis

    "Britannia Hospital" was not exhibited (although advertised) in Panamá in 1982, so I didn't have a chance to see the last part of the Mick Travis trilogy, created by Lindsay Anderson and David Sherwin. In the early 1990's I found a video copy of the film, but not until now have I seated to watch the film, after enjoying two Ealing comedies ("Kind Hearts and Coronets" and "The Man In the White Suit") that surprised me one more time for the pleasant way that social and political issues are usually treated in British cinema. (MILD SPOILERS) Social issues are all over "Britannia Hospital", the most saddening conclusion I have ever seen of a character, though luckily not affecting the admiration I have for the two previous films. "if...." (1968) introduced Mick (Malcolm McDowell) as a rebel in a public school; in "O Lucky Man" (1973) he was a young man seeking a job in the capitalist world, and in this final appearance, Mick has returned from the USA and apparently works as a spy -with a mini video camera- for an American TV station (represented by Mark Hamill, completely stoned inside a mobile unit) in the coverage of the anniversary of Britannia Hospital (metaphor of the United Kingdom) and the launching of a sinister Frankenstein-type project, while the workers are on strike, militants demand the exit of an African dictator from the hospital, with his wives, children and staff, and Her Royal Highness is on her way to the festivities. The riot takes place, but what is really violent is the way Mick is dispatched. In the previous films, there were elements of fantasy handled beautifully, even in a poetic way, but this time writer David Sherwin turned the story into a Stuart Gordon fest, which Anderson relished with a scene right out of "Re-Animator". This impression is so strong, that it casts a dark shadow over the final sequence when the Genesis project (which recites Shakespeare) is presented to all. Many familiar faces were welcome (Alan Bates, Joan Plowright, Graham Crowden, Jill Bennett, Liz Smith, Vivian Pickles, Marsha A. Hunt, and Robin Askwith), but it's a pity that Anderson and Sherwin decided to end the trilogy in such an extreme and rude fashion.
    8FilmCriticLalitRao

    Britannia Hospital: A Lindsay Anderson film which succinctly portrays some glaring deficiencies of British health care system.

    It can be anybody's wild guess that most viewers would bring to their minds a sick nation which needs to be urgently cured come what may whenever they hear about a film with a wacky title-"Britannia Hospital". However, one has to bear in mind that "Britannia Hospital" is no ordinary infirmary as it is infested with numerous dubious characters intent on getting their personal agendas furthered at a time when the eponymous health establishment is getting all spruced up to celebrate its 500th anniversary. One can thus watch with customary mirth a scientist determined to produce the best brain in the world, an hospital official who would like to instruct its staff about the right manners in which British queen must be received, a reckless reporter who would like to stealthily film irregularities of an hospital etc. A long time before Romanian director Cristi Puiu burst on international scene with his absurd tale set in a Bucharest hospital, The Death of Mr. Lazarescu (2005), Lindsay Anderson-one of British cinema's greatest auteur had already made one of the best satires in the history of British cinema. Britannia Hospital is so brutal yet frank in its mission to expose horrendous absurdities of an hospital system that comparisons with Samuel Fuller's maverick "Shock Corridor" (1963) would not appear incongruous. Lindsay Anderson's film is a phenomenal treat for all Anglophobes/Britanophobes as he ruthlessly attacks whatever that is either dear to Britain or has a distinct British connection. Upon its release in 1982, a horrible time for Britain, this Lindsay Anderson film was butchered beyond recognition by some vested interests of British press. However, it is high time genuine film admirers make efforts to go beyond the realm of "Carry On" films as "Britannia Hospital" is the only perfect film which would make viewers jump with joy discovering why affordable,decent health care is still a matter of concern for most ordinary Britons.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Mark Hamill, Sir Alan Bates, and Malcolm McDowell worked for free.
    • Gaffes
      At 02:40, the nurse puts her cape on twice.
    • Citations

      Professor Millar: Friends! Fellow Members of the Human Race! We are gathered here for a purpose. Let us look together at Mankind. What do we see? We see Mastery. What wonders Mankind can perform. He can cross the oceans and continents today, as easily as our grandfathers crossed the street. Tomorrow he will as easily cross the vast territories of space. He can make deserts FERTILE and plant cabbages on the Moon. And what does man CHOOSE? Alone among the creatures of this world, the Human Race CHOOSES to ANNIHILATE itself. Since the last world conflict ended, there has not been one day in which Human Beings have not been SLAUGHTERING or wounding one another, in 200 and 30 different wars. And man BREEDS as recklessly as he lays waste. By the end of the century, the population of the world will have TRIPLED. 2/3rds of our plant species will have been DESTROYED. 55% of the Animal Kingdom. and 70% of our mineral resources. Out of every hundred Human Beings now living, 80 will DIE without ever KNOWING what it FEELS like to be fully nourished... While a tiny minority INDULGE themselves in ABSURD and EXTRAVAGANT luxuries. A motion picture entertainer of North America will receive as much money in a MONTH as would feed a starving South American tribe for a hundred YEARS! We WASTE! We DESTROY! AND, we cling like SAVAGES to our SUPERSTITIONS. We give POWER to LEADERS of State and Church as prejudiced and small-minded as ourselves, who SQUANDER our resources on instruments of destruction... While Millions continue to SUFFER and go hungry, condemned FOREVER to lives of IGNORANCE and DEPRIVATION. And why is this? It is because mankind has denied Intelligence, the unique glory of our species - the Human Brain. Man is entering an era of INFINITE possibility, still imprisoned in a FEEBLE, inefficient body... Still manacled by primitive notions of morality, which have NO PLACE in an Age of Science... Still powered by a brain that has HARDLY developed since the species emerged from the caves. Only a NEW intelligence can save Mankind! Only a new Human Being of PURE BRAIN can lead man forward into the new era. I do not speak of DREAMS. Such a being exists already. I have created it! It is HERE. NOW. Prepare yourselves to meet the Human of the Future. Neither Man nor Woman. Greater than either. I have given it a name. Genesis. Birth. A New Birth. A New Beginning for Mankind. People of Today, Behold Your Future!

    • Crédits fous
      Fulton Mackay's character was billed as Chief Superintendant; the correct spelling is Superintendent.
    • Connexions
      Featured in Free Cinema (1986)
    • Bandes originales
      RULE BRITANNIA
      Sung by Gillian Knight

      Arranged and conducted by Derek Wadsworth

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    FAQ20

    • How long is Britannia Hospital?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 3 novembre 1982 (France)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Anderson's Britannia Hospital
    • Lieux de tournage
      • Friern Barnet, Londres, Angleterre, Royaume-Uni
    • Sociétés de production
      • British Lion Film Corporation
      • EMI Films
      • Film and General Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 375 713 $US
    • Montant brut mondial
      • 375 713 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 56 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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