Vendredi 13, chapitre VII : Un nouveau défi
Titre original : Friday the 13th Part VII: The New Blood
NOTE IMDb
5,2/10
46 k
MA NOTE
Depuis que Jason Voorhees, fou, s'est retrouvé enchaîné au fond du lac, le camp d'été qui se trouve non loin n'a rencontré aucun incident, aucun meurtre. Mais l'un des joyeux campeurs a amen... Tout lireDepuis que Jason Voorhees, fou, s'est retrouvé enchaîné au fond du lac, le camp d'été qui se trouve non loin n'a rencontré aucun incident, aucun meurtre. Mais l'un des joyeux campeurs a amené avec lui un terrible secret.Depuis que Jason Voorhees, fou, s'est retrouvé enchaîné au fond du lac, le camp d'été qui se trouve non loin n'a rencontré aucun incident, aucun meurtre. Mais l'un des joyeux campeurs a amené avec lui un terrible secret.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 nominations au total
Lar Park-Lincoln
- Tina
- (as Lar Park Lincoln)
Kevin Spirtas
- Nick
- (as Kevin Blair)
Heidi Kozak Haddad
- Sandra
- (as Heidi Kozak)
Avis à la une
Wow! They were really reaching for a new idea for this one! This film could have easily been shortened to about 30 minutes or so. There are numerous chunks in this film that are utterly useless and simply to show yet another death.
I didn't think this film was very good at all. The whole girl with telekinesis sub-plot thing was a bit much for me. Although, it did make for an interesting fight between her and Jason towards the end of the film. ...But the actual end of the film was just atrocious! I nearly burst into laughter! I will give it this though, there were some pretty nice make-up effects at the end of the film and Jason did have a very sinister and disgusting look to him throughout the film. I thought it was odd that Jason seemed to use a new weapon every time he made a kill, and it was hilarious when he busted out that electric long-reach saw.
If you like the Friday the 13th films, then go ahead and watch this one, you might like it. If you didn't like the previous films I can't imagine you would like this one, but I have been wrong before...so do what you will. Anyhow, if you do see the film, I hope you enjoy it. Thanks for reading,
-Chris
I didn't think this film was very good at all. The whole girl with telekinesis sub-plot thing was a bit much for me. Although, it did make for an interesting fight between her and Jason towards the end of the film. ...But the actual end of the film was just atrocious! I nearly burst into laughter! I will give it this though, there were some pretty nice make-up effects at the end of the film and Jason did have a very sinister and disgusting look to him throughout the film. I thought it was odd that Jason seemed to use a new weapon every time he made a kill, and it was hilarious when he busted out that electric long-reach saw.
If you like the Friday the 13th films, then go ahead and watch this one, you might like it. If you didn't like the previous films I can't imagine you would like this one, but I have been wrong before...so do what you will. Anyhow, if you do see the film, I hope you enjoy it. Thanks for reading,
-Chris
Another Jason movie, ah yes,takes place years after Tommy Jarvis, and it seems like he's gone, guess again, a girl with telekinetic powers tries to get her dad back, but because she wasn't aware of her power, and didn't know how to control it properly, she accidentally brings Jason back, and oh no he's at it again. Well there's something you don't get everyday, man. Why did they put someone like that in? Someone who is like Carrie, please, Jason does typical murders, while she figures out how to control her powers, and tries to find out who is this Jsaon person. And the way she fights him is kind of pathetic, she just throws stuff at him and rips off his mask, can't she do something better, like smash him or send him flying to space? But then again that would be too weird, and it wasn't that exciting either. But I'll stop there. It did have everything else you'd expect in a slasher film, but I wish they could have done something else instead of a telekinetic person. Watch it if you're into it, or if you would still watch it even though it's like that.
"Friday the 13th Part VII: The New Blood" is the moment. That singular moment that many media franchises reach where there is a bit of a rift. A fundamental change. Something that will forever alter the way the subsequent remaining entries are perceived.
Yes. This is the infamous moment in any series that can only be referred to as "jumping the shark."
This is where the franchise wholly committed to the concept of each movie injecting a quirky "gimmick" in order to drum up audience interest. Sure, I'd argue that the previous film (the excellent "Jason Lives") probably started the whole notion of the "gimmick entry" with its focus on self-aware, postmodern meta-humor... but this is the film that really solidified the fact that the remaining films would all have that silly, somewhat kitschy quality of relying on a singular contrivance to set it apart.
In this case of course, it's focus on the supernatural storyline of Jason fighting a psychic/telekinetic.
When psychic Tina Shepard returns to Crystal Lake years after accidentally causing the death of her father with her latent abilities, the opportunity to learn and perhaps heal is interrupted when she accidentally releases Jason from his watery grave. Now, she and a group of teen-aged party-goers next door must struggle to survive against the newly revived (and quite angry) hulking killer... leading to an insane and actually quite entertaining final showdown.
The most notable aspect of this entry is probably the introduction of fan-favorite Kane Hodder as Jason- a role he would continue to play for the next few entries in the series. Hodder arguably defined the role, and actually finally gave him a consistent sense of "character" through both physical presence and movement, and through his own behind-the-scenes exploration of what makes Jason tick. Interesting tidbit: Hodder actually refused to film a scene where Jason kicks a dog away from him, because he feels Jason would never actually hurt animals or young children due to his childhood trauma. Granted, this doesn't quite fit in with Part IV, but I like the idea- it shows that Hodder actually tried to build a sense of character and "rules" for Jason to follow.
The film is also quite a bit of fun at times. The whole psychic angle is stupid beyond belief, there's no doubt about it. But it allows for all sorts of cinematic mayhem to ensue, with explosions, nails flying through the air, furniture being flung around... it's great fun to see Jason finally face an adversary in Lar Park Lincoln's Tina that can truly stand up to him and perhaps give him more than he can handle.
But the strong entertainment factor aside, this is a pretty bland entry on the whole to me. It lacks the pure sense of "fun" that the previous film literally oozed alongside the blood and trades it in for what actually becomes a somewhat depressive feel for much of the screen time. Not only in terms of basic tone, but also in the writing and even in the music. It's just kind of... mournful. Many of the characters (especially Tina) seem to have a deep-seeded chip on their shoulder and it's not as compelling as it could be. And the others are all just... ho-hum and often grating, with characters like the generic nasty vain girl getting on your nerves very quickly. You just kinda feel bad for everyone even before they start getting axed off.
That being said, despite being a middling entry in the overall franchise, the good characterization in Jason and the wickedly wild and entertaining battles between Tina and Jason do make it worth a watch for slasher fans. Just don't expect the best entry in the franchise.
I give it a middle-of-the-road 5 out of 10.
Yes. This is the infamous moment in any series that can only be referred to as "jumping the shark."
This is where the franchise wholly committed to the concept of each movie injecting a quirky "gimmick" in order to drum up audience interest. Sure, I'd argue that the previous film (the excellent "Jason Lives") probably started the whole notion of the "gimmick entry" with its focus on self-aware, postmodern meta-humor... but this is the film that really solidified the fact that the remaining films would all have that silly, somewhat kitschy quality of relying on a singular contrivance to set it apart.
In this case of course, it's focus on the supernatural storyline of Jason fighting a psychic/telekinetic.
When psychic Tina Shepard returns to Crystal Lake years after accidentally causing the death of her father with her latent abilities, the opportunity to learn and perhaps heal is interrupted when she accidentally releases Jason from his watery grave. Now, she and a group of teen-aged party-goers next door must struggle to survive against the newly revived (and quite angry) hulking killer... leading to an insane and actually quite entertaining final showdown.
The most notable aspect of this entry is probably the introduction of fan-favorite Kane Hodder as Jason- a role he would continue to play for the next few entries in the series. Hodder arguably defined the role, and actually finally gave him a consistent sense of "character" through both physical presence and movement, and through his own behind-the-scenes exploration of what makes Jason tick. Interesting tidbit: Hodder actually refused to film a scene where Jason kicks a dog away from him, because he feels Jason would never actually hurt animals or young children due to his childhood trauma. Granted, this doesn't quite fit in with Part IV, but I like the idea- it shows that Hodder actually tried to build a sense of character and "rules" for Jason to follow.
The film is also quite a bit of fun at times. The whole psychic angle is stupid beyond belief, there's no doubt about it. But it allows for all sorts of cinematic mayhem to ensue, with explosions, nails flying through the air, furniture being flung around... it's great fun to see Jason finally face an adversary in Lar Park Lincoln's Tina that can truly stand up to him and perhaps give him more than he can handle.
But the strong entertainment factor aside, this is a pretty bland entry on the whole to me. It lacks the pure sense of "fun" that the previous film literally oozed alongside the blood and trades it in for what actually becomes a somewhat depressive feel for much of the screen time. Not only in terms of basic tone, but also in the writing and even in the music. It's just kind of... mournful. Many of the characters (especially Tina) seem to have a deep-seeded chip on their shoulder and it's not as compelling as it could be. And the others are all just... ho-hum and often grating, with characters like the generic nasty vain girl getting on your nerves very quickly. You just kinda feel bad for everyone even before they start getting axed off.
That being said, despite being a middling entry in the overall franchise, the good characterization in Jason and the wickedly wild and entertaining battles between Tina and Jason do make it worth a watch for slasher fans. Just don't expect the best entry in the franchise.
I give it a middle-of-the-road 5 out of 10.
The popular, money-making slasher series continues with Lar Park Lincoln (the best leading actress in the Friday films) as Tina Shepherd, a pretty teen with telekinetic abilities who accidentally uses her powers to release Jason (Kane Hodder) from his underwater grave. He lurks around (with exposed spine) and sets his sights on a group of young people who rent a cabin for a birthday party. To justify some of the murders, many of the characters, like shrink Terry Kiser (who plots to exploit Tina) and Susan Jennifer Sullivan (great blonde bitch) obviously deserve to die.
Gore-wise we have a decapitation, a hand thrust through a chest, a party horn stuck in an eyeball, an axe to the face (twice), a drowning, a body thrown out a window and, the best murder, well I won't ruin it by saying it involves a sleeping bag and a tree, but it's a hoot.
The make-up FX are great, the women look good (and several of them have nude scenes) and there's a surprise ending you may not expect, but still not much plot. Kane Hodder went on to become the only actor who played Jason to receive a little fame for this thankless role. This was the number one box office draw at movie theaters the week it debuted.
Gore-wise we have a decapitation, a hand thrust through a chest, a party horn stuck in an eyeball, an axe to the face (twice), a drowning, a body thrown out a window and, the best murder, well I won't ruin it by saying it involves a sleeping bag and a tree, but it's a hoot.
The make-up FX are great, the women look good (and several of them have nude scenes) and there's a surprise ending you may not expect, but still not much plot. Kane Hodder went on to become the only actor who played Jason to receive a little fame for this thankless role. This was the number one box office draw at movie theaters the week it debuted.
Again Jason Vorhees (Kane Hodder who did his own stunts) lurking and killing teens and mask wearing executing uncountable body-count . The film begins with flashbacks from previous part ; then Tina Shepard (Park Lincoln) kills accidentally his daddy on the docks in Crystal Lake . Years later , she returns with her mother (Susan Blue) and a psychiatrist who wishes to exploit her . Then , Tina with her telekinesis (Carrie-alike) power rises Jason from under lagoon with fateful consequences . Jason does a cruel massacre on young people (the B-star Elizabeth Kaitan , among them) using axe , cleaver and his supernatural force.
This seventh following contains horror , suspense , terrifying scenes , grisly killing , shocks and lots of blood . The storyline remains similar happenings and characters as well as predecessor entries and successive chapters . The flick takes accent as the thrills and chills , as well as the guts , gore and blood . John Carl Buechler was so impressed with Kane Hodder when he ate live worms on the set of Prison (1987) , that he pushed for Paramount Pictures to let him cast Hodder in the role of Jason . Atmospheric and creaking musical score by the usual Harry Manfredini . The motion picture was middlingly directed by John Carl Buechler , habitual make-up craftsman.
Followed by ¨Jason takes Manhattan Part VII (1989), ¨Jason goes to hell : The final Friday (1993)¨ ,Jason X (2002, James Isaac)¨, the final chapter is ¨Freddie vs. Jason (2003,Ronni Yu)¨, where again Jason emerges from Crystal Lake and confronting Freddie Kruger . And in production ¨Friday, the 13th¨ by Marcus Nispel with Jared Padelecki, Danielle Panabaker and produced by Michael Bay . The tale will appeal to Friday 13 series fans.
This seventh following contains horror , suspense , terrifying scenes , grisly killing , shocks and lots of blood . The storyline remains similar happenings and characters as well as predecessor entries and successive chapters . The flick takes accent as the thrills and chills , as well as the guts , gore and blood . John Carl Buechler was so impressed with Kane Hodder when he ate live worms on the set of Prison (1987) , that he pushed for Paramount Pictures to let him cast Hodder in the role of Jason . Atmospheric and creaking musical score by the usual Harry Manfredini . The motion picture was middlingly directed by John Carl Buechler , habitual make-up craftsman.
Followed by ¨Jason takes Manhattan Part VII (1989), ¨Jason goes to hell : The final Friday (1993)¨ ,Jason X (2002, James Isaac)¨, the final chapter is ¨Freddie vs. Jason (2003,Ronni Yu)¨, where again Jason emerges from Crystal Lake and confronting Freddie Kruger . And in production ¨Friday, the 13th¨ by Marcus Nispel with Jared Padelecki, Danielle Panabaker and produced by Michael Bay . The tale will appeal to Friday 13 series fans.
Le saviez-vous
- AnecdotesWalt Gorney: the veteran actor who played Crazy Ralph in the original Vendredi 13 (1980) and in Le Tueur du vendredi (1981) returns as the voice of the narrator during the opening of this film. It is possible that the narrator could be Crazy Ralph telling the story from beyond the grave.
- GaffesThe tent that Judy and her boyfriend are camping in changes size between shots.
- Versions alternativesUK cinema and video versions were cut by 8 secs by the BBFC to remove an underwater full frontal shot of Sandra skinny-dipping. The cuts were waived in 2002.
- ConnexionsFeatured in His Name Was Jason: Les 30 ans de Vendredi 13 (2009)
- Bandes originalesI'm Not Mad (Ready For The World)
Written by Cameron Hawkins, Nash the Slash and Michael Waite
Performed by Fm
Courtesy of Duke Street Records
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- How long is Friday the 13th: The New Blood?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Vendredi 13, chapitre 7 : Un nouveau défi
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 800 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 19 170 001 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 245 038 $US
- 15 mai 1988
- Montant brut mondial
- 19 170 001 $US
- Durée
- 1h 28min(88 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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