L'emprise des ténèbres

Nice trip to Voodoo wonderland: Wes Craven did a good job with The Serpent and the Rainbow, capturing the exotic magic and world of Haiti. Production, acting, story solid, with that special exotic extra flavor. The only thing I gotta complain, I would have spiced up the level of horror a tiny bit. Well, sometimes we can't have everything, sadly, I should add ;)

In 1985, after a successful research in Amazonas, Dr. Dennis Alan (Bill Pullman) from Harvard is invited by the president of a Boston pharmaceutics industry, Andrew Cassedy (Paul Guilfoyle), to travel to Haiti to investigate the case of a man named Christophe (Conrad Roberts) that died in 1978 and has apparently returned to life. Andrew wants samples of the voodoo drug that was used in Christophe to be tested with the intention of producing a powerful anesthetic. Dr. Alan travels to meet Dr. Marielle Duchamp (Cathy Tyson) that is treating Christophe and arrives in Haiti in a period of revolution. Soon Alan is threatened by the chief of the feared Tonton Macuse Dargent Peytraud (Zakes Mokae), who is a torturer and powerful witch. Alan learns that death is not the end in the beginning of his journey to hell.

"The Serpent and the Rainbow" is one of the creepiest and most originals zombie movie ever produced. Directed by Wes Craven, the story uses the background of political environment of Haiti and entwines horror and politics. Bill Pullman has good performance and Cathy "Mona Lisa" Tyson completes the romantic pair of the story. But Zakes Mokae "steals" the movie with a scary performance in the role of the wicked Peytraud. My vote is seven.

Title (Brazil): "A Maldição dos Mortos-Vivos" ("The Curse of the Living Dead")

Much to my surprise, this film was actually an excellent horror flick, one that I plan to watch again some day. I am glad a friend of mine recommended the movie to me, I am just hoping others will find the time to look into it.

Even more, if the story actually is based on a "true story", I will shudder at the thought of it...

One of Wes Craven's best, "Serpent and the Rainbow" is as much a psychological thriller as a horror movie. Some horror fans may find it too slow (it takes its sweet time to come to a climax) but it's worth it... the journey is entertaining and interesting. This is a polished, professionally filmed movie with higher production values than the average for its genre.

I've never seen a film before that went quite so in-depth into the subject of voodoo. Filmed on location in Haiti, this movie goes into a lot of detail about various voodoo practices and introduces the voodoo versions of the good and evil magician, the houngon and the bocor. If you have any interest at all in this subject matter (or the supernatural in general), I recommend the movie on that basis alone.

Acting is uniformly solid throughout, if nothing really outstanding. We do not come to care very deeply about these characters, so their trials, tribulations and deaths do not bother us much... but Craven's attention to detail really shows, and there isn't a moment of this movie that lacks entertainment value. 7/10.

First I have to mention that while the book (The Serpent and the Rainbow by Wade Davis) is infinitely better and deeper than the movie that shares its name, comparing the two is unfair. The audience is informed that the movie was "inspired" by the content of the book, for whatever interpretation you give inspired. What makes the book more interesting, aside from it being a true documentary, is how it balances light and shadow in much the way the Vodoun religion balances both. This film may leave you thinking that Haiti is a horrible place filled with monsters and boogeymen, and I don't think that's a fair estimation.

The film confuses many things and ideas which I feel should have been explained. Not everyone is an ethnoreligionist, after all. Totems, houngans, hounfours, mambos, bokors, le Bon Dieu, and the Amazon shaman are just mentioned in passing as if this is everyday vocabulary to the audience. The character of Marielle is presented as a dedicant of the goddess (loa) Erzulie. Well, this is a nice touch, but what of Damballah and his consort Aida-Wedo--the original serpent and the rainbow? And what about the man dressed as a skeleton in an obvious tribute to Baron Samedi--yet the Baron is never mentioned. What really made me chuckle is how Alan's totem saves the end, a totem we had only seen in glimpses without the concept of a power animal ever being explained.

Through in the confusion of the collapse of the Duvalier government and we have the perfect recipe for movie mayhem. Oh, come on...you just knew the overthrow of Duvalier had to work itself in here somewhere, right? We must have the obligatory "I am an American citizen--you cannot touch me" scene when dealing with the so-called Third World.

Bill Pullman was entirely wrong as the protagonist. I just found it unbelievable that this man could find his way out of a Happy Meal box let alone 200 miles of Amazon rainforest. He is abrasive and unpolite, two things which are professional suicide for anybody dealing in international cultures. All right, one can allow for a certain degree of cynicism on his part, but I find it difficult to believe that a man of his caliber and academic background would be fool enough to shoot his mouth off as he does.

Watch this film with an acrostic eye. It isn't a bad film, in spite of the faults I personally found with it. Just watch it cautiously. If it whets your interest, definitely go check out the Davis book.