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Ajouter une intrigue dans votre langueA paroled labor racketeer attempts to connect with his rebellious teenage daughter. Meanwhile, his deceitful former partner wants to kill him and a politically ambitious attorney wants to ja... Tout lireA paroled labor racketeer attempts to connect with his rebellious teenage daughter. Meanwhile, his deceitful former partner wants to kill him and a politically ambitious attorney wants to jail him.A paroled labor racketeer attempts to connect with his rebellious teenage daughter. Meanwhile, his deceitful former partner wants to kill him and a politically ambitious attorney wants to jail him.
- Réalisation
- Scénario
- Casting principal
Benjamin Rayson
- Henry Solomon
- (as Ben Rayson)
Avis à la une
I just Today Saw This movie on Sunday Matanee. It Was as Previously stated Funny, It had some great humor and was not as boring as The previous review I read said it was.I actually Enjoyed this movie. Please If ya have a chance Watch it and give it a chance it is NOT THAT BAD
The usual suspects support Peter Falk and Emily Lloyd in Susan Seidelman's mob comedy. He's coming out of prison after thirteen years and wants his money from Michael Gazzo. She's his illegitimate daughter by Dianne Wiest, a street kid and "famous screwup" who winds up driving for him. Gazzo has no intention of paying him, of course. In fact, Falk is so annoying that Gazzo wants him dead, and with guys like these, the wish is usually father to the deed.
After all ll the Mafia movies of the 1970s came the inevitable reaction in the late 1980s of mob comedies, and this is one of the best of them. Sociologically, these films marked the middle of the Mafia's decline. It seemed every mook flipped for witness protection and a book deal. Newer, more violent gangs were taking over the drug trade, Off Track Betting gutted the bookies, and Waste Management took over garbage collection. Organized Crime was still feared, and the legend persists, but the grandsons of capos now largely run legitimate businesses; they've assimilated.
Jerry Lewis has a sizable role, and Lionel Stander is on view as an aging capo di tutto capi, as are Brenda Vacarro, Adrian Pasdar, and lots of shots of grungy outer boroughs and Atlantic City.
After all ll the Mafia movies of the 1970s came the inevitable reaction in the late 1980s of mob comedies, and this is one of the best of them. Sociologically, these films marked the middle of the Mafia's decline. It seemed every mook flipped for witness protection and a book deal. Newer, more violent gangs were taking over the drug trade, Off Track Betting gutted the bookies, and Waste Management took over garbage collection. Organized Crime was still feared, and the legend persists, but the grandsons of capos now largely run legitimate businesses; they've assimilated.
Jerry Lewis has a sizable role, and Lionel Stander is on view as an aging capo di tutto capi, as are Brenda Vacarro, Adrian Pasdar, and lots of shots of grungy outer boroughs and Atlantic City.
It was planned as a feel good movie like 'Desperately Seeking Susan' but in fact it is unfortunately only goofy and boring. I don't know why such a accomplished writer like Nora Ephron had written such a bad screenplay and the poor actors and actresses like Ricki Lake, Dianne Wiest, Peter Falk, Brenda Vaccaro, Lionel Stander or Jerry Lewis have had no chance to show their talents. And poor Emily Lloyd. I think it costs her a lot of sympathy in Hollywood and have had prevented to become such a big star like Gwyneth Paltrow or Winona Ryder in the USA.
The movie starts with Carmela 'Cookie' Voltecki (Emily Lloyd) mourning at the funeral of Dominick Capisco (Peter Falk) and then it flashbacks a few months earlier. Cookie is a wild rebellious teen. Her mother Lenore (Dianne Wiest) is the secret mistress of imprisoned gangster and her father Dominick Capisco. He's getting paroled and forces Cookie to get a mob job. She eventually becomes his driver. Bunny (Brenda Vaccaro) is his unhappily mob-marriage wife. He wants his money and get out of the business but his partner Carmine (Michael V. Gazzo) has squeezed him out. U.S. Attorney Richie Segretto (Bob Gunton) has set his sights on Dominick mistakenly assumes him to have returned as a mob boss.
This is directed by Susan Seidelman and written by Nora Ephron and Alice Arlen. This female group has created a mob movie with a few quirks, little tension and even fewer surprises. It's led by two mannered performances from rebellious Emily Lloyd and old tough guy Peter Falk. I like both actors but the movie is rather forgettable. It's not as quirky or funny as it thinks it is. The writing really doesn't have an edge. It has a few action scenes but the intensity is not terribly high. There are better mob comedies elsewhere.
This is directed by Susan Seidelman and written by Nora Ephron and Alice Arlen. This female group has created a mob movie with a few quirks, little tension and even fewer surprises. It's led by two mannered performances from rebellious Emily Lloyd and old tough guy Peter Falk. I like both actors but the movie is rather forgettable. It's not as quirky or funny as it thinks it is. The writing really doesn't have an edge. It has a few action scenes but the intensity is not terribly high. There are better mob comedies elsewhere.
One viewer wrote that this is kind of movie you should try for lazy Saturday afternoon viewing. I agree. Cookie is no grand royal of fans, but rather a fun little film that works in the spirit of Desperately Seeking Susan, which is no surprise that the film is directed by the same person, Susan Sneidman. Emily Lloyd has to goofy, hip kind of attitude that Madonna did as "Susan." She, mixed with the stuffy business-minded mafia family makes for a fun time.
I was drawn to this film as a Peter Falk fan. He is Dino Capisco, a mob boss released from prison. His estranged daughter is Cookie is sent to work for him. He needs to get some money back from an associate before making a break from the mafia life. However, his associate went and sold off his shares and basically says, live with it. But not Dino. And not Cookie, neither.
Diana Wiest plays Cookie's absolutely wacky mother and Dino's girlfriend who's waiting to get married to Dino when he does make his break from the mob. Jerry Lewis has a small part as a rival associate. And to my surprise, the movie also stars a very young Adrian Pasdar, which current viewers of Judging Amy will recognize as the D.A. and Amy Gray's love interest. He's a hubba hubba.
For you eighties fans out there, this movie is probably right up your alley. It's good times!
I was drawn to this film as a Peter Falk fan. He is Dino Capisco, a mob boss released from prison. His estranged daughter is Cookie is sent to work for him. He needs to get some money back from an associate before making a break from the mafia life. However, his associate went and sold off his shares and basically says, live with it. But not Dino. And not Cookie, neither.
Diana Wiest plays Cookie's absolutely wacky mother and Dino's girlfriend who's waiting to get married to Dino when he does make his break from the mob. Jerry Lewis has a small part as a rival associate. And to my surprise, the movie also stars a very young Adrian Pasdar, which current viewers of Judging Amy will recognize as the D.A. and Amy Gray's love interest. He's a hubba hubba.
For you eighties fans out there, this movie is probably right up your alley. It's good times!
Le saviez-vous
- AnecdotesLenore's apartment scenes were filmed in Sunnyside, NY. The apartment was converted from a existing dental office. The dentist was paid a hefty price for the use of his office for a one month period. When the filming was over the distraught dentist claimed damages and said it wasn't worth the price to close his practice for the filming.
- GaffesThe briefcase Cookie is to deliver to Atlantic City is supposed to contain $2,000,000. That would require 20,000 $100 bills that would weigh 20,000 grams, or just over 44 pounds (~20 kg). It is clearly lighter than that and is too small to contain 200 packs of 100 x $100 bills.
- Citations
Dominick 'Dino' Capisco: Take the gum out of your mouth when you're talking to me. You look like a hooker.
- Crédits fousMajor sections of the closing credits are each headed by graphic icons for the respective departments.
- Bandes originalesVesti la giubba
(from opera "Pagliacci")
Performed by Mario Del Monaco
Composed by Ruggero Leoncavallo (uncredited)
Courtesy of London Records
(A Division of PylyGram Classics, Inc.)
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- How long is Cookie?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 1 869 417 $US
- Week-end de sortie aux États-Unis et au Canada
- 292 483 $US
- 27 août 1989
- Montant brut mondial
- 1 869 417 $US
- Durée1 heure 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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