Thomas 12 ans, fils d'un millionnaire, vit dans un manoir entouré de bois. À la mort de sa mère, son père engage une servante qui s'installe dans la maison avec son fils. La relation entre l... Tout lireThomas 12 ans, fils d'un millionnaire, vit dans un manoir entouré de bois. À la mort de sa mère, son père engage une servante qui s'installe dans la maison avec son fils. La relation entre les deux enfants ne sera pas celle attendue.Thomas 12 ans, fils d'un millionnaire, vit dans un manoir entouré de bois. À la mort de sa mère, son père engage une servante qui s'installe dans la maison avec son fils. La relation entre les deux enfants ne sera pas celle attendue.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Avis à la une
The presence and success of the French in nearly every field of art and literature cannot be overlooked... Indeed, the history of cinema and literature would be almost nonexistent without France. Yet, the French are nearly absent when it comes to horror/thriller in art and literature...
In this French film, adapted from British author Susan Hill's 1970 novel "I'm the King of the Castle," director Régis Wargnier, with the help of the cinematography and music, manages to capture that characteristic British greyness so often seen in Susan Hill's books. And he does so without sacrificing his French identity.
David Behar and Régis Arpin play a large part in this success.
In this French film, adapted from British author Susan Hill's 1970 novel "I'm the King of the Castle," director Régis Wargnier, with the help of the cinematography and music, manages to capture that characteristic British greyness so often seen in Susan Hill's books. And he does so without sacrificing his French identity.
David Behar and Régis Arpin play a large part in this success.
10sosssod
I believe this film is giving a lesson to all the Hollywood productions, and I'm glad to see that the Cinema isn't entirely dead. For his second film, after "La femme de ma vie", Régis Wargnier draws a parallel between the cruel games of childhood and the perversity of the adult world. The child actors are acting brilliantly through a disturbing film.
VIVE LE CINEMA !
VIVE LE CINEMA !
You still think childhood is naive and that only as adults we can become ... less good? Go watch this film now :)! Jean Rochefort, usually a likable chap, sort of like a French Sean Connery, in here plays against character, a rich lonely guy who isn't of course as mischievous as his son, but is no angel either.
Films usually center or focus on one character, and this is Thomas Bréaud's movie! His cold stare and regular features are awesome. I'm surprised according to IMDb at least, he hasn't turned out any more films. Strange.
Charles Vernet on the contrary, and probably predictably, is a good boy, a normal chap in unusual, I'd venture say, not a very healthy environment.
I wasn't very convinced by her mum, played by Dominique Blanc with conviction but... there was something that didn't made me "see her" in the role, from the start. But that's probably me, for she's turned out more than 60 films, many well known. She is nice enough, dignified but also with obvious longings for earthly pleasures.
My "favourite" scene is when Thomas, right after being saved by Charles, comes home and whispers to poor Charles: "Your mother is a prostitute". And then at night actually shows her son how her bed is empty, and offers to look at her father's bedroom. Let alone the play... Thomas is a born perverse, with an angel's face, which makes him even more "lethal".
Visually arresting, like the scenes of the horses when the boys escape the castle, or Charles' ball bouncing off the ceiling of a cathedral, a helpless white soul in a solid grey world. OK, it sounds corny, and the film isn't, but it's what came to my mind at least :).
Music is 90% classical, all by the same composer: Prokofief! You'll hear the "Romeo and Juliet" ballet excerpt more than once, put to perfect use (it's chilling!) and other famous and not so pieces. With the delightful châteaux and superb car (any IMDb user can help me out and tell me which is the brand and model?).
Maybe Pedro Aguiar's insightful review here on IMDb of course is right, and only children's minds can grasp the "meaning" of a film such as this. I found it implausible on many accounts, to start with. And then, for some reason the film didn't resound to me as a humane story, but as a cold device made to shock, manufactured to startle and deceive. Like a mechanic cuckoo clock, if you get my analogy.
I didn't like this movie in the sense it's not pleasant to watch, at all, but life isn't composed only of roses, beautiful things, and good people, so if you're prepared for an emotional ride, a movie that won't let you rest for a moment, like a thriller but with psychological action (thus more effective, by far) do watch this movie.
Just don't tell me I didn't warn you :).
Films usually center or focus on one character, and this is Thomas Bréaud's movie! His cold stare and regular features are awesome. I'm surprised according to IMDb at least, he hasn't turned out any more films. Strange.
Charles Vernet on the contrary, and probably predictably, is a good boy, a normal chap in unusual, I'd venture say, not a very healthy environment.
I wasn't very convinced by her mum, played by Dominique Blanc with conviction but... there was something that didn't made me "see her" in the role, from the start. But that's probably me, for she's turned out more than 60 films, many well known. She is nice enough, dignified but also with obvious longings for earthly pleasures.
My "favourite" scene is when Thomas, right after being saved by Charles, comes home and whispers to poor Charles: "Your mother is a prostitute". And then at night actually shows her son how her bed is empty, and offers to look at her father's bedroom. Let alone the play... Thomas is a born perverse, with an angel's face, which makes him even more "lethal".
Visually arresting, like the scenes of the horses when the boys escape the castle, or Charles' ball bouncing off the ceiling of a cathedral, a helpless white soul in a solid grey world. OK, it sounds corny, and the film isn't, but it's what came to my mind at least :).
Music is 90% classical, all by the same composer: Prokofief! You'll hear the "Romeo and Juliet" ballet excerpt more than once, put to perfect use (it's chilling!) and other famous and not so pieces. With the delightful châteaux and superb car (any IMDb user can help me out and tell me which is the brand and model?).
Maybe Pedro Aguiar's insightful review here on IMDb of course is right, and only children's minds can grasp the "meaning" of a film such as this. I found it implausible on many accounts, to start with. And then, for some reason the film didn't resound to me as a humane story, but as a cold device made to shock, manufactured to startle and deceive. Like a mechanic cuckoo clock, if you get my analogy.
I didn't like this movie in the sense it's not pleasant to watch, at all, but life isn't composed only of roses, beautiful things, and good people, so if you're prepared for an emotional ride, a movie that won't let you rest for a moment, like a thriller but with psychological action (thus more effective, by far) do watch this movie.
Just don't tell me I didn't warn you :).
I saw this movie 11 years ago, when I was almost the age of the protagonists, and it looked so real and intense to me that even for long later I still was impressed and didn't want to see it again. If you watch it, you'll probably understand why.
Thomas (Régis Arpin) is the 12-year-old son of a millionaire who lives in a big mansion surrounded by woods in France. When his mother dies, his father hires a widow maid to take care of all while he is away. The woman brings her only son, Charles, to live with them and, hopefully, make company to lonesome Thomas. The rich boy and the poor one become enemies from the very first encounter. Moved essentially by jealousy and fear, Thomas decides to turn Charles' life into hell, especially after their parents eventually fall in love. As the title suggests, he wants to make clear to the 'invader' who is the lord of the castle.
American audiences will compare it to "The Good Son", but Macaulay Culkin is a hundred feet below what Régis Arpin does in this movie. Childish cruelty here is not a psycho obsession, but rather a mean of defense which is later surpassed.
Yet, it's the best French film I ever watched, even though I was that young boy the first time. By then, the end of the film seemed quite enigmatic to me. Years later, I thought I had found the clue and I had a certainty about it. By seeing it again, I believe it was really intended to be enigmatic, and there are no certainties to have: only a child's eyes are able to perceive.
Thomas (Régis Arpin) is the 12-year-old son of a millionaire who lives in a big mansion surrounded by woods in France. When his mother dies, his father hires a widow maid to take care of all while he is away. The woman brings her only son, Charles, to live with them and, hopefully, make company to lonesome Thomas. The rich boy and the poor one become enemies from the very first encounter. Moved essentially by jealousy and fear, Thomas decides to turn Charles' life into hell, especially after their parents eventually fall in love. As the title suggests, he wants to make clear to the 'invader' who is the lord of the castle.
American audiences will compare it to "The Good Son", but Macaulay Culkin is a hundred feet below what Régis Arpin does in this movie. Childish cruelty here is not a psycho obsession, but rather a mean of defense which is later surpassed.
Yet, it's the best French film I ever watched, even though I was that young boy the first time. By then, the end of the film seemed quite enigmatic to me. Years later, I thought I had found the clue and I had a certainty about it. By seeing it again, I believe it was really intended to be enigmatic, and there are no certainties to have: only a child's eyes are able to perceive.
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What is the English language plot outline for Je suis le seigneur du château (1989)?
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