Kinjite : Sujet tabou

Lt. Crowe is a no nonsense aged cop who almost goes over the edge after his daughter is molested by an unidentified Asian male. As he battles to curb his anger and racial prejudices, Crowe knows he must focus on the job at hand, the safe return of a kidnapped child, and the arrest of a child prostitute pimp...........vengeance and duty are about to become an uneasy alliance.

Showing his aged years and looking frazzled around the edges, this is actually one of Charles Bronson's best performances. Casting Bronson as Crowe now looks like an inspired decision, Crowe is a man getting old as the world around him changes its ideals and principals, with Bronson stepping into character and grasping the irony of his career overview. Not that there is anything remotely sad about the work here, it's a Bronson film with Bronson kicking arse, his character's conflicting beliefs allowing Bronson put some emotional blood into Crowe's sinewy veins.

Personally, what i find most engaging with Kinjite is its duality centre, we root for Crowe as he thunders on in pursuit of the vile bastards who exploit children for their own and monetary ends, yet the confusion reigns as Crowe's racist slant towards Asians reaches fever pitch. It's safe to say that a lot of Bronson pictures are beef for beefs sake, but this really isn't an excuse for just throwing punches, or a Bronson working for food scenario. Don't get me wrong here, i would be a liar if i said this wasn't seeping with 80s sweat, it so is an 80s movie, but it's got balls the size of Bronson himself and perfectly captures the point of change for society and leading man alike.

Underseen, undervalued and most definitely worth a look, 6/10.

Ninth and final collaboration between J. Lee Thompson with Charles Bronson, it was also Jack Lee final film before retirement and the last one Bronson made for the two cousins of Cannon Group, Menahem Golan & Yoram Globus, "Kinjite - Forbidden Subjects" was a return to the action / crime / thriller genre, a territory covered by the duo in several films before, from "10 to Midnight" ('83) to "Murphy's Law" ('86), after the more mystery / 'whodunit' oriented, "Messenger of Death", made the previous year.

Bronson plays his usual cop on the edge to be acting above the law (he was in full Eastwood's "Dirty Harry" mode here), this time chasing a pimp who is forcing minors into prostitution, played by the forever baddie Juan Fernandez ("Salvador", "Crocodile Dundee 2") in an one more sleazy performance, who kidnapped the 12 years old daughter of a yuppie japanese businessman (James Pax from "Big Trouble in Little China") new in town. After his own daughter was molested (ironically by the same oriental) during a bus ride, Bronson's feel of bigotry towards the japanese who are taking L.A. grow bigger, but his sense of integrity and the fact he's father of a teenage girl himself, makes him on the loose through the city's underground to find the missing child.

The movie deals with several relevant issues, such as cultural differences, hidden sexual desires and the execrable child prostitution ring, but ultimately (and unfortunately), it doesn't balance them well, cutting the plot to pieces to acommodate a Charles Bronson's action vehicle, and it was a shame, because the material was there for a great 'serious' crime / drama film such as Paul Schrader's "Hardcore" ('79) or William Friedkin's "Cruising" ('80).

The budget seems even shorter than "Messenger of Death" due to Cannon's financial bankrupt around '89, and some of the shots look cheap enough to be the "made for TV" film of the week and not even the cinematography is that good in this one, but Jack Lee & Bronson compensate it with more fights, more gunshots and more action, including an over-the-top big finale that all the Bronson's fans will be pleased.

The shocking subject of the movie, and its infamous, not showed but suggested, scenes it may be too exploitative for some mainstream public back then and even now, that's why Jack Lee, probably with conservative Bronson's aval, shot them in a more "light" tone, instead of going too nasty or visually sordid.

Besides Bronson, Fernandez and Pax, the supporting cast features several well known faces such as the beautiful & future "Baywatch" mermaid, Nicole Eggert, in her debut film; Perry Lopez ("Kelly's Heroes", "Chinatown" & "Death Wish 4") playing Bronson's partner; Sy Richardson ("Straight to Hell") as the pimp's henchman; Amy Hathaway & Peggy Lipton, playing respectively, the daughter & wife of Bronson's character and even cameos from Alex Hyde-White ("Biggles - Adventures in Time", "Indiana Jones and the Last Crusade", "Pretty Woman") & Danny Trejo ("Runaway Train", "Heat", "Desperado", "Machete").

In short, "Kinjite - Forbidden Subjects" isn't the best of the Jack Lee Thompson / Charles Bronson pairing, neither is the worst, but works as the last hurrah from both veterans together, from the Cannon Group before bankrupcy, and the 80's Era of the OTT / cheesy / full of witty on-liners, action films.

I give it a 6 !!

OK, this isn't the best movie ever made, but it does have some positive qualities. Nicole Eggert has a medium to small size part, but looks GREAT! This was the stage of her career where she looked the very best; long before the Gen-X style took her over and she got those ridiculous breast implants. Amy Hathaway is also in this movie as Charles Bronson's daughter. She is very beautiful - though a bit young in this. Don't take it too seriously and enjoy the eye candy!

This thrilling picture titled Kinjite (which means "to forbid" in English) contains suspense , noisy action-packed , intrigue , thrills and lots of violence . The meaning and relevance of this movie's title is that it refers to subjects such as sex, child molesting, prostitution which are forbidden topics in Japanese culture . It deals with the cop Lt. Crowe (Charles Bronson , he was about sixty-seven years of age) who takes on a pimp (Juan Fernandez) and a slimy hoodlum (Sy Richardson) whose speciality is recruiting adolescents including the daughter of a Japanese business man (James Pax). The lieutenant married to Kathleen (Peggy Limpton) has a teenager girl (Amy Hathaway) and is helped by another policeman (Perry Lopez). He then stalks the baddies and takes the law into his own hands , acting as judge , jury and executioner ; searching vengeance on crooks , pimps making the neighborhood safer and bumping off delinquents and street scum.

This standard Bronson movie is full of action , thrills, and disturbing scenes . Bronson in his usual stoic acting displays efficiently his weapons such as ¨Harry the Dirty¨ and killing mercilessly nasties . This is the last movie Charles Bronson made for Cannon Films and it represents the tenth and final of ten teamings between producer Pancho Kohner and star actor Bronson . It's certainly thrilling , though the morality may be questionable , even in this time, as the spectators were clearly on the Lt. Crowe Bronson's side . Disagreeable scenes and loathing theme as abuse of children with terrible end . Screen debut from Baywatch's Nicole Eggert as a teen prostitute and Danny Trejo as an inmate in a final brief appearance -almost extra- . Unappropiated and anti-climatic musical score composed by means of synthesizer .

The fare was badly directed by J. Lee Thomson , in his last one , he previously had a nice track record in the English cinema from 1950 until 1961 , directing good Western (McKenna's gold , White Buffalo) and all king genres as Sci-Fi (Conquest and Battle of planet of apes), terror (reincarnation of Peter Proud, Eye of the devil), adventures (Flame over India ,Kings of the sun, Taras Bulba , Tiger Bay) and Warlike (Guns of Navarone, Von Braun , Chairman , The passage) . His two biggest successes turned out to be ¨Guns of Navarone¨and ¨Cape Fear¨. Thereafter , the filmmaker's career subsided in a morass of slickly realized but middling films . He moved into the field of international spectaculars , at which point his filmmaking seemed to lose its individuality . J. Lee Thompson working from the 50s in England, finished his career making Chuck Norris (Firewalker) and Charles Bronson vehicles (Caboblanco, Evil that men do , Messenger of death, Death Wish 4 : Crackdown, Caboblanco, St Ives). Rating : Below average . Lousy results for this disagreeable thriller that has many depressing failures.

This is the last movie that Charles Bronson made before the death of his second wife, actress Jill Ireland. At 68 and with a string of mediocre action thrillers littering his 1980s output, this sleazy cop movie turned out to be one of his better efforts of the decade. Bronson plays vice detective Crowe, a racist veteran of the force who has grown weary of seeing the scum of Los Angeles dragging innocent children into prostitution and drugs. A parallel storyline follows visiting Japanese businessman Hiroshi Hada (James Pax) who struggles to adapt to American values and soon after arriving loses his young daughter to slimy pimp Duke (Juan Fernandez). Crowe has already had run-ins with Duke, so when he is assigned to find Hada's daughter, the stories merge with tragic results. Bronson is still trim and performs well as Crowe, with several good action sequences. Largely maligned as an actor because he underplayed his leading roles, Bronson always fit this type of role because you could believe that he actually does the things he is portraying. There is a nice little scene involving an ethnic event where Crowe vents his frustration on some startled Japanese that speaks volumes about character motivation. Juan Fernandez is exceptional as Duke and makes his character truly evil. Veteran British director J. Lee Thompson does a fair job of keeping the movie plugging along and has a great set piece at the end of the movie involving a crane and crashing automobiles. The subject matter isn't as exploited as it could have been, but it's still pretty rough and loaded with nudity and violence. Bronson fans won't be disappointed and even non-fans (like my wife) enjoyed it.