NOTE IMDb
7,0/10
14 k
MA NOTE
Un jeune homme reçoit un coup de téléphone fortuit qui lui annonce qu'une guerre nucléaire a éclaté et que des missiles vont frapper sa ville dans 70 minutes.Un jeune homme reçoit un coup de téléphone fortuit qui lui annonce qu'une guerre nucléaire a éclaté et que des missiles vont frapper sa ville dans 70 minutes.Un jeune homme reçoit un coup de téléphone fortuit qui lui annonce qu'une guerre nucléaire a éclaté et que des missiles vont frapper sa ville dans 70 minutes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 5 nominations au total
Mykelti Williamson
- Wilson
- (as Mykel T. Williamson)
Kelly Jo Minter
- Charlotta
- (as Kelly Minter)
Robert DoQui
- Fred the Cook
- (as Robert Doqui)
José Mercado
- Bus Boy from Diner
- (as Jose Mercado)
Avis à la une
A story that begins like a romantic comedy and goes somewhere else. A disjointed plot, producing emotional confusion in those simple souls who go to the movies to have a piece of candy handed to them. It took courage to do this, and the result is an artistic success of the highest calibre.
The box-office story was probably not so good, but shame on those critics who helped send this movie to oblivion. Someday the Internet or something is going to bring back those few movies that stirred our emotions instead of putting them to sleep. There is no personified villain here. Time is the enemy, and The Bomb. How does it make you feel to be tricked? Maybe you deserve it. After all those countless, harmless, villains who've walked across your screen to fall like rags, here's a movie to shake you up instead. Oh never mind, just go back to sleep.
The box-office story was probably not so good, but shame on those critics who helped send this movie to oblivion. Someday the Internet or something is going to bring back those few movies that stirred our emotions instead of putting them to sleep. There is no personified villain here. Time is the enemy, and The Bomb. How does it make you feel to be tricked? Maybe you deserve it. After all those countless, harmless, villains who've walked across your screen to fall like rags, here's a movie to shake you up instead. Oh never mind, just go back to sleep.
*click*
As the phone went dead, my heart almost stopped as I watched Harry's expression.
I have known of this obscure thriller for years, and it gets better every time I see it.
'Miracle Mile' is an apocalyptic classic. As many other user comments have indicated, the film portrays mass hysteria and panic due to an impending nuclear attack. At first only Harry (Anthony Edwards) knows about it, and then tells a handful of citizens with such urgency that they have no choice but to believe him. From there the word spreads gradually, and impending doom really sets in. The streets break out into riots, and people just go absolutely nuts. All this while, Harry and his girlfriend Julie and desperately trying to get to a helicopter platform so they can escape to the extreme north. Problem is, many others have that idea as well.
Sounds a bit far-fetched? Perhaps, but the film's anticipation never seems to let up. This is an extremely enjoyable film that makes you think of your own immediate values. I mean, what WOULD you do in that situation? Would you just sit and wait for it? or would you (attempt to) flee? After viewing this film, you ask yourself these questions.
A forgotten gem that deserves the full anamorphic DVD treatment. It's an 80's movie, so it's not without it's corny moments and the somewhat cheesy format. But these things don't really matter as the film portrays panic so perfectly. If such an event (god forbid) was to actually occur, I believe the chaos on the streets would look just like the film.
I've seen some very negative comments on the film, and everyone is entitled to an opinion. But what can I say? I consider this a classic of sorts.
9/10
As the phone went dead, my heart almost stopped as I watched Harry's expression.
I have known of this obscure thriller for years, and it gets better every time I see it.
'Miracle Mile' is an apocalyptic classic. As many other user comments have indicated, the film portrays mass hysteria and panic due to an impending nuclear attack. At first only Harry (Anthony Edwards) knows about it, and then tells a handful of citizens with such urgency that they have no choice but to believe him. From there the word spreads gradually, and impending doom really sets in. The streets break out into riots, and people just go absolutely nuts. All this while, Harry and his girlfriend Julie and desperately trying to get to a helicopter platform so they can escape to the extreme north. Problem is, many others have that idea as well.
Sounds a bit far-fetched? Perhaps, but the film's anticipation never seems to let up. This is an extremely enjoyable film that makes you think of your own immediate values. I mean, what WOULD you do in that situation? Would you just sit and wait for it? or would you (attempt to) flee? After viewing this film, you ask yourself these questions.
A forgotten gem that deserves the full anamorphic DVD treatment. It's an 80's movie, so it's not without it's corny moments and the somewhat cheesy format. But these things don't really matter as the film portrays panic so perfectly. If such an event (god forbid) was to actually occur, I believe the chaos on the streets would look just like the film.
I've seen some very negative comments on the film, and everyone is entitled to an opinion. But what can I say? I consider this a classic of sorts.
9/10
This is a find I will treasure, all the more because it's flawed. It has a plain TV-look and seems pretty straightforward, nothing that will pass muster for Criterion certainly, but if we learn to detach ourselves from aesthetic preoccupation and focus on meaning, we'll find it in the most inconpicuous of places. Such as here.
Imagine a fairy-tale fantasy about a man, who having stood up the one-in-a-million' girlfriend he just met, imagines a scenario of apocalyptic destruction that will permit him to redeem himself in her eyes and become the savior. When he rushes into her apartment to pick her up she is sleeping, a sleeping beauty and he the prince charming.
Now imagine this planted inside a world of chaotic synchronicity, the Los Angeles, nuclear-paranoid version of After Hours. Like the Scorsese film, this unfolds as latenight chance encounters - except at the doorstep of the end of the world. Lovely LA streets, empty, beckoning us to travel. Empty architecture, kitsch (the burger joint) or futuristic (the apartment high-rises). Clean looks, but things are delightfully askew. A gun-totting man walks into a gym and yells at a crowd of lycra and spandex that he needs a helicopter pilot (and finds one).
Better yet, consider this. The film starts with TV footage about the creation of life from the Bang onwards. Evident is a plan, a structure that births from nothing intelligent life. The actual story begins with the man finding perfect love, the soulmate that completes into one. This rare moment of attaining perfect balance in life, the rest of the film progressively assaults by showing how entropy and chaos foil the plan. There is no plan. Except it all begins with the man setting in motion the entire story of destruction, karmic or a deeper instinct of destrudo that overpowers the desire to love. Makers of our own fate.
Here the film falters, in the finale. The apocalyptic vision of an entire city in the grip of bloody frenzy is one of the most potent, better than most zombie films about the end of times ever achieved, but it ends the way it does. It's so strong it threatens to swallow everything into its black hole.
Others might like this last part more. Whatever you do, this is a sleeper you can't afford to miss. Criterion will not do the work for you on this one, this you have to seek out.
Imagine a fairy-tale fantasy about a man, who having stood up the one-in-a-million' girlfriend he just met, imagines a scenario of apocalyptic destruction that will permit him to redeem himself in her eyes and become the savior. When he rushes into her apartment to pick her up she is sleeping, a sleeping beauty and he the prince charming.
Now imagine this planted inside a world of chaotic synchronicity, the Los Angeles, nuclear-paranoid version of After Hours. Like the Scorsese film, this unfolds as latenight chance encounters - except at the doorstep of the end of the world. Lovely LA streets, empty, beckoning us to travel. Empty architecture, kitsch (the burger joint) or futuristic (the apartment high-rises). Clean looks, but things are delightfully askew. A gun-totting man walks into a gym and yells at a crowd of lycra and spandex that he needs a helicopter pilot (and finds one).
Better yet, consider this. The film starts with TV footage about the creation of life from the Bang onwards. Evident is a plan, a structure that births from nothing intelligent life. The actual story begins with the man finding perfect love, the soulmate that completes into one. This rare moment of attaining perfect balance in life, the rest of the film progressively assaults by showing how entropy and chaos foil the plan. There is no plan. Except it all begins with the man setting in motion the entire story of destruction, karmic or a deeper instinct of destrudo that overpowers the desire to love. Makers of our own fate.
Here the film falters, in the finale. The apocalyptic vision of an entire city in the grip of bloody frenzy is one of the most potent, better than most zombie films about the end of times ever achieved, but it ends the way it does. It's so strong it threatens to swallow everything into its black hole.
Others might like this last part more. Whatever you do, this is a sleeper you can't afford to miss. Criterion will not do the work for you on this one, this you have to seek out.
I didn't hold high hopes for 'Miracle Mile'. Directed by Steve De Jarnatt who made the cheesy but fun 'Cherry 2000', and starring two actors (Anthony Edwards and Mare Winningham) that I feel at best indifferent about, it starts off almost like a John Hughes romantic comedy, and your finger might begin to hover off the "off" button. But if you persevere it quickly becomes an utterly compelling thriller. It requires a certain amount of suspension of disbelief to accept the premise of the movie, but once the story kicks in you really get sucked into it! Edwards is actually very good in the lead role, and the film is full of all kinds of familiar faces and character actors like Mykelti Williamson ('Truth Or Consequences, NM'), Denise Crosby ('Star Trek TNG'), Robert DoQui ('RoboCop'), even b-grade SF legend John Agar ('The Brain From Planet Arous'), and 'Reservoir Dogs' Mr. Blue Edward Bunker! This movie really seems to split people down the middle. Some hate it, some love it. I'm in the latter camp. Highly recommended!
Stylistically unique examination of a concentrated cross-section of humanity's real-time reaction to the (potential?) prologue to the apocalypse. Swings effortlessly from quirky to grounded, sweet to severe, & hopeful to bleak. #nitrosMovieChallenge.
Le saviez-vous
- AnecdotesThe punch line to the unfinished joke the loudmouth at the bar was telling (It's the mailman's last day on the job, he goes to a woman's house and she invites him in, makes love to him, makes him a wonderful breakfast and then gives him 5 dollars) is: Mailman: What was that for? Woman: Well I asked my husband what to do for you on your last day and he said, "Screw him, give him 5 dollars." The breakfast was my idea!
- GaffesOn the phone booth call, Chip told Harry the code to nuclear war. He said the code was "Thor Arthur 66ZZD." In the diner when Landa asked Harry to repeat the conversation, he said the code was, "Thor Arthur 66"DD"Z".
- Citations
Julie Peters: People are gonna help each other, aren't they? Rebuilding things?
Harry Washello: I think it's the insects's turn.
- Crédits fousDedicated to Doctor Biobrain
- Versions alternativesA little-seen preview version of the film included a special effect of two diamonds hovering after the nuclear explosion, just preceding the end credits. In the theatrical version and subsequent DVD release from MGM, the diamonds do not appear following the nuclear blast, rather the credits simply roll.
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- How long is Miracle Mile?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Miracle Mile
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 700 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 145 404 $US
- Week-end de sortie aux États-Unis et au Canada
- 341 401 $US
- 21 mai 1989
- Montant brut mondial
- 1 145 578 $US
- Durée1 heure 27 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Appel d'urgence (1988) officially released in India in English?
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