Le mariage de Betsy

This movie was surprisingly funny and timeless. Alan Alda, Ally Sheedy, Molly Ringwold, Joe Pesci and the late Madeline Kahn star in this funny wedding movie. Everyone knows Alda as a funny man who has been turning in some more serious performances lately but who knew Joe Pesci could be funny? Naturally, there is trouble over putting Eddie Hopper's (Alda) daughter's (Ringwold) wedding together. Straightforward plot with interest created by great characters and the actors who play them. This is a fun movie about family. Alan Alda outdoes himself in this 80's comedy. It's like we have a part of his hawk-eye personality back from MASH in this comedy.

The plot is very simple. Hopper's family is comfortable but not rich but the other family is rolling in dough and wants to take over the wedding. Oscar Henner (Pesci) is in construction but has ties to organized crime. Oscar is having an affair with his secretary but his wife (Catherine O'Hara) knows all about it. Hopper's other daughter (Sheedy) falls for the nephew (Anthony LaPaglia as Stevie Dee) of Oscar's not so honest associate (Burt Young). She's a cop and he's connected to the mob. Eddie borrows money from Oscar to pay for the wedding but Oscar charges him interest. Oscar involves Eddie in a deal with his associate but to get out of the deal might get him killed. Oscar offers to find a tent for the wedding but cuts a deal with someone and gets the wrong kind of tent. By the way, Oscar rents an apartment to the newlyweds in one of his tenament slum buildings! By the way, look for Samuel Jackson (unknown then) in a very small bit part in the taxi depot scene. It's lots of fun. No nudity, sex, violence.

Overall rating: 7 out of 10.

I have to admire Alan Alda for writing a film that contains characters we can actually relate to. Characters who seem like normal, everyday people and not farcical Hollywood creations. The problem? The film hardly goes anywhere. And I only got a few laughs. I'm not asking for "The Naked Gun." I'm not asking for a new gag every two minutes. But this film just didn't have enough humor to classify itself as a comedy. It needed an extra dose of energy, and I feel Alda should've stayed in front of the camera. Because his direction is flat, and the whole movie just seems like one big home video. Though the movie is only a little over ninety minutes, I felt some scenes belonged on the cutting room floor.

The cast is superb and first-rate, and they could've shined with a funnier script. Joe Pesci is the best of a lot, in a role quite different from his usual wise-cracking, tough-guy-from-Brooklyn act. Other talents are Catherine O'Hara, Anthony LaPaglia, the late Madeline Kahn and Molly Ringwald.

My Dad used to say, whenever he would watch a bad comedy, "I guess they call it a comedy, since there's no tragedy in it." That's how I can classify "Betsy's Wedding." No tragedy, but the laughs are scarce.

P.S.: Look fast for Samuel L. Jackson as a taxi dispatcher.

My score: 5 (out of 10)

Oh I remember this movie-A friend and I had been talking about comedies , reminiscing really and she reminded me about this one. I'm sort of weird with comedies-meaning I don't always like what the masses like-I seem to remember liking this(somewhat) but being all grown up now I doubt my reaction were I to view it would be as fond now.

There are many movies that stay timeless and never get old. In the case of Betsy's wedding once you see it, it does leave you with a certain sweetness afterwards. The movie had some sweet things to say although they've been done before. The ending, though, was REALLY cute. This is not a movie that I would say,(as many reviewers on here do)is awful. Rather I would call it a somewhat cute comedy that gets you through a rainy night.

Alan Alda wrote, directed and stars in this tale in which he portrays a father who wants the best wedding reception and party possible for his soon to be wed daughter, Betsy (Molly Ringwald). He's even willing to go so far as to let the wedding be financed by the mob. Fairly amusing and plenty of big stars in small or costarring parts help to propel it.

Alan Alda has worked with Woody Allen on several occasions, and it struck me watching this movie that he was trying for a Woody-ish ensemble piece. But, despite a fine cast, this is no Crimes and Misdemeanors.

The various plot strands are not woven together sufficiently well; some of the characters can be almost forgotten about during lengthy periods off-screen, including the eponymous Betsy. Ally Sheedy and Antony LaPaglia provide the film's brightest moments with their unlikely romance (although not so unlikely in the movies, of course!).