Gremlins 2 : La Nouvelle Génération

"Gremlins 2: The New Batch" is the 1990 sequel to the 1984 box office hit "Gremlins" which is one of my all-time favorite movies. The sequel is not as good as the original, but its not bad either. Here the filmakers did something different. They tried to make this one more of a comedy than the original. The first film was funny but also scary. "Gremlins 2" plays more like a Mel Brooks-type movie with some of the jokes that are in it. But its hardly scary. Plus, it got a little tiresome to watch the gremlins do some of the exact same things that they did the first time around like drinking, smoking, etc. Nevertheless, this is for the most part an entertaining movie that I'd wish had done better at the box office. I think if they had made this three years after the original instead of six years, it would have done better. In between the two "Gremlins" flicks there were all those ripoffs ("Critters", "Ghoulies" and their sequels) and by 1990 moviegoers became tired of it all. But the two "Gremlins" movies are much better than the "Critters" and "Ghoulies" movies. A good job by director Joe Dante.

*** (out of four)

Fancy some Gremlin Stew? Three underrated sequels came out in 1990. Predator 2, RoboCop 2, and Gremlins 2. I remember waiting in the lobby of a cinema in Orlando, Florida before a screening of Back to the Future 3, looking at the cardboard standees for Gremlins 2 and RoboCop 2 side by side. My 9-year-old self was a HUGE fan of the first movies and staring at a standee taller than me, featuring wonderful artwork, for those sequels was big deal for me. I pity kids nowadays who don't have the attention span to soak up little moments like that.

Dante takes everything that was great about Gremlins and cranks it all the way up to a zillion. The original movie was a dark xmas comedy horror with B-movie undertones. The sequel goes so over-the-top it launches itself into the stratosphere and doesn't come back down until the very, very end of the credits. It's just wall-to-wall mayhem with so many in-jokes it'll make your head explode. The movie even attempts to begin as a Looney Tunes cartoon.

Gizmo, now back with Mr. Wing, escapes the curiosity shop after the old man dies and is found by a scientist working at Splice of Life, a laboratory located in the Clamp Premiere Regency Trade Centre and Retail Concourse (a big skyscraper in Manhattan). Working in the art department of that skyscraper is Billy Peltzer, hero of the first film. Billy eventually locates and rescues Gizmo, but he gets wet before Billy can take him home, spawning a new generation of cute, fluffy, malevolent Mogwai (Mohawk, Lenny, Edward G. Robinson-lookalike George, and the absolutely mad Daffy). They eat after midnight at a Yoghurt stand in the lobby. The following day the Clamp building, and all of the tenants (from the Archery Channel to the movie print itself, leading to an amusing cameo from Hulk Hogan) are besieged by a horde of gremlins intent on mass destruction and good times at any cost.

One can accuse the film of having no story beyond giving the Gremlins a lively backdrop for their wild antics, but when you're having so much fun isn't that what matters most? Goldsmith's score (sadly underrepresented on the 22-year-old Varese Sarabande CD) has a lot more weight second time around, backed-up by a large orchestra and string-based action cues. You'll absolutely love it! Chris Columbus didn't return for this movie, leaving scripting duties to Charlie Haas. He uses the Gremlins and the location to skewer big city culture and satirize business tycoons. John Glover is brilliant as the easily excitable Daniel Clamp, a Donald Trump-like property magnate who has more money and power than he knows what do with.

It's amazing that a third Gremlins movie was never made. Despite it now being 22 years since Gremlins 2 and 28 years since the first movie virtually every kid knows what the Gremlins are and are familiar with Gizmo (who may well be the cutest thing that ever existed). It's still a huge cash cow and a recognizable brand, and why Warner never greenlit Gremlins 3 is puzzling to say the absolute least.

One last thing. Stay with this film until the end of the credits.

This here is Joe Dante's best film. It's a delightful and absolutely charming dark comedy. I begged my mom to take me to see this back in 1990 and thankfully I can say I saw this on the big screen.

Years later when I watch it, I can catch all of the little references and nods to other great films of the past. The Warner Brothers Looney Tune cartoons have obviously made an impact on the directorial style of Joe Dante. What's great is the combination of this type of humor blended with these devious little monsters wrecking havoc in the Clamp Building. Speaking of Clamp, John Glover was excellent as Daniel Clamp (a parody of Donald Trump). He's absolutely hilarious!

There are many terrific special effects and sequences in the film. It's hard to tell you which scene is my favorite because I adore every moment of the film. I will say one of the scenes that sticks out for me is when the Bat Gremlin flies out into New York City by day. I just love those excellent shots of him flying through the sky. Of course, the Brain Gremlin and the 'New York, New York' number is fantastic as well. "Is eeeverybody heere?" And who could forget when the Gremlins got their revenge for Leonard Maltin's lambasting of the first Gremlins movie?

All this is accompanied by a fantastic Jerry Goldsmith score (which happens to be one of my favorites of his as well). The collaboration between Goldsmith and Dante isn't unlike that of Hitchcock and Herrmann or Spielberg and Williams.

The film abounds with dark jollity and watching it you can tell that the filmmakers had a fun time making the picture. To include the audience as part of the goings on, is a real treat.

Out of all the thousands of films I have seen, none have been or ever will be more entertaining than Gremlins 2.

I LOVE it.

I rate both films exactly the same but for very different reasons, the first film was an enjoyable romp fusing horror and comedy to great effect. When I saw that there was to be this sequel 6 years later I was very pleased indeed. What I hadn't bargained for was the sharpness of the writing and the satirical structure that director Dante laid out for audiences to watch.

Focusing very much on the then modern obsessions like tearing things down to build state of the art monstrous complexes, or the need for a better world; be it the laboratory testings for better life forms, or machines to run our lives; Gremlins 2 plays out as a sort of morality tale that sees the creatures themselves as byproducts of the human condition. In true classic creature feature fashion, Dante manages to garner a level of sympathy for the Gremlins. These vile offspring of the offspring are party animals, they have fun, they like to sing and go nuts, they are in short, quite like a stag party on the Costa Del Sol! Throwing in as many film references as it can, Gremlins 2 may have a satirical slant at it's heart, but sure enough the fun from the first film segues nicely into this picture to make this one of the better, and more smarter sequels on the market.

And those darn Gremlins are nastier and uglier than ever as well! 8/10

This film is often looked back on as not only the lesser of the two Gremlins flicks but not a very good movie in general. I just don't understand it -- I love this movie! It successfully continues the underlying theme of the original (unlike a lot of sequels which seem to forget their points entirely): "gremlins" are mythical creatures blamed for mechanical errors (if an appliance is broken, it must have been the work of gremlins). In this movie, the gremlins are loose in a totally automated high-rise office building, already suffering from its own malfunctions, which serves as the perfect playground for them. Charles Haas' script is absolutely hilarious, filled with more movie in-jokes than I can recall seeing in a single movie, and it even pokes fun at the more serious original. In fact, I think many people disliked this film because of its total irreverence compared to the first; it didn't try to be scary for a second and Rick Baker's creature effects turned out goofier than Chris Walas's original creature designs. Just realize...this is a comedy! Definitely worth seeing more than once to catch the barrage of jokes and references...and sit all the way through the credits!