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Target

  • 1985
  • Tous publics
  • 1h 57min
NOTE IMDb
5,9/10
5,5 k
MA NOTE
Target (1985)
When American Donna Lloyd is kidnapped during a trip to Europe, her son Chris and her husband Walter start searching for her.
Lire trailer1:19
1 Video
57 photos
Aventure globe-trotterActionAventureCriminalitéDrameMystèreThriller

Walter Lloyd, un ancien agent de la CIA, mène une vie paisible auprès des siens, qui ignorent son précédent métier. Mais, son passé le rattrape lorsque sa femme est enlevée lors d'un voyage ... Tout lireWalter Lloyd, un ancien agent de la CIA, mène une vie paisible auprès des siens, qui ignorent son précédent métier. Mais, son passé le rattrape lorsque sa femme est enlevée lors d'un voyage à Paris. Père et fils se lancent à sa recherche.Walter Lloyd, un ancien agent de la CIA, mène une vie paisible auprès des siens, qui ignorent son précédent métier. Mais, son passé le rattrape lorsque sa femme est enlevée lors d'un voyage à Paris. Père et fils se lancent à sa recherche.

  • Réalisation
    • Arthur Penn
  • Scénario
    • Leonard Stern
    • Howard Berk
    • Don Petersen
  • Casting principal
    • Gene Hackman
    • Matt Dillon
    • Brad Williams
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    5,5 k
    MA NOTE
    • Réalisation
      • Arthur Penn
    • Scénario
      • Leonard Stern
      • Howard Berk
      • Don Petersen
    • Casting principal
      • Gene Hackman
      • Matt Dillon
      • Brad Williams
    • 45avis d'utilisateurs
    • 15avis des critiques
    • 53Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 1:19
    Trailer

    Photos57

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    Rôles principaux28

    Modifier
    Gene Hackman
    Gene Hackman
    • Walter Lloyd
    Matt Dillon
    Matt Dillon
    • Chris Lloyd
    Brad Williams
    • Forklift Operator
    Gayle Hunnicutt
    Gayle Hunnicutt
    • Donna Lloyd
    Randy Moore
    • Tour Director
    Ilona Grübel
    Ilona Grübel
    • Carla
    • (as Ilona Grubel)
    Tomas Hnevsa
    • Henke
    Jean-Pol Dubois
    • Glasses
    Robert Ground
    • Marine Sergeant
    Véronique Guillaud
    • Secretary. American Consulate
    Charlotte Bailey
    • Receptionist
    James Selby
    • Ross
    Ray Fry
    • Mason
    Josef Sommer
    Josef Sommer
    • Taber
    Jacques Mignot
    • Madison Hotel Clerk
    Robert Liensol
    • Cafe Vendor
    Guy Boyd
    Guy Boyd
    • Clay
    Ullrich Haupt
    Ullrich Haupt
    • Older Agent
    • Réalisation
      • Arthur Penn
    • Scénario
      • Leonard Stern
      • Howard Berk
      • Don Petersen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs45

    5,95.4K
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    Avis à la une

    5whpratt1

    Much To Do About Nothing

    Missed seeing this film over the years as I am a big fan of Gene Hackman, (Walter Llyod/Duke Potter),"Absolute Power", who plays the role as the average husband and wife with a son who is not very close to his father at all. Matt Dillon,(Chris Llyod/Derek Potter),"Loverboy", plays the son and Gayle Hunnicutt(Donna Llyod) "Dream Lover", is the wife who tries her very best to get her Walter to become closer to their son Chris. Donna disappears while she is on a tour in a foreign country and then the story gets quite complicated with lots of guns going off and plenty of car chases and great photograph in Germany and France. This film builds you up as you start getting interested and sort of goes down hill real fast. I like Gene Hackman and that is the only reason I decided to finish seeing this film.
    6blanche-2

    average thriller

    From 1985: "Target," directed by Arthur Penn, stars Gene Hackman and Matt Dillon as father and son.

    "Target" concerns the abduction of Walter Lloyd's (Hackman) wife while she is in France with a tour group. Lloyd understands the implications immediately, but his son Chris (Matt Dillon) doesn't: Someone is after Lloyd, or information in his possession. Father and son leave immediately for Europe to find her. There, Chris learns information about his father that he never knew. And that's all I can say without giving the game away - which, if you've seen a lot of these films, is pretty apparent.

    The problem with "Target" is in the beginning of the film, which has a TV-movie feel to it. Plus, despite locations in Paris and Germany later on, the beginning has a cheap feel to it due to the music and credits, not to mention some trite dialogue and the usual "try to get to know your son while I'm away" speech. It's a bad set-up.

    Gene Hackman is terrific as Walter, and Matt Dillon is fine as his son. The standout performance, in my opinion, is by the great acting guru and Broadway star Herbert Berghof in a rare film appearance toward the end of the movie. There are some excellent European actors as well, including the Russian actress Viktoriya Fyodorova.

    If not for the beginning, which threw me off, this would have been a better film.
    Oldsport57

    Dear old Dad? MY dear old Dad?!

    The performances of Matt Dillon and Gene Hackman brought this film right over the top for me.

    Dillon's character grows from being an obnoxious teenager, who sees Dad as an un-hip set of car keys with a hand attached to them, through the astonishing realization that Dad just may be "James Bond".

    And Gene Hackman brings his blazing talent to the table, unfolding from a middle-aged, pokey, conservative, 35-mile-an-hour, aw-shucks businessman into a multilingual, multitalented super-spook.

    The two interact perfectly! As they face dangers and intrigue together in a wild ride across the globe to save Mom, it is a delight to see them discover and appreciate the depths of each others' characters and become friends and partners.

    "Saving Mom", was almost irrelevant!
    6LCShackley

    Target misses the bull's-eye

    I'm a sucker for espionage movies filmed on location in Europe, so I was positively inclined toward this film, which I had never heard of before it cropped up on cable this week. I'm not sure how I missed it back in 1985, because I'm a Hackman fan and usually like movies of this type.

    This is an OK film, but not a great one. The locations are superb, and there are enough car chases to keep guys like me happy. The basic idea of the film (family of man with secret past must pay for his actions) is all right, too, but it plays out in a rather clunky way. (The story, by the way, was written by Leonard Stern, the executive producer of the GET SMART TV show, and the co-inventor of "Mad Libs".)

    Hackman is the best part of the picture. Josef Sommer is also good, but is basically playing the same role he played in WITNESS (also in 1985). He could phone in a part like this. What drags this movie down is the thoroughly annoying Matt Dillon subplot. I'm not sure if it's just Dillon the actor that bothers me, or his character. The screenwriters try to turn this film into a family drama, where the father is reconciled to his son while they search for the kidnapped mother. But the son is SO stupid and annoying, that if I were Gene Hackman, I'd let the KGB put Dillon in a cement overcoat and toss him in the Baltic. IMHO, this would have been a better film with Hackman searching by himself (along with his former lover, perhaps, who is a more interesting character than Dillon).

    The closing climactic scene drags on WAY too long. The tension is gone long before it's over, and the fade-out shot of the cuddly family is trite. (If you think about it, they're still in a LOT of trouble at that point, probably more than an hour before!) A much better film with a similar plot (and good locations) is the Harrison Ford vehicle FRANTIC. For spy fans, TARGET is worth watching once, but won't bear repeating.
    Geofbob

    Misses the bullseye

    The concentration on character and family values in Arthur Penn's spy thriller ought to make it a better, more intelligent movie, but somehow it doesn't work. Gene Hackman is an ex-CIA spy who's been "in from the cold" for 15 years. But now his wife has been kidnapped in Paris, and he has to get back into top gear in order to retrieve her. He also has to tell the truth about his past to his 18 year old son (Matt Dillon), who hitherto has thought his dad as much a man of action as Mr Magoo. There are all the contrivances we expect in this genre of film - repeated attempts on Hackman's life; car chases; femmes fatales; CIA agents who might be working for the other side; etc, etc. But little tension is developed, and first the recriminations and then the bonding between Hackman and Dillon simply slow the action down. I found the climax a tad ludicrous, but by that time didn't care much.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Third and final collaboration between actor Gene Hackman and director Arthur Penn. The others were La fugue (1975) and Bonnie et Clyde (1967).
    • Gaffes
      Chris changes his mind and boards the Berlin plane instead of the Frankfurt plane without rebooking his ticket.
    • Citations

      Walter Lloyd: I hope you're not going to fool around because I have a lot of things to do.

      Donna Lloyd: You mean Miss Twinkle Tits in banking?

    • Connexions
      Featured in At the Movies: The Holcroft Covenant/Bring on the Night/Target (1985)
    • Bandes originales
      That Old Black Magic
      Lyrics by Johnny Mercer

      Music by Harold Arlen

      Sung by Billy Daniels

    Meilleurs choix

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    FAQ17

    • How long is Target?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 janvier 1986 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
      • Allemand
    • Aussi connu sous le nom de
      • Target - Entführt in Paris
    • Lieux de tournage
      • Corpus Christi, Texas, États-Unis
    • Sociétés de production
      • CBS Entertainment Production
      • CBS Productions
      • CBS Theatrical Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 13 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 9 023 199 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 2 670 522 $US
      • 10 nov. 1985
    • Montant brut mondial
      • 9 023 199 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 57min(117 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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