Act of Vengeance

ACT OF VENGEANCE is a 1986 TV movie, based on the true story of a man who stood up to a coal miner's union in 1969, accusing them of corruption and becoming the new president in the process. Unfortunately, his stand against his former colleagues made him plenty of enemies, some of whom decided to have him eliminated.

For the most part, this film plays out exactly as you'd expected a television movie to. It's not an action film at all - Bronson is more of a political figure than a hero here - but it doesn't really cut it as a thriller or drama either. I appreciate that it's a true story - that's the only thing it has going for it - but as a film it's pretty much a failure, with the story particularly lacking interest.

The story starts out well but around the halfway mark it really starts to plod. There's way too much of the drawn-out, back-and-forth scenes of the would-be assassins attempting to complete their job. Such moments are quickly tiresome as is the unusual way that some of the scenes involving these murky murderers are played for laughs. The worst parts of the movie are a couple of ill-advised and excruciating sex scenes between a youthful Ellen Barkin and the guy playing her husband. The producers do well to cast recognisable and reliable faces in supporting roles (including Wilford Brimley, Ellen Burstyn, Hoyt Axton, Maury Chaykin, and a young Keanu Reeves) but this is nevertheless one of Bronson's worst.

After a coal mine collapses and kills 80 miners in West Virginia a man named "Joseph 'Jock' Yablonski" (Charles Bronson) decides to do something about the greed on the part of the coal companies and the corruption within the United Mine Workers of America (UMWA) by running for president of that organization. Naturally, this doesn't make the current president "Tony Boyle" very happy and being the unscrupulous person that he is decides to do whatever is necessary to retain his grip on the union--and the money and power that goes with it. Now rather than reveal any more I will just say that this film was based on a true story which made major headlines in all of the newspapers across America and this made-for-television film does true justice to it. Of course, being a made-for television film, it has some inherent restrictions which sometimes lessen the overall entertainment value but all things considered this picture captured the basics rather well and for that reason I have rated it accordingly. Slightly above average.

The world of politics can be a dangerous place, and no one knows this more than real life union-activist Jock Yablonski (Charles Bronson). After successfully defeating the long-standing president of the United Mine Workers in a 1969 election, Yablonski and two of his immediate family members were murdered at night while they slept. Rather than focus on the murders themselves, director Mackenzie tells the story of everyone involved with the crime in three separate, but intertwining stories. We follow the campaign trail of Yablonski, the desperation of Tony Boyle and his cronies, and the hired assassins, getting an eagle eye's view into their lives. Done effectively, this is a very powerful tool in helping the audience associate with the characters, and the situations they find themselves in. Whether it was because of the confines of a made for TV movie or just bad direction I'm not sure, but Mackenzie was not successful in representing all sides evenly, and it was glaringly apparent where his biases lie. All of the acting was solid, with Bronson and Ellen Burstyn playing a very convincing married couple. Wilford Brimley turned in another great performance as the racist, corrupt, and all around dirty president of the Mine Workers' Union, and Keanu acted just as Keanu does, albeit without much screen time. If you're fiercely interested in American politics I would say it's worth checking out. If not, don't bother: go outside and take a walk, or learn how to make a new dish, this is not worth your time. Rating: 21/40

Bronson a union leader?! Yep, he's running for the job as president of the United Mines Union, due to the poor state of the party's image. But he finds it's not going to be easy, as president Tony Boyle (a larger than life Wilford Brimley) will pull out all punches (all) to rid them of the honorable union organizer Jock Yablonski who has the safety of his workers on mind, than say money.

This Bronson outing (made-for-TV) is far away from what he was constantly working in through the 80s, and stemming from this inspired true story (set in 1969) is a confronting drama defying the odds being fuelled by intense confrontations, inner conflict, devious interests, embezzlement and cold-blooded murder. Its power comes from Bronson's hearty turn, an admirable Ellen Burstyn and a credibly concise script. It remains captivating throughout, holding an agreeable amount of momentum in suspense and intrigue through the campaign, although it won't hold much surprises and the conclusion feels a little short-changed after the stinging climax.

The sub-plot involving the hired assassins (Robert Schenkkan leading the way) feels at times clumsy and drawn out (mainly due to these people not being professionals), but there's something unnerving lurking underneath it all. Plus Keanu Reeves shows up as one of the killers, and is actually rather good in a minor part.

Director John MacKenzie lets the story unfold slowly, but manages a tight and focused grip in a conservative style. Plain for some, but well measured for others. Nothing truly stands out (film-making wise from the music to cinematography), but it works in with the tactically stern frame it went for.

Committed handling throughout.

I'm a big Ellen Burstyn fan, so I'll see anything with her. But I didn't have high expectations for this based on the title (sounds like a Steven Seagal actioner) and the cover artwork (looks like a pulpy B-movie, with Ellen's mug thrown in as an afterthought).

Nonetheless, I was pleasantly surprised. Ellen was excellent as always, but Charles Bronson was also terrific, as was a young Keanu (spelled Keannu in the credits) Reeves. But the real revelation here is Wilford Brimley as the union boss. What a great bad-ass! For those used to seeing Wilford harp about cholesterol and diabetes, check this one out. You'll realize how much he's wasting his talent by doing those commercials.

This is a moving human drama with fine performances, captivating direction and a compelling, if occasionally clichéd, script. It's an act of triumph. Eight out of 10 stars.