NOTE IMDb
5,5/10
11 k
MA NOTE
Un garçon tente d'arrêter des extraterrestres qui ont pris le contrôle de sa ville et tentent de laver le cerveau de ses habitants.Un garçon tente d'arrêter des extraterrestres qui ont pris le contrôle de sa ville et tentent de laver le cerveau de ses habitants.Un garçon tente d'arrêter des extraterrestres qui ont pris le contrôle de sa ville et tentent de laver le cerveau de ses habitants.
- Récompenses
- 2 nominations au total
Virginya Keehne
- Heather
- (as Virginia Keehne)
Histoire
Le saviez-vous
- AnecdotesHunter Carson (David Gardner) is the son of Karen Black (Linda Magnusson).
- GaffesDuring the firefight with the Martian Leader, two Marines who get electrocuted start convulsing before the electricity appears.
- Citations
Gen. Climet Wilson: Don't worry, Son! We Marines have no qualms about killing Martians!
- Versions alternativesThe UK cinema version was cut by 1 minute for a PG rating with edits to shots of neck drillings, fire spurts from pellets emerging from neck wounds, and shots of a woman's shuddering leg as she is eaten by a Martian. The 1987 Rank video featured the same cut print.
- ConnexionsFeatured in Fangoria's Weekend of Horrors (1986)
Commentaire à la une
Hooper and his writers seem to want to both parody the 1950s classic and, at the same time, to be a straight remake of it. Trouble is that this simply isn't possible. It looks great throughout, with superb, shadowy photography and generally good production design (though the Martian drones look more silly than anything else). Some of the actors, particularly Karen Black and Louise Fletcher, are very good; some, unfortunately including lead Hunter Carson, are not very good.
But the main failing is that the tone is so inconsistent. Some scenes are played for horror, and work; some are played as if the intent was comic, and they don't work. If the intent was to actually scare us, after being taken over by the Martians, the parents should have acted creepy -- but instead, they act silly, which is hardly the same thing. It's not the fault of Bottoms and Newman -- they could have played the roles however the director and script suggested -- but rather a failure to go for broke. In the original film, after returning from the sand pit, the father brutally slaps his son. Here, the big weird touch is that he fills his coffee cup with sweetener. Doesn't quite have the same impact.
And what's with the frogs? Kids LIKE frogs; they don't regard them as creepy. There should never have been a scene without the boy in it, but there are several. There should have been some touches of surrealism to fit the all-a-dream scenario. Dream logic isn't like waking logic, but it's stringent nonetheless; this film ignores logic. In the original, the Martians take over the parents, the neighbor kid, the cops and the military -- exactly the targets a boy would expect. Adding a teacher wasn't a bad idea, but the other targets here, including a busload of kids, don't make any sense. Why would the Martians want to control a bunch of children?
The effects are good but not as well-conceived as they might have been. The sand funnel that captures people is fancier in this remake, but much eerier in the original. And Christopher Young's score is a disaster.
The opportunity was here to make a technologically-improved version of a much-loved classic original, but for the most part, the film doesn't live up to its potential.
But the main failing is that the tone is so inconsistent. Some scenes are played for horror, and work; some are played as if the intent was comic, and they don't work. If the intent was to actually scare us, after being taken over by the Martians, the parents should have acted creepy -- but instead, they act silly, which is hardly the same thing. It's not the fault of Bottoms and Newman -- they could have played the roles however the director and script suggested -- but rather a failure to go for broke. In the original film, after returning from the sand pit, the father brutally slaps his son. Here, the big weird touch is that he fills his coffee cup with sweetener. Doesn't quite have the same impact.
And what's with the frogs? Kids LIKE frogs; they don't regard them as creepy. There should never have been a scene without the boy in it, but there are several. There should have been some touches of surrealism to fit the all-a-dream scenario. Dream logic isn't like waking logic, but it's stringent nonetheless; this film ignores logic. In the original, the Martians take over the parents, the neighbor kid, the cops and the military -- exactly the targets a boy would expect. Adding a teacher wasn't a bad idea, but the other targets here, including a busload of kids, don't make any sense. Why would the Martians want to control a bunch of children?
The effects are good but not as well-conceived as they might have been. The sand funnel that captures people is fancier in this remake, but much eerier in the original. And Christopher Young's score is a disaster.
The opportunity was here to make a technologically-improved version of a much-loved classic original, but for the most part, the film doesn't live up to its potential.
Utile•154
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Détails
Box-office
- Budget
- 7 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 884 663 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 046 576 $US
- 8 juin 1986
- Montant brut mondial
- 4 884 663 $US
- Durée1 heure 40 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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Lacune principale
By what name was L'invasion vient de Mars (1986) officially released in India in English?
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