Les anges du mal 2

"Reform School Girls" is a deliciously exaggerated entry in the Women In Prison genre. It's all very campy material that the majority of the actors, to their credit, actually play quite straight. The winks start with the fact that its writer / director Tom DeSimone, had previously made another classic, "The Concrete Jungle". Here, DeSimone, cast, and crew clearly have a ball with the trashy 'n' flashy story. Linda Carol plays Jenny, a newcomer to a reform school named Pridemore Juvenile Facility, who mixes it up with both the overbearing head matron Edna (corpulent, big haired Pat Ast, who's an absolute riot) and swaggering top dog convict Charlie (punk rocker Wendy O. Williams, perfectly suited to the role). Also among the main cast is the B movie goddess Sybil Danning, adding to the in- joke tone of the movie seeing that she plays the ruthless warden here and had already played a convict in the earlier "Chained Heat". Ast, Williams, and Danning are a superb trio and make this fun to watch. Carol, by comparison, by playing a more or less decent person (although tough enough to try standing up to the antagonists), comes off as less entertaining. Ast delights in the over the top nature of Edna, setting a stuffed animal on fire and stomping the life out of a real one. DeSimone delivers enough shower scenes / nudity / sex, melodrama, and violence to keep fans content. The sometimes hilarious script features some choice and quotable dialogue. The soundtrack is absolutely kick ass, with Williams singing such ditties as the anthemic "It's My Life" and the title track. The supporting cast aren't slouches, either; Charlotte McGinnis is the concerned Dr. Norton, Sherri Stoner the young innocent Lisa, Denise Gordy the sassy Claudia, Laurie Schwartz the spunky Nicky, and two "Friday the 13th" franchise alumni, Tiffany Helm ("A New Beginning") and Darcy DeMoss ("Jason Lives") play Charlie's flunkies. The movie progresses agreeably through various sordid episodes before coming to a rousing conclusion. In any event, one element you have to appreciate about this sort of thing is the hotness factor of the inmates. It's not exactly boring at any moment, either. There are certainly no complaints from this viewer. Eight out of 10.

Set in a correctional facility for young female offenders, Reform School Girls is technically a Women in Prison movie, but don't expect anything too sleazy ala the films of Jess Franco—as far as the genre goes, this mid 80s effort from seasoned trash director Tom DeSimone is one of the lighter examples, designed to be fun rather than offensive.

While it does deliver most of the standard WIP ingredients—cat-fights, communal shower scenes, bull dykes, fragile first-timers, and physical abuse—it's all done in knowingly camp fashion with tongue firmly in cheek. The big-breasted women saunter round their dorm in sexy lingerie, the nastier inmates and members of staff are grotesque caricatures, the dialogue is deliberately tasteless ('I thought I smelled fish'), and the plot is about as cheesy as it could get.

Let's face it, any film which sees a scantily clad Wendy O. Williams, lead singer of punk/rock group The Plasmatics, stood atop a speeding bus on a collision course with a sadistic, overweight, shotgun toting head matron called Edna (a memorable performance from Pat Ast) was never intended to be taken all that seriously.

This could be the greatest t&a movie of all time. It's the ultimate 80's women-in-prison movie. It's got loads of nudity, some very sick wardens (the awesome Sybil Danning), and Wendy O. Williams spending most of the film in a g-string! This is a low-budget exploitation film that delivers the goods. There was actually some pretty good acting in the film. If only i would have owned this film when i was 12! It's a fun and cheesy movie that gives you exactly what you'd want from a women-in-prison flick. The scene where Wendy O. Williams crashes a bus is a classic. 80's cheese and squeeze.I highly recommend doing a double feature with Hollywood chainsaw hookers...that'd be a fun night.

"Reform School Girls" (1986) is a highly entertaining, completely over the top, necessarily derivative contribution to the Women In Prison (WIP) subgenre. Featuring flamboyant performances by butterface favorite Wendy O. Williams (despite the fact that Wendy was 37 when she essayed this teenage role, and looked exactly the same as when she fronted for the Plasmatics), as well as Warhol veteran Pat Ast, the story here nevertheless centers around Linda Carol's Jennifer, who is sent to the "graybar hotel" after abetting her boyfriend in an armed robbery attempt. She immediately runs afoul of Wendy's Charlie Chambliss, the toughest chick in the "school" (the place really seems more like a prison than a school, it must be said), as well as Pat's grotesque head matron, Edna Dawson. The film dishes out all the familiar WIP set pieces, such as shower scenes, catfights, a prison break, several riots, and a very uptight warden, here portrayed by cult actress Sybil Danning, underutilized in this particular role. Entertaining as this whole spoof is, and despite the often very funny lines, I couldn't help thinking that the film that "Reform School Girls" seems to be mainly patterned after, the 1950 Eleanor Parker vehicle "Caged," is infinitely preferable in every department. The monstrous matron played by Hope Emerson in that earlier film makes even Edna's rants of "complete control" seem tame in comparison, and good as Linda Carol is, she's no Eleanor Parker! I suppose it all comes down to whether you're in the mood for an entertaining spoof or a more realistic--and thus more harrowing--WIP experience.

Reform School Girls' biggest problem is that the line between camp and serious drama appears to be very thin and it's hard to tell exactly what the creators had in mind when they made this. On one had, you have the over the top performance of Wendy O. Williams and Pat Ast, but there are also several unpleasant and sleazier aspects that aren't treated with the same campy, tongue in cheek quality.

It's still very entertaining at times, but it could use a slight trim here and there even at just 94 minutes. If you're in it for the nudity, you'll be happy.