Police Academy 4 : Aux armes citoyens

Indeed, that is the question many were asking in 1987, as the series soon turned into too much of a not so good thing. Sadly, it was only going to get worse from here. I've tried no less than three times to sit through Mission To Moscow, and it is just impossible. About the only reason to bother with episodes three through six is so you can see the final episode where Cast Member X decided they'd had enough. Or when Event Number X that was referenced in a sequel took place.

Another big problem with PA4 (and boy, there are many) is the change in target audience. Sure, episodes 1 through 3 could be enjoyed by children with two digits in their age, but the primary audience was adults who didn't have very high standards. Unfortunately, someone in the film studio must have decided that the writers have to please everybody, and so they watered down the humour as far as they could without getting a G rating. That, more than anything, is what hurts Police Academy sequels 4 onwards.

Steve Guttenberg must have taken one look at the finished product and wondered why he didn't quit about three films ago. Bob Goldthwait picks up the slack in terms of comedy, but his act is also watered down a tad too far, ditching any vocal expression of his character in favour of shouting and screaming at anyone and everyone. Which might work for a comedy about mental patients who have been neglected by the system for too long, but not when your character is meant to be a police officer. But then again, the whole premise is built on a notoriously shaky ground.

Every Police Academy film has at least one celebrity (other than George Gaynes) who wishes they had never appeared in the film. Sharon Stone gets her turn her, and despite what they say about her appearance in everything after Basic Instinct, at least she looks capable of acting. But amongst this lot, I'm sure a dead goldfish would appear to be emoting effectively.

Overall, PA4 gets a 2 out of ten from me. It stands as a good relic of what happens when you try to appeal to everyone, and it does have some genuinely funny moments, but it just cannot hold a candle to its predecessors, especially the first.

That is the Citizens on Patrol (Program) ... which sounds a bit like what they were doing in part 3 ... but calling it something else. So Part 1, 3 and now 4 has giving people (viewers) new students and their "adventures" in making it through the ranks ... well actually just throwing them some bones to have something to laugh throughout the movie.

Talking about this: the joke from movie number one with the podium .. it still gets ... referenced (milked) ... and why not? It is the most memorable of the jokes of the whole series. I feel a bit bad for the Proctor character ... he is the butt of many of the jokes and has to walk quite the fine line. Him and his boss ... well they do not have the easiest job, but they make it look easy. There is a feeling of decline ... and of course there is - because overall what new jokes are there to tell? You even get the family back that likes to hit each other (I suppose that is meant to be funny ... maybe it is for some I reckon) ... Anyway, let's not fret and while this has overstayed its welcome at least there are so many of the original cast leftover that you may not mind ... also you have appearances from Sharon Stone (clothed - a lot!) and David Spade as skater ... which is quite insane in and of itself ... but also a short cameo by none other than Tony Hawk himself. It kinda feels like the first appearance from either of those ... or at least one of the first ones they did, I might be wrong ... do we care? It's just fun to see them I guess.

So what's happened so far? A gaggle of society's goofiest citizens have taken advantage of a new policy to loosen hiring standards at the police force and actually made it through despite efforts from all directions to get them thrown out. They embark on their first assignment, which is to turn around Commandant Lassard's beloved precinct 16, which has been dubbed the worst precinct in the city and given 30 days to turn around or suffer some major employee turnover, a fate which is relentlessly helped along by the eternally butt- kissing Captain Mauser. They display a spectacular feat of water-borne police work, saving the academy and then return in the next movie to beat the city's other police academy when it turns out that the governor decides it's not worth the money to keep them both open.

Oh, and of course you all realize who is in this thing, right? None less than Sharon Stone, David Spade in his first film, and Tony Hawk in an early stunt-skateboarding role! You gotta see this!

This time, Commandant Lassard has come up with a scheme he calls Citizens on Patrol (C.O.P. Get it? Get it?), in which he elaborates slightly on the plot of the original movie. You see, the police force has been stretched a little too thin and the public has developed a negative opinion of them due to the fact that they can't be everywhere at all times to stop every single crime in the city. So the natural solution, of course, is to train the public as deputy police officers and basically have briefly trained undercover cops all over the city.

In fact, so close is the resemblance to the first movie that we are even treated to a couple characters who are forced to join the police academy or face jail time – an idea suggested, of course, by Mahoney himself.

This is the best part of the movie, by the way. There is a hilarious gang of skateboarding punks who are disturbing the peace left and right, headed by none other than David Spade, who is a hardened urban predator if I've ever seen one. Thug life, baby!!

Sharon Stone also has a relatively small role in the film, although probably one of the ons that she would like to forget about, and Lieutenant Harris is back after being gone for the last two movies. All of the other relevant cast members return, with the addition of a new group of misfits, like the token fat black guy, David Spade and his idiot skateboarder friend, and Tackleberry's FATHER-in-law. Remember that guy? Who is always gleefully punching out his son? I can't wait until the grandparents start joining!

But don't worry, until then we have Mrs. Feldman to hold us over. Here's this sweet old lady living in a nursing home/military barracks and who has more of a love of all things camouflaged than Tackleberry himself. In fact, I was waiting the whole movie for her to tell her that she's his long lost mother, but no such luck. Something went wrong with the screen writing in there somewhere, but ultimately she turns out to be one of the most consistently funny characters in the movie. She's played with a good-natured smile by Billie Bird, who clearly enjoyed herself while making the movie. You can always tell when the actors are having a good time, and it always makes the movie better, which is good because this movie needs a lot of help!

Of course, it's not much different than the last three movies as far as being worth watching. Bud and his father are still trading punches and it's still more groan-inducing than laugh- inducing, people are still accidentally wandering into the Blue Oyster Club, which hasn't been funny for three movies by now (Proctor inadvertently wandering in naked was the high point of this gag, but also the point where it becomes the most clear that the joke has lost its steam), and Jones is still doing that Bruce Lee impersonation which was funny in the first movie when I was a kid, but as an adult not so much… But, Callahan has a great wet t-shirt scene that makes the whole movie worthwhile!

Oh, and was Mahoney's mischievous grin ever amusing? That poor guy, man. His reputation has for some reason become so tarnished that he is seen by most of the public as even more of a washed up has-been than, umm, well no one else really comes to mind. Bill Paxton? Nah, he's cool, I think. I never needed to forgive him for Weird Science, but Guttenburg unfortunately has a whole string of bad sequels to make up for, and Cocoon and Short Circuit are just not gonna cut it! At any rate, super-gluing the loudspeaker to Harris' face was funny, but why they missed out on the opportunity to have Harris screaming through it at high volume at the doctors in the hospital I just can't understand. The screenwriters are not scoring many points in this one!

But still, this is one of the better Police Academies so far. This one and part 3 are the best ones in the series that I've seen so far, despite the hilarious 1980s badness (there's a boot- legging crime lord, for example, who operates his illegal warehouse standing around with a fistful of cash and a hula hoop around his shoulders), but there definitely are some fun gags. Harris macing his armpits is one is one of the more memorable gags in the whole series, along with Mauser getting his hands glued to his hair, and I have to admit that I enjoyed some of the scenes of the original recruits trying to recruit the public for the new C.O.P. program. It's not a good movie, but it's a good Police Academy movie!

Police Academy were an almost constant feature growing up - the number of sequels watched, and in what order, was something of a badge pride in those days! For my part, my scorecard was completely out of synch - Parts 2 and 6 on VHS, the original on terrestrial, etc. Anyway, I have a bit of affection for Part 4 (for all its shortcomings) as the only chapter I ever saw in a cinema, one summer holiday in 1987, St Andrews, Fife. The story is daft, the acting variable (GW Bailey makes a welcome return, while George Gaynes aces it as usual), the jokes are hit and miss, and the series has quite clearly ran the course....but I'll always associate this one with warm summer evenings and pristine white sands. To be enjoyed as a bit of nonsensical and undemanding fun.

I certainly laughed a bit more than I did with the previous sequels. Once again it's all a bit overcrowded, with characters from the previous 3 outings now being mixed together. Bailey is a welcome return as the antagonist, but he is joined by the sidekick of the last two films' villain. This kind of works, as we get the best of both worlds. On top of this we are also given new characters, everyday citizens wanting to help out. This looks interesting at first, with David Spade and a skateboarding buddy forced into the program, but they are soon lost in the background. An entertaining airborne finale is rather impressive as well. So, with Bailey back, and this being Guttenberg's last, this may be a good stopping point for most viewers that made it this far.