NOTE IMDb
5,5/10
2,8 k
MA NOTE
Une adolescente trash tue son beau-père qui la violait, puis aide un taulard repenti avec qui elle correspondait à être libéré pour bonne conduite afin de pouvoir le corrompre à nouveau.Une adolescente trash tue son beau-père qui la violait, puis aide un taulard repenti avec qui elle correspondait à être libéré pour bonne conduite afin de pouvoir le corrompre à nouveau.Une adolescente trash tue son beau-père qui la violait, puis aide un taulard repenti avec qui elle correspondait à être libéré pour bonne conduite afin de pouvoir le corrompre à nouveau.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
James Le Gros
- Howard
- (as James LeGros)
Avis à la une
A sterling cast and a reasonably well written script lift this tale of teenagers on the run from the law into 'above average' territory. James LeGros (also memorable in Drugstore Cowboy) plays a paroled convict trying to get his life in order. Drew Barrymore is a confused teen who loves guns, and Warhol alum Joe Dalessandro is the scumbag who abuses her. When Drew and James hookup (shortly after she's offed Joe!) complications ensue. Guncrazy is predictable but entertaining and doesn't pander to it's audience, and it's a damn sight better than Natural Born Killers.
For a school project, promiscuous 15-year-old Drew Barrymore (as Anita Minteer) is instructed to find herself a pen pal. So, she begins writing to 24-year-old prison inmate James LeGros (as Howard Hickok), who is serving time for manslaughter. Through their correspondence, Ms. Barrymore falls in love with Mr. LeGros, and decides to stop having sex with the guys at school, like Rodney Harvey (as Tom) and Jeremy Davies (as Bill). Barrymore also becomes enamored with guns, and learns how to shoot, from absent mother's sexy boyfriend Joe Dallesandro (as Rooney). When Barrymore cuts him off, Mr. Dallesandro turns to rape.
Meanwhile, Barrymore is attempting to get LeGros out of jail, on parole, by convincing snake-charming preacher Billy Drago (as Hank Fulton) that the pistol-whipping prisoner has accepted Jesus Christ as his Lord and Savior. The parole board buys the ruse, and LeGros is good to go. Ironically, he is unable to satisfy Barrymore's sexual appetite. Still, the pair become close companions. Problems arise when Barrymore reveals a deadly secret to LeGros, and the young couple's "Guncrazy" tendencies boil over. Writer Matthew Bright's doomed characters simmer alongside director Tamra Davis' banister end. The cast is a future cult dream.
****** Guncrazy (5/92) Tamra Davis ~ Drew Barrymore, James LeGros, Billy Drago, Rodney Harvey
Meanwhile, Barrymore is attempting to get LeGros out of jail, on parole, by convincing snake-charming preacher Billy Drago (as Hank Fulton) that the pistol-whipping prisoner has accepted Jesus Christ as his Lord and Savior. The parole board buys the ruse, and LeGros is good to go. Ironically, he is unable to satisfy Barrymore's sexual appetite. Still, the pair become close companions. Problems arise when Barrymore reveals a deadly secret to LeGros, and the young couple's "Guncrazy" tendencies boil over. Writer Matthew Bright's doomed characters simmer alongside director Tamra Davis' banister end. The cast is a future cult dream.
****** Guncrazy (5/92) Tamra Davis ~ Drew Barrymore, James LeGros, Billy Drago, Rodney Harvey
The sixteen year-old Anita Minteer (Drew Barrymore) lives in a trailer and is an easy high-school student abused since she was nine that has sex with different teenagers and men including her stepfather. When her school teacher assigns each student to find a pen pal to write, Anita contacts the prison inmate Howard (James LeGros), who is trying to regenerate. Anita is encouraged to learn how to use a revolver and when Howard is released on probation, she convinces her friend pastor Hank Fulton (Billy Drago) to give a chance to Howard in his repair shop. Meanwhile her stepfather rapes her and she uses her gun to kill him and hides his body. Howard is released and meets Anita and they immediately fall in love with each other. He also becomes friend of Anita's girlfriend Joy (Ione Skye), whose father Mr. Kincaid (Michael Ironside) is coincidently his parole officer. Mr. Kincaid is a cruel man that wants Joy to stay away from Anita and Howard. When he finds Joy in Anita's trailer with the couple, he frames Howard to put him back in jail, unleashing a wave of violence of Anita and Howard.
"Guncrazy" is the love story of the outcast Anita and Howard that have serious problems. Anita is an abused young woman and Howard is a criminal on probation with erection problem and together they try to build a new (dysfunctional) life. However their environment of violence does not give a chance to the couple that become a sort of young "Bonnie and Clyde". The flawed conclusion is predictable and poorly resolved. My vote is six.
Title (Brazil): "Guncrazy - Howard & Anita, Jovens Amantes" ("Guncrazy - Howard & Anita, Young Lovers")
"Guncrazy" is the love story of the outcast Anita and Howard that have serious problems. Anita is an abused young woman and Howard is a criminal on probation with erection problem and together they try to build a new (dysfunctional) life. However their environment of violence does not give a chance to the couple that become a sort of young "Bonnie and Clyde". The flawed conclusion is predictable and poorly resolved. My vote is six.
Title (Brazil): "Guncrazy - Howard & Anita, Jovens Amantes" ("Guncrazy - Howard & Anita, Young Lovers")
Guncrazy is directed by Tamra Davis and written by Matthew Bright. It stars Drew Barrymore, James Legros, Ione Skye, Michael Ironside, Joe Dallesandro and Billy Drago. Music is by Ed Tomney and cinematography by Lisa Rinzer.
"Love made them crazy. Guns made them outlaws!"
High schooler Anita Minteer (Barrymore) is abused at home and at school and by so called friends. Seeking some sort of solace, she befriends - via letters - a convict named Howard (Legros). When Howard is paroled, the pair hook up and quickly find a loving bond. A bond that also involves a passion for guns...
In spite of reports in some quarters, this is not a remake of Joseph H. Lewis' superb film noir of the same name (though the words gun and crazy are separated there) from 1950. Whilst it's also worth mentioning that it's not a knock-off of Bonnie and Clyde (outstanding and trailblazing pic for sure), because for that to be the case we would have to ignore the fact that Lewis' film, and the likes of They Live by Night (Nicolas Ray - 1948) , were not key influences and big movers in the lovers on the lam splinter of noir. It is of course, an amalgamation of said influences, and despite a relatively average rating on the big internet movie sites, this is a neo-noir well worth seeking out for those so inclined.
Students of classic era film noir can't but help to be pulled in by the many deviance's at work, themes involving sexual abuse, promiscuity, impotence, alienation, prostitution and foolish love, the latter pitching a classic noir character into a vortex from which they in all probability know they can't return from. It's not that Anita is a femme fatale, because she's so young and isn't written as a viper type, it's that her youthful ignorance, her teenage hormones tortured by a torrid upbringing, is enough for Howard to grasp onto as a semblance of normality. They are both fools, but honest with it, it's the classic romanticised dream going sour. Again, a classic film noir trait.
Visually there is much to recommend here. The use of slatted shadows and balustrade is cunning and nods appreciatively to influences past, the inference obviously that Howard may be out of prison, but he's still behind bars. Davis throws in a number of striking scenes, a camera shot looking out as a grave is dug, our lovers close and personal (sexy) as they shoot guns, and the finale has a sad grace that, "again," noir lovers can appreciate. Matthew Bright's screenplay also has black comedy elements, the script devious with Freudian smarts, while the cast turn in performances worthy of the form.
OK! So this formula has been done better before, and yes we want more of Ironside and Drago (wonderful characters), and this may have underwhelmed those after a gun crazy action thriller - while Barrymore fans back in the day may have been bemused - but it's a very smart and neatly constructed neo-noir. 7.5/10
"Love made them crazy. Guns made them outlaws!"
High schooler Anita Minteer (Barrymore) is abused at home and at school and by so called friends. Seeking some sort of solace, she befriends - via letters - a convict named Howard (Legros). When Howard is paroled, the pair hook up and quickly find a loving bond. A bond that also involves a passion for guns...
In spite of reports in some quarters, this is not a remake of Joseph H. Lewis' superb film noir of the same name (though the words gun and crazy are separated there) from 1950. Whilst it's also worth mentioning that it's not a knock-off of Bonnie and Clyde (outstanding and trailblazing pic for sure), because for that to be the case we would have to ignore the fact that Lewis' film, and the likes of They Live by Night (Nicolas Ray - 1948) , were not key influences and big movers in the lovers on the lam splinter of noir. It is of course, an amalgamation of said influences, and despite a relatively average rating on the big internet movie sites, this is a neo-noir well worth seeking out for those so inclined.
Students of classic era film noir can't but help to be pulled in by the many deviance's at work, themes involving sexual abuse, promiscuity, impotence, alienation, prostitution and foolish love, the latter pitching a classic noir character into a vortex from which they in all probability know they can't return from. It's not that Anita is a femme fatale, because she's so young and isn't written as a viper type, it's that her youthful ignorance, her teenage hormones tortured by a torrid upbringing, is enough for Howard to grasp onto as a semblance of normality. They are both fools, but honest with it, it's the classic romanticised dream going sour. Again, a classic film noir trait.
Visually there is much to recommend here. The use of slatted shadows and balustrade is cunning and nods appreciatively to influences past, the inference obviously that Howard may be out of prison, but he's still behind bars. Davis throws in a number of striking scenes, a camera shot looking out as a grave is dug, our lovers close and personal (sexy) as they shoot guns, and the finale has a sad grace that, "again," noir lovers can appreciate. Matthew Bright's screenplay also has black comedy elements, the script devious with Freudian smarts, while the cast turn in performances worthy of the form.
OK! So this formula has been done better before, and yes we want more of Ironside and Drago (wonderful characters), and this may have underwhelmed those after a gun crazy action thriller - while Barrymore fans back in the day may have been bemused - but it's a very smart and neatly constructed neo-noir. 7.5/10
Drew Barrymore stars as a teenager who is left with mom's boyfriend (Joe Dalessandro) as she goes off to Fresno. He, and everybody else in town, is sexually abusing her. She hooks up with a pen pal from Chino (James LeGros), who like Clyde barrow just can't get it up. He can't do much else either as he is the worst thief I have ever seen.
She loves shooting guns, but isn't much of a thief either, giving a guys money back after he gives her a sob story about paying the rent.
Ione Sky plays her best friend, Joy, and does a good job. I always enjoy her and like to see more.
Too bad there was little action, and lousy dialog.
She loves shooting guns, but isn't much of a thief either, giving a guys money back after he gives her a sob story about paying the rent.
Ione Sky plays her best friend, Joy, and does a good job. I always enjoy her and like to see more.
Too bad there was little action, and lousy dialog.
Le saviez-vous
- AnecdotesIt was filmed in 23 days.
- GaffesWhile they are both camping inside the house they broke into, they go into a the kitchen and raid the fridge, pulling out a 15 pound uncooked turkey. Moments later they are having a turkey dinner over candlelight.
A 15 pound turkey would take anywhere from 12 to 18 hours to cook, depending on temperature, thereby the turkey dinner they were eating would have to be have been either prepared ahead of time or they would be eating it at a later date.
- ConnexionsFeatured in The 50th Annual Golden Globe Awards (1993)
- Bandes originalesYou Can't Bring Me Down
Performed by Suicidal Tendencies
Written by Mike Muir & Rocky George
Published by Sony Songs Inc. & You'll Be Sorry Music
Courtesy of Epic Records by Arrangement with Sony Music Licensing
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- How long is Guncrazy?Alimenté par Alexa
Détails
Box-office
- Budget
- 800 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 114 516 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 640 $US
- 24 janv. 1993
- Montant brut mondial
- 114 516 $US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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