Un détective hongkongais fait équipe avec son homologue féminine pour arrêter un tsar chinois de la drogue.Un détective hongkongais fait équipe avec son homologue féminine pour arrêter un tsar chinois de la drogue.Un détective hongkongais fait équipe avec son homologue féminine pour arrêter un tsar chinois de la drogue.
- Récompenses
- 2 victoires et 4 nominations au total
- Insp. Jessica Yang - Director of INTERPOL
- (as Michelle Khan)
- Chaibat
- (as Ken Tsang)
- Peter
- (as Wong Siu)
- Chaibat's Man
- (as Lowei Kwong)
- The General
- (as Lit Law)
- Drug Lore #2 at Meeting
- (as Yee Sang Hon)
Histoire
Le saviez-vous
- AnecdotesMichelle Yeoh Not only performed her own motorbike jump stunt, prior to filming she could not ride a motorcycle.
- GaffesWhen Inspector Yang lands on the red sports car driven by Kevin she breaks the windshield removing the top part of the windshield frame and rearview mirror. In the next shots the frame and rearview mirror are back in place. The windscreen frame that breaks is a clearly-visible dummy breakaway fitted in place of the Midget Mk II's normal frame; it is taller than the real windscreen. Also, the Midget Mk II was fitted with triplex-type safety glass which has a middle layer of clear sealant and would break but not fly into pieces, and the early Midgets were fitted with light-alloy windscreen pillars that would most likely snap near the base under that sort of impact.
- Citations
Chan Ka Kui: This is hard to memorize.
Insp. Jessica Yang: You're a super cop, and you have no memory?
Chan Ka Kui: It's the first I came across this situation. If I were you, could you recite everything in one go? I'm Chan Ka Kui, born July 4th, 1958. I joined the Royal HK Police in 1981. 19 - ...
Insp. Jessica Yang: 1984, promoted to trainee inspector. Height: 5'10", weight: 73 kilos, blood type: AB. I'm nothing special. I've memorized your background.
- Versions alternativesIn 1996, Dimension released it in the U.S. with a number of changes, including a new soundtrack (music; sound effects; English dubbing - with participation from Chan and Yeoh), new opening and closing credits, and the removal of over eight minutes of footage:
- Meeting between Hong Kong Police and the D.E.A.
- Various shots of the meeting between Chan and his Hong Kong superiors
- Some shots of Chan and the sign he is observing as he arrives in China
- Chan and Yang talking across the yard
- Some shots when Chan is upside-down on the tree
- Some shots before and after the escape from the prison camp
- Some shots of the scene at night in which Panther is reunited with friends
- Chan noticing a sign and directing the men to his family home
- Opening shots of the marketplace, including the endangered animals being sold
- Brief shot of a man with a taser at the marketplace
- The first encounter with Peter, including a girl being injected with heroin and her subsequent death from an overdose
- Various shots at the resort and inside the hotel
- ConnexionsEdited into Long de shen chu: Shi luo de pin tu (2003)
- Bandes originalesWhat's Love Got to Do with It
Written by Terry Britten and Graham Lyle
Performed by Warren G featuring Adina Howard
Produced by Warren G
Warren G appears courtesy of G-Funk/Rush Associated Labels Recordings
Adina Howard appears courtesy of Mecca Dawn Entertainment/Eastwest Records/Elektra Entertainment Group
(USA: Supercop)
Aspect ratio: 2.39:1 (Technovision)
Sound format: Mono
Police officer Chan Ka-kui (Jackie Chan) goes undercover within a criminal gang whose millionaire boss (Kenneth Tsang) plans to dominate the Asian heroin trade.
Though co-scripted by Chan regular Edward Tang (also responsible for the first two entries in the "Police Story" franchise), POLICE STORY III - SUPER COP is slightly darker in tone than its immediate predecessors and offers a much more streamlined combination of comedy, drama and action. This shift in focus was occasioned by the hiring of stuntman-turned-director Stanley Tong (RUMBLE IN THE BRONX, CHINA STRIKE FORCE, etc.), who keeps a tight rein on the film's narrative excesses whilst indulging some of the most spectacular action set-pieces ever filmed, *anywhere*.
Nothing in the first half of the movie - Chan's fight with gymnastic beauty Sam Wong at a mainland police training center; his initiation into Tsang's criminal gang by helping the villain's brother (Yuen Wah) escape from a prison work camp; a battle with police in a crowded marketplace, etc. - can prepare viewers for the *astonishing* climactic confrontation between Good and Evil, involving a series of hair-raising car stunts, Chan dangling (apparently unassisted) from a rope-ladder beneath a helicopter as it swings *high* above the streets of Kuala Lumpur (!), and the final hand-to-hand battle on top of a speeding train, upon which the aforementioned helicopter has become precariously entangled - and not a CGI shot in sight! Filmed with breathtaking gusto by artists working at the top of their game, this is commercial cinema at its most astounding (check the outtakes during the final credits, in which various participants come perilously close to serious injury or *death* during filming!).
Maggie Cheung makes another extended cameo appearance as Chan's beleaguered girlfriend, though the film is stolen clean away by Michelle Yeoh (billed as 'Michelle Khan' in some prints) as a mainland policewoman who assists Chan in his undercover operation, and who proves to be Chan's equal during the fast and furious combat sequences (the character proved popular enough to warrant her own spin-off feature, PROJECT S, in 1993!). Easily the best of the "Police Story" series to date, and one of the most memorable efforts to emerge from HK in the last fifty years, POLICE STORY III - SUPER COP is a winner. Followed by FIRST STRIKE (1996).
As usual, the movie was re-edited and rescored for its 1996 US debut under the title SUPERCOP. That version is missing only a few minutes of material, but should be avoided nonetheless.
(Cantonese and Mandarin dialogue)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Police Story III: Supercop
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 900 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 16 270 600 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 503 176 $US
- 28 juil. 1996
- Montant brut mondial
- 16 270 600 $US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 2.39 : 1