Malcolm X
- 1992
- Tous publics
- 3h 22min
Épique biographique du leader nationaliste noir, controversé et influent, depuis ses débuts et sa carrière de petit gangster jusqu'à son ministère en tant que membre de la Nation de l'Islam.Épique biographique du leader nationaliste noir, controversé et influent, depuis ses débuts et sa carrière de petit gangster jusqu'à son ministère en tant que membre de la Nation de l'Islam.Épique biographique du leader nationaliste noir, controversé et influent, depuis ses débuts et sa carrière de petit gangster jusqu'à son ministère en tant que membre de la Nation de l'Islam.
- Réalisation
- Scénaristes
- Stars
- Nommé pour 2 Oscars
- 19 victoires et 24 nominations au total
- Benjamin 2X
- (as Jean LaMarre)
Avis à la une
Excellent and interesting
It inspired me...
From what I have since learned from these and other sources, I was quite impressed at the movie--it seemed to try very hard to get the story right. Malcolm X's life was neither over-glorified nor was he portrayed the opposite--the story seemed to be quite balanced and without a serious ax to grind. It would have been easy to make the movie just an attack on the Nation of Islam or an attempt to make the title character some sort of saint.
As for the acting, it was super. The script, excellent. The direction, first-rate. An excellent film that everyone should see--it is fascinating from start to finish.
The Biggest Snub in Oscar History
A Bloated Biopic!
The film dramatises key events in Malcolm X's life with the main thread beginning with his post war criminal career and later conversion to Islam whilst in jail, which directly led to his assumption of the identity of Malcolm X . Defining childhood incidents, including his father's death, his mother's mental illness, and his experiences with racism are dramatised in (ironically) brief flashbacks, considering the elephantine length of the rest of the film.
From my understanding of the life of Malcolm X, Lee has stuck closely to the facts in constructing his biography. I believe there is only a limited amount of fictionalisation for artistic and dramatic licence. For that, I guess many will be grateful. Lee has also recreated the roughly two decades the film's story covers, extremely authentically. The sets and costuming are first class, with occasional pieces of newsreel footage and still photos supplementing that of his own filming. The performances are uniformly outstanding. Denzal Washington must have been desperately unlucky to miss out on the 1992 Academy Award for his powerful, central portrayal of the conspicuously, hard-nosed and divisive X.
For me though at 202 long minutes, this film is too dragged out and warranted tighter editing. The first act focusing on his early life of crime in Harlem and later Boston is for instance, needlessly protracted with interesting, but ultimately quite unimportant night club dancing and musical interludes. Could it possibly be that its prolonged appearance is due to Spike Lee himself, appearing in this section as a supporting character?
Malcolm X is a technically well-made, obvious labour of love for Lee, but I think it may have reached wider audiences if edited to a more manageable, less indulgent length.
The Truth seeker
Le saviez-vous
- AnecdotesThe image of Denzel Washington holding the M1 Carbine and peering out the curtains is a direct visual recreation of an iconic photo that appeared in LIFE magazine.
- GaffesMalcolm watches television news footage of race riots, including the March 1965 attack on the Edmund Pettus Bridge in Selma, Alabama and the 1967 Newark, New Jersey Riots. Both incidents took place after Malcolm was assassinated in February 1965.
- Citations
Malcolm X: You may be shocked by these words, but I have eaten from the same plate, drunk from the same glass and prayed to the same God with fellow Muslims whose eyes were blue, whose hair was blond and whose skin was the whitest of whites. And we are brothers, truly; people of all colors and races believing in One God and one humanity. Once before, in prison, the truth came and blinded me. It has happened again... In the past, I have permitted myself to be used to make sweeping indictments of all white people, and these generalizations have caused injuries to some white folks who did not deserve them. Because of the spiritual rebirth which I was blessed to undergo as a result of my pilgrimage to the Holy City of Mecca, I no longer subscribe to sweeping indictments of one race. I intend to be careful not to sentence anyone who has not been proven guilty. I'm not a racist and do not subscribe to any of the tenets of racism. In all honesty and sincerity it can be stated that I wish nothing but freedom, justice and equality: life, liberty, and the pursuit of happiness for all people. My first concern, of course, is with the group to which I belong, the Afro-Americans, for we, more than any other, are deprived of these inalienable rights. I believe the true practice of Islam can remove the cancer of racism from the hearts and souls of white Americans.
- Crédits fousAt the end of the credits the film is dedicated to Alex Haley, author of the book the movie is based on. There is also a picture of the book and a special note that says: "Read 'The Autobiography of Malcolm X'"
- ConnexionsEdited from JFK (1991)
- Bandes originalesSomeday We'll All Be Free
Written by Donny Hathaway (as Donny E. Hathaway) and Edward U. Howard
Used by permission of WB Music Corp. and Kuumba Music Publishing Company
Produced by Arif Mardin
Performed by Aretha Franklin
Courtesy of Artista Records, Inc.
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Détails
Box-office
- Budget
- 33 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 48 169 910 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 871 125 $US
- 22 nov. 1992
- Montant brut mondial
- 48 169 910 $US
- Durée
- 3h 22min(202 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1






