Mon cousin Vinny

Underrated. I won't belabor relating and describing the plot, because that's been recited nicely by numerous others. I'll simply return to my one word point. Underrated. Even though Marisa Tomei broke through and won Best Supporting Actress at the Academy Awards for her performance, an award she earned and much deserved, I still say underrated. This film really never got on the public's radar the way it should have, probably because there are no big-name actors featured as box office draw. Joe Pesci was as good as it gets that way. In 1991 he was the hottest name in the cast. But has Joes Pesci ever established himself as a leading man who could carry a movie by himself? I ask that in open-ended wonderment, and certainly not disparagingly. Just asking, is it fair, has it ever been fair, to expect Joe Pesci to carry a film?

Regardless of Joe Pesci's latent starpower, this cast of players as assembled possessed remarkable chemistry in the performances they gave, not only in their interactions with one another, but also in the creation of a final product that excels way beyond the sum of its parts, beyond any of their individual levels of genius, certainly beyond anything that could ever have been reasonably expected of them. Competent though they may have been, these were not thespian heavyweights or comedic savants. You ever wonder why this singular performance 15+ years ago and counting remains Marisa Tomei's magnum opus? That might be one big reason why. The Germans have a word for this. It's called gestalt.

My inclination is to give most of the credit for this winning final product to director Jonathan Lynn. It seems obviously to be his creation. Who else singularly deserves it? Along the way it would have been such a cheap trick and easy thing to surrender to the obvious, but Lynn didn't do it. This is a story built around stereotypes. New Yorkers. Ethnic Italian New Yorkers. Southerners. Small town southerners. Southern justice. Southern small town justice with New York Italians in the dock. It would have been so easy to traffic in those stereotypes, to over-the-top cash in on them, to submerge the movie in them and to exploit them for all they were worth. These people could have been made into cardboard cartoons of themselves. Surely the Englishman Lynn was thusly tempted, but it was a temptation he mainly resisted. Oh, almost obligatorily, he dances us over to that edge and gives us a big whiff of all that, but instead of jumping in and wallowing in the stereotypes, he deftly pulls it back and carries it all off and away in a new and different direction, indeed in an uplifting direction. Just as there are no cheap tricks in this movie, there are no cheap shots either. People are not ridiculed for who they are or where they are from. It rises above that. Lynn raises it above that. Yes, the regional differences that exist are juxtaposed. And yes, we get the fact that cultural differences divide these characters. But the beauty of it is that no one is treated unfairly. In fact, the viewer comes away with the feeling that these are all good people.

Joe Pesci and Marisa Tomei are given a broad canvas to create great humorous art, bouncing one, two, three liners or more off of each other, at the other's expense. It's the game they play with each other, the nature of their characters' relationship, and it's fun to watch. And this must be said: not only does Marisa give an exquisite performance, she is an utterly delightful feminine creature to watch here. As for the southerners, in not taking the bait to exploit the southerners as dumb hicks, Lynne actually captures part of the true but rarely portrayed essence of the south: polite gentility. Lane Smith embodies that essence. And Fred Gwynne? He practically steals the show, and would have were it not for Marisa Tomei.

What has been going through Joe Pesci's and Marisa Tomei's heads for the last 15 years? What is wrong with their agents? These two needed a sequel. If not a sequel, then more film(s) together. The dynamic between them was too good to just be abandoned. We should have been treated to much more of them together.

As a trial lawyer let me say that the portrayal of courtroom events, while certainly not perfect, is more than adequate and passable. One thing that is accurately captured is the fish-out-of-water experience of a city lawyer when subjected to trying a case in a far-flung rural county. This depicton conveys the essence of what that's like.

This movie deserves more recognition. It is clever, funny, and fun. I recommend it. If you haven't seen it, do yourself a favor and indulge yourself.

I can watch this film over and over again. Joe Pesci plays Vincent LaGuardia Gambini, a Brooklyn lawyer who is asked to defend his cousin and friend from a murder charge in Alabama. Marisa Tomei as Mona Lisa Vito, Vinny's girlfriend, deserved the Academy Award for Best Supporting Actress, rare for a comedy to even be nominated for anything by AMPAS. I really liked Fred Gwynne as the no-nonsense Judge Chamberlain Haller, a great foil for Joe Pesci's laid back, easy going Brooklyn wise guy. Even his name, Chamberlain Haller, evokes seriousness. A lot of fun, especially the courtroom antics of Pesci. Highly recommended.

Some people really do lack a sense of humor and take life way too seriously. These are the people that will complain that this movie is not funny. The rest of us will find at least some genuine funny moments. In my case, I found several. My Cousin Vinny is a movie that I will play to cheer me up because it's hard to feel down while watching it.

Joe Pesci who scared the hell out of us as Tommy Devito in Goodfellas takes on the role of wise cracking, inexperienced attorney Vincent Gambini. He is wonderfully matched with the nagging, street smart, and charming Maria Tomei as his girlfriend Mona. The two hard core New Yorkers wind up in rural Alabama to defend Vincent's cousin (Ralph Macchio) and friend on robbery and murder charges. There are plenty of funny moments created from the culture clash between the "yankees" and the southerners ranging from the fascination with grits to the colorful colloquialisms used by each. Some of the best moments involve the exchanges between no non-sense Judge Haller (Fred Gwynne) and Vincent who he can't understand due to his New York accent. However, this film does not rely on stereotypical southern slapstick comedy. It is actually smart and there's a real plot involving a court case that all but looks clear cut until Vincent and his girlfriend begin looking at the evidence. I love all the court room scenes and Pesci and Tomei have great chemistry.

This movie is truly underrated; although Tomei did earn an Academy Award for her role in this film. I highly recommend it to those of us with a funny bone!

"My Cousin Vinny," along with the megahit "Goodfellas," put Pesci on the map. Of course, he's been in the Scorcese's previous hit "Raging Bull," but didn't get a hell of a lot of recognition at the time. Joe Pesci's character of Vincent LaGuardia Gambini is a landmark character in comedy history. When his New Yauker street smarts collide with Southern hospitality--brilliant fish-out-of-water humor ensues!

Of course, Pesci should've be given all the credit. Marisa Tomei, who RIGHTFULLY won the Supporting Oscar for her excellent performance (please don't believe that urban myth about Jack Palance calling out the wrong name!!), is hilarious as Pesci's fiance with a foul mouth, a smart a**, the heaviest Brooklyn accent and an incredible expertise in automobiles. This was also the movie that made Marisa a star, and a performance I commend to this day.

What can I say? This movie has some of the most priceless bits of comedy. One, of course, involves Pesci's pronunciation of the word "youth" which sounds like "yute." One underrated bit is the one where Pesci first meets his cousin's friend (Mitchell Whitfield) in the jail cell. His cousin (Ralph Macchio) is asleep and Pesci suddenly pays the friend a visit. He doesn't know Pesci is the lawyer, and assumes he's some guy who...wants to make him his b**ch. The comic dialogue in that scene is so perfectly executed and I feel it's one of the funniest in the movie. I'm not going to give away any more of the film's slick, intelligent humor--You have to see it for yourself!!!

If you're in the mood for a smart, well-written, well-acted comedy that will have you on the floor--look no further! "My Cousin Vinny" doesn't disappoint in any of those aspects. This is a truly memorable piece of comedy, and though it was released in 1992, I'm sure comedy lovers will pay homage to this movie in the present day.

My score: 8 (out of 10)

My Cousin Vinny (1992)

**** (out of 4)

Terrific comedy has two youths being arrested in Alabama for a crime they didn't commit but thankfully one of them has a cousin Vinny (Joe Pesci) who just happens to be a lawyer. The thick New York accent at first doesn't sit well with the South but soon his skills come out. A lot of people seem to forget that this picture did lukewarm business at the box office and had several negative reviews when it was first release. I enjoyed the movie at the time of its release but I didn't think it was anything overly great but this is a great example of how a movie just gets better with age. Today MY COUSIN VINNY is rightfully considered one of the best comedies of its time and the performances here are just downright classic and make the film so special. Of course you've got Pesci and that terrific line delivery that adds so many laughs. Just the way he's able be to over-the-top in some of his line delivery is just flawless and the chemistry he has with the supporting cast is where much of the heart of the film comes from. Fred Gwynne plays the tough Southern judge and gets one of the greatest roles in his career and he does a remarkable job with it. The back and forth between Pesci and Gwynne is just so perfect that it never grows old no matter how many times you see the film. Oscar-winner Marisa Tomei is flawless in her role as the girlfriend and we get great support from Ralph Macchio, Lane Smith, Bruce McGill and Austin Pendleton. The film has so many classic sequences that the long 118-minute running time flies by without any dry or slow moments. There's no question that the film contains some of the biggest laughs of the decade and it's also fair to call this thing a classic.