The Sandman

Along with Nightmare Before Christmas this short shows that stop-go-animation isn't just for kids. Dark, Haunting tale of a boy's journey up the stairs to bed.

Don't watch this before going to bed yourself!!

If it hadn't been for MONA LISA DESCENDING THE STAIRS, there's a very strong chance that THE SANDMAN would have won the Oscar for Best Animated Short Film--it was that striking and groundbreaking. Paul Berry created a stop motion world very similar to his later projects such as THE NIGHTMARE BEFORE Christmas and JAMES AND THE GIANT PEACH. While the animation is not quite as fluid here in this early film, you can clearly see that it led to these very successful Disney films. Sadly, Barry died at age 40 and his output was quite limited.

So what did I like about this film? Well, the character designs were amazing and the sets had a strange and twisted quality that was both charming and creepy. As for the story, I am probably in the minority here, it was really good up until the surprise ending. I thought it was too creepy and disturbing and knocked the film from a 9 to an 8--this is certainly NOT a film to show to young and impressionable kids. Of course, for an older crowd, they'll probably love the sick finale. Watch it and see for yourself.

This is an exceptional and brilliant film.

This was a fantastic short film that I had the pleasure of seeing at the Mill Avenue Animation Festival in Tempe, AZ in 1992. This film is a great combination of spooky, cute, suspenseful, and freaky. While it reminds me of Tim Burton, it is more genuine. The story plays like an Edgar Allen Poe work, in that it is simple and to the point, while leaving a lasting mark. The animation is very Edward Gory, mixing cartoonish elements with the macabre. This piece is definitely on a different page than other animation, and I find myself thinking about it much more than should be demanded by a short film, and I would love the opportunity to see it again. Stop motion is usually very hit or miss for me, and in this case it is a dead on hit.

The Sandman is every child's nightmare- going to bed with a unknown horror lurking in the shadows. Paul Berry directed this animated screamer, and the characters are Tim Burton-esquire in the design. (Not surprising, as a few years later Paul worked on the Nightmare before Christmas with Tim) The film is very short, clocking in at a mere ten minutes, but it's disturbing enough to play a part in your nightmares. This film may seem to be aimed at children, as a young boy is the main character and it's a animation, but beware against showing it to any child below the age of about ten. Even that might be pushing it, as we watched this film in our Year 8 English class and we were still sufficiently creeped out.

The film starts off happily enough, just before the boy's bedtime. When he makes his way up to his bed, he enters the world of the Sandman.

The trippy '92 animation only adds to the atmosphere and the music is pure genius- a chord sounds every time he takes a step.

Several false alarms lead you to believe that maybe all is well and the Sandman will not be visiting that night. Unfortunately, not all stories have a happy ending.

A slight criticism- was it really necessary for the Sandman to dance? And the weird elbow thing- it made it more laughable which didn't set in with the mood of the film.

Therefore, I give this film 9/10.

In a quiet town, in a dark house, a young boy playing with his drum is sent to bed at the top of the long stairs. With only a candle for light the boy is a bit scared and thinks he sees all many of things in the shadows and that every noise is sinister. As chance would have it though, he may not be wrong as, unseen by him, a character may be trying to get to him in his room with sinister motives – but is the Sandman real or is it all in the boy's overactive imagination.

Everyone knows that the Nightmare Before Christmas was a Tim Burton film, but not enough credit is given to the animator Paul Berry who was responsible for the unique Gothic feel given to the stop motion characters and the film as a whole and it is in this short film that he shows his worth. The story is a simple horror tale told in the style of a brief Gothic poem; the plot is simple and does keep the tension up and the ending is shocking in its simplicity – but parents will want to vet it before children watch it as it does end with some images of the sort that tend to linger in the mind and may cause some serious nightmares.

The animation is brilliant; although it lacks the budget (and hence gloss) of Nightmare but it is no less stylish and imaginative for it. Like I say, it is atmospheric and the ending is memorable and pretty creepy even for me. Since Berry's unfortunate death in 2001, we will not see any more work from him but with both this and Nightmare, he showed his eye, his talent and his imagination in a way that deserves and receives recognition. A great little short that everyone that watched Nightmare should make the effort to track down.