Un professionnel de la sécurité constate que son passé revient le hanter, alors que lui et son équipe unique sont chargés de récupérer un objet particulièrement important.Un professionnel de la sécurité constate que son passé revient le hanter, alors que lui et son équipe unique sont chargés de récupérer un objet particulièrement important.Un professionnel de la sécurité constate que son passé revient le hanter, alors que lui et son équipe unique sont chargés de récupérer un objet particulièrement important.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Jo Marr
- College-Aged Cosmo
- (as Jojo Marr)
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A friend and I were discussing River Phoenix yesterday so last night I decided to watch this movie again for the first time in a while. Let me put this out there first. This isnt an Oscar movie but its really fun. Also for 1992 the technology they are showing didn't exist. There is a lot of "you couldnt do that in 1969/1992 on the internet". Those are my only criticisms. That being said a better cast cannot be found. Its got heavy hitters. The chemistry is great. The pacing is well done. I can watch this over and over. Whats disturbing is how well.it actually forecasts the role of data in our lives now. Theres actually dialog that gets very Edward Snowden-ish that I didn't catch in the 90's or early 2000s. But is so in your face in 2021. That being said I would so watch it again.
Despite its relative obscurity, Sneakers is quickly becoming a cult favorite of the internet generation. It's a perfect blend of romance, tech and adventure that highlights the increasing importance of information. The always beautiful Mary McDonnell as Liz doesn't hurt, either. The soundtrack is arguably the best of James Horner's film scores pre-dating Braveheart, with an ethereal jazzy feel that sets the mood from the opening credits.
For an early nineties movie, Sneakers was remarkably forward thinking in its script and plot. Many of its themes have only become more relevant with the flowering of the data network. All in all a great film for those of you who enjoy flicks like Hudson Hawk or Mission Impossible.
For an early nineties movie, Sneakers was remarkably forward thinking in its script and plot. Many of its themes have only become more relevant with the flowering of the data network. All in all a great film for those of you who enjoy flicks like Hudson Hawk or Mission Impossible.
10tek-9
I was saddened that this movie had such a low rating. I've watched it many, many times over the years, and it continues to entertain. It is, perhaps, the last good "hacker" film (well, 23 (1998) also comes to mind, but that isn't widely available in English).
The math is believable (Janek's lecture makes sense), as is the technology (except for the Hollywood-ish decryption displays -- but that's forgivable). The characters are among the most realistic in any of these movies (with the exception of Joey the lamer in Hackers (1995) -- most accurate character in a hacking movie I've seen yet). They're each composites of well-known people from the 80s security scene. The techniques they use are the techniques of the business, especially in that era.
Now that computers have become such a big thing, I don't think it would be possible for Hollywood to produce another movie like this. Anything made now would have to be far more glamorous and unrealistic.
What's this movie got, if you don't care about any of that stuff? It's tremendously funny, cleverly written (every scene works overtime to say and do more than one thing), and beautifully shot and scored. (The opening scene and transition is wonderful) The acting is priceless. I've never met someone who didn't love this film. See it.
The math is believable (Janek's lecture makes sense), as is the technology (except for the Hollywood-ish decryption displays -- but that's forgivable). The characters are among the most realistic in any of these movies (with the exception of Joey the lamer in Hackers (1995) -- most accurate character in a hacking movie I've seen yet). They're each composites of well-known people from the 80s security scene. The techniques they use are the techniques of the business, especially in that era.
Now that computers have become such a big thing, I don't think it would be possible for Hollywood to produce another movie like this. Anything made now would have to be far more glamorous and unrealistic.
What's this movie got, if you don't care about any of that stuff? It's tremendously funny, cleverly written (every scene works overtime to say and do more than one thing), and beautifully shot and scored. (The opening scene and transition is wonderful) The acting is priceless. I've never met someone who didn't love this film. See it.
Sneakers is, and has been, one of my favorite movies for years. I saw it on Showtime, and I had to buy it on VHS. Soon after the release of DVD, I bought the DVD version and I watch it ALL the time. This movie is awesome in all aspects. I love the cast, and I love the music. I have the soundtrack on CD, and Branford Marsalis on sax adds so much to the movie and its entire mood. As for the story...funny, exciting, thought- provoking. I made a comment about the visuals, I think they were exciting as well. The camera shots and all, hard to explain, but I love it. I especially love the shots at the start of the movie in the snow, that scene as a whole, camera angles, music, lighting---awesome. What I don't get about the movie is this---how come Redford has to ask his off and on "girlfriend" what encryption is? I thought he was a hacker!? There are a few other times in the movie where he and his "crew" ask questions about computer subjects it seems they should know everything about. I never understood that. Well, that's that....I think the movie is a must see.
There are a bunch of movies which might not be GREAT, but really good, and you can watch them over and over again. Rainy day movies. "Sneakers" is without a doubt such a movie.
It is a lightweight caper which gets into a higher division thanks to the acting: Redford is always good, as is Strathairn, Kingsley and McDonnell. The other actors do a really good job as well, but these four stand out in my opinion.
There are twists and turns in the script, Great San Francisco locations and lots of underplayed humor in this film, all contributing to that the movie can be seen several times.
Take it for what it is, and you'll have a really good time in front of the TV.
It is a lightweight caper which gets into a higher division thanks to the acting: Redford is always good, as is Strathairn, Kingsley and McDonnell. The other actors do a really good job as well, but these four stand out in my opinion.
There are twists and turns in the script, Great San Francisco locations and lots of underplayed humor in this film, all contributing to that the movie can be seen several times.
Take it for what it is, and you'll have a really good time in front of the TV.
Le saviez-vous
- AnecdotesWhen Martin (Robert Redford) and Cosmo (Sir Ben Kingsley) attempt their initial prank at the beginning of the movie, the façade building seen is the famous Hill Valley clock tower from the Retour vers le futur (1985) trilogy.
- GaffesThe ceiling tiles that Martin and Carl use to move around above the floors in the Playtronics building are the hanging type, quite fragile like cardboard and would not be able to support an adult's full body weight.
- Crédits fousIn the theatrical trailer, the case members' names were first presented as anagrams, then rearranged to spell correctly. They were: fort red border - Robert Redford a york dandy - Dan Aykroyd kneel by sing - Ben Kingsely carney mend moll - Mary McDonnell rionveih irnep - River Phoenix I edit spin yore - Sidney Poitier ad variant thirds - David Strathairn
- Versions alternativesThe line "Who's going to save the world Marty? Greenpeace?" in the dubbed Spanish version (DVD) becomes "Who's going to save the world Marty? The military?"
- ConnexionsEdited into The Green Fog (2017)
- Bandes originalesReally
Written by Mike Bloomfield & Al Kooper
Performed by Mike Bloomfield, Al Kooper & Stephen Stills (as Steven Stills)
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
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- How long is Sneakers?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Héroes Por Azar
- Lieux de tournage
- Countrywide Home Loans Corporate Headquarters, Simi Valley, Californie, États-Unis("Playtronics Corporate Headquarters")
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 23 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 51 432 691 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 031 145 $US
- 13 sept. 1992
- Montant brut mondial
- 105 232 691 $US
- Durée2 heures 6 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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