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IMDbPro

Le tueur du futur

Titre original : Ghost in the Machine
  • 1993
  • R
  • 1h 35min
NOTE IMDb
4,7/10
4,3 k
MA NOTE
Ted Marcoux in Le tueur du futur (1993)
Home Video Trailer from 20th Century Fox Home Entertainment
Lire trailer2:02
2 Videos
28 photos
Cyber ThrillerDark ComedySlasher HorrorSupernatural HorrorHorrorSci-FiThriller

Lorsque l'esprit d'un tueur en série se retrouve numérisé, des morts inexpliquées se produisent.Lorsque l'esprit d'un tueur en série se retrouve numérisé, des morts inexpliquées se produisent.Lorsque l'esprit d'un tueur en série se retrouve numérisé, des morts inexpliquées se produisent.

  • Réalisation
    • Rachel Talalay
  • Scénario
    • William Davies
    • William Osborne
  • Casting principal
    • Karen Allen
    • Chris Mulkey
    • Ted Marcoux
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,7/10
    4,3 k
    MA NOTE
    • Réalisation
      • Rachel Talalay
    • Scénario
      • William Davies
      • William Osborne
    • Casting principal
      • Karen Allen
      • Chris Mulkey
      • Ted Marcoux
    • 55avis d'utilisateurs
    • 33avis des critiques
    • 34Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos2

    Ghost in the Machine
    Trailer 2:02
    Ghost in the Machine
    Ghost in the Machine
    Trailer 2:02
    Ghost in the Machine
    Ghost in the Machine
    Trailer 2:02
    Ghost in the Machine

    Photos28

    Voir l'affiche
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    Voir l'affiche
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    + 21
    Voir l'affiche

    Rôles principaux37

    Modifier
    Karen Allen
    Karen Allen
    • Terry Monroe
    Chris Mulkey
    Chris Mulkey
    • Bram
    Ted Marcoux
    Ted Marcoux
    • Karl
    Wil Horneff
    Wil Horneff
    • Josh Monroe
    Jessica Walter
    Jessica Walter
    • Elaine
    Brandon Quintin Adams
    Brandon Quintin Adams
    • Frazer
    Rick Ducommun
    Rick Ducommun
    • Phil
    Nancy Fish
    Nancy Fish
    • Karl's Landlord
    Jack Laufer
    Jack Laufer
    • Elliott
    Shevonne Durkin
    Shevonne Durkin
    • Carol
    Richard McKenzie
    Richard McKenzie
    • Frank Mallory
    Mimi Lieber
    Mimi Lieber
    • Marta
    Mickey Gilbert
    • Mickey the Driver
    Ken Thorley
    Ken Thorley
    • Salesman
    Carl Gabriel Yorke
    Carl Gabriel Yorke
    • Safety Technician
    Richard Schiff
    Richard Schiff
    • Scanner Technician
    Clayton Landey
    Clayton Landey
    • Mel
    Walter Addison
    Walter Addison
    • Veteran Cop
    • Réalisation
      • Rachel Talalay
    • Scénario
      • William Davies
      • William Osborne
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs55

    4,74.3K
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    Avis à la une

    6Doylenf

    Serial Killer's Soul Invades Computer Mainframe...

    I thought THE NET with Sandra Bullock was pretty over-the-top in the way her identity was so completely stolen, but it made a smashingly interesting thrill flick. However, THE NET was nothing compared to the overripe imagination of the screenwriter for THE GHOST IN THE MACHINE.

    Computer tekkies will love all the computer graphics involved here in showing how a serial killer, during an MRI power surge, gets his killer soul inserted into a network of computers so that he becomes the hacker from hell. KAREN ALLEN is his main victim, since he was an employee in a store where she was looking for a computerized address book. He has designs on her the moment he sees her with her young son (WIL HORNEFF).

    But she's not the only victim he seeks from her address book. Several others meet their imaginative deaths because of his stalking them through his computer wizardry (in most improbable and highly unlikely ways). But logic is the ingredient missing from the entire concept of this horror story that has fun devising various gruesome deaths for at least four or five people. CHRIS MULKEY is good as a computer wizard who helps her combat and ultimately destroy the virus which takes human form in the shape of graphic bits.

    Not really as bad as it sounds but all the graphics become a bit tiresome after awhile. I thought one of the best scenes had the automatic awning on the swimming pool covering almost the entire pool in ominous fashion, until the boy decides to swim underneath it to adjust the controls. That bit of natural horror was scarier than some of the computer graphic nonsense.

    Summing up: Not bad as these sort of things go. Holds the attention but demands complete suspension of logic.
    ts-0000

    Decent..

    Much was based on,special effects/science fiction.. Regardless.. Showed ideas of,how technology can be. Good cast & overall storyline,lead this movie. Watched it years back & now in 2020,it was a rather advanced concept.
    4Anonymous_Maxine

    A movie about the sinister possibilities of the young internet.

    Ghost In The Machine is one of those movies that comes out with the emergence of some new technology and how it can go wrong. Computers were still in the major developing stages in the early 1990s (at least compared to today's standards), as was the Internet, and Ghost In The Machine seems to be a false start on getting a handle on turning the new technology into a horror movie or suspense thriller. The problem is that the writers of the movie were apparently so anxious to get the film written and filmed and released that they didn't take the time to put any thought into it.

    The technical production of the film is not entirely a pathetic mess, even though it does assume that electronics come equipped with little windows through which can be seen the shining faces of people at their computers, and that electrical outlets with tape over them will display a blinking red ACCESS DENIED sign if you attempt to get through them, but even the most cartoonish computer animated scenes that took us on a roller coaster ride through our microwave ovens were at least mildly interesting, although not at all convincing. In this case, we are looking more at the technique than the content, the way you watch an abstract relaxation video.

    The problem here is that the movie tells the story of how a serial killer steals peoples address books and then kills the people listed in them, but a reason for these killings is never even suggested. The closest we come to having a reason for why this guy is so eager to commit all of these brutal killings is during an early scene when he is driving home from his job at the computer shop, and in recklessly trying to pass a slow moving truck he swerves into oncoming traffic only to jerk the wheel to the left and go skidding down a steep hill upside down in his car, laughing all the way, HA HA HA! So the guy is completely insane. That's a reason, I guess, but probably the most uncreative one imaginable and therefore one of the least interesting ones possible.

    The whole idea of the killer going into electricity in general is obviously the most unrealistic thing in the entire film, but it is stretched to cover almost the entire movie from beginning to end, which is what shows most clearly the fact that the movie is based on the emergence of the world wide web. It's kind of a what-if thriller about what would happen if a psychotic killer was accidentally released into the electricity based communications system that is the internet and was then able to defy all laws of logic and physics and who knows what else, and if he had somehow developed this overwhelming passion to kill a certain woman and her family and friends for committing the crime of leaving her address book at the computer shop. The movie makes a good solid effort to be a worthwhile thriller, but for the most part it falls completely flat.
    caspargirl54

    THIS SCARED ME HALF TO DEATH!! I LOVED IT!!

    I saw this film on regular TV a few years back, and I watched because I like Karen Allen. I REALLY enjoyed this film, and YES, I WOULD RENT IT. It had good special effects and I thought the plot was great. A lot of people have seen this film, so that tells you that at least the title is a grabber. I go against all the nay-sayers though, and say this is worth your time if you like scary flicks. I remember the ending being especially suspenseful, right down to the final minutes. I do not watch every horror film that comes along, and most of them are forgettable anyway, but this one has always stuck with me. I would definitely give it FOUR STARS. (Hey, the majority is not always right!)
    6capone666

    The Vidiot Reviews...

    Ghost in the Machine

    The worst thing about being an online serial killer is that Internet users can leave comments about how "gay" your murders are.

    Fortunately, the serial killer caught in cyberspace here can retaliate against such cowardly remarks.

    When the Address Book Killer (Ted Marcoux) gets into an accident, he's taken to the hospital. As his injured body lies inside of an MRI, an electrical storm causes his mind to be transferred into a nearby computer.

    Able to continue carrying out his murderous rampage, by possessing electrical appliances, ABK targets Terry (Karen Allen) and the contacts in her little black book.

    Now, her and her computer hacker friend must trick the killer into accepting a virus.

    Although dated, and poorly acted, this 1993 horror movie has some interesting ideas when it comes to cyber-slayings.

    As for how to spot an online serial killer – they're the one who's wearing someone else's profile picture. (Yellow Light)

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Approximately 40 minutes into the movie, a computer is scrolling through a list of names in a phone book, in search of its next victim. The names listed are mostly Hollywood producers. Going through the list slowly reveals Caryn Mandabach (listed as "Caryn Mandab"), Wink Martindale, Lorne Michaels (of Saturday Night Live (1975)), Bill Melendez ("Charlie Brown" specials), Neal Marlens (Quoi de neuf, docteur ? (1985)), Thomas L. Miller (La fête à la maison (1987)) and a host of others. The name the computer is searching for is Terry Munroe, which (maybe by coincidence) happens to be the birth name of actor Stepin Fetchit.
    • Gaffes
      At Terry's ATM and on the computer address search, her last name appears as Munroe. When her son Josh signs in to use the Virtual Reality gear with his friend, he signs as Munroe. On her son's computer info, his name is spelled as Monroe which is what the credits show, recently as December 2020.
    • Citations

      Phil Stewart: You don't think a hacker did this do you?

      Bram: Well, when you leave it out in the open no self-respecting hacker is going to pass it by.

      Phil Stewart: [grits teeth and pulls hair out] Auugghhh! God Damnit!

      [tears out of room]

      Phil Stewart: Get the hell out of my way!

      Bram: You know you don't handle stress very well, Phil.

      Phil Stewart: Jesus Christ.

    • Connexions
      Featured in The Ryan Hollinger Show: Pulse & Feardotcom: The Rise of "Internet Horror" (2020)
    • Bandes originales
      Don't Call Me Nigger
      Performed by Schoolly D (as Schoolly D)

      Written by Schoolly D (as Jesse Bond Weaver, Jr.)

      Courtesy of Jive Records

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    FAQ16

    • How long is Ghost in the Machine?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 27 avril 1994 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Ghost in the Machine
    • Lieux de tournage
      • 16711 Bosque Avenue, Encino, Los Angeles, Californie, États-Unis
    • Société de production
      • Twentieth Century Fox
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 12 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 5 086 909 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 854 431 $US
      • 2 janv. 1994
    • Montant brut mondial
      • 5 086 909 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 35 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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