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6,5/10
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Ajouter une intrigue dans votre langueSix queer teenagers struggle to get along with each other and with life in the face of varying obstacles.Six queer teenagers struggle to get along with each other and with life in the face of varying obstacles.Six queer teenagers struggle to get along with each other and with life in the face of varying obstacles.
- Réalisation
- Scénario
- Casting principal
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A rare movie to find. If you find it, you are one of the few.
I think that this is a good movie for sexually confused teenagers to watch. I think that some kids can connect with it and know that they are not the only ones out there who have the same situations occur in their life as in this movie. Some good issues are brought up in this movie. Some real stereotypes are stepped on in this movie. This movie lets kids know that it's okay to be something other than hetero.
I think that this is a good movie for sexually confused teenagers to watch. I think that some kids can connect with it and know that they are not the only ones out there who have the same situations occur in their life as in this movie. Some good issues are brought up in this movie. Some real stereotypes are stepped on in this movie. This movie lets kids know that it's okay to be something other than hetero.
My fourth Araki. Another of his 90s End-of-the-World series. Again, here James Duval is front center with his group of rag-tag not-your-average LGBTQ misfits akin to John Hughes clique. Unlike the strawberry tinged life of those 80s cliques, this kids have to face isolation, sexual identification and familial rejection where being out is still also being out there.
I love how film's tackle this LGBTQ teenager's problems. Especially, the character's talking about being thrown out or cheating and such, which given the time it was made, handled with care and compassion. It was after all, the 90s. AIDS death was still on the uptick. Its nice to see how they have each other's back even with some of stuff.
Stylistically, it is very lofi, no budget vibes. You could feel the indie-ness of the film. Its rough and almost scratchy which makes me remember those Waters and Warhol films. And with the additional talking heads, made it have that documentary feel.
Overall, this was a very interesting watch. A great time capsule of a troubling time. When out is also being out there alone with other alike. Excited to watch Nowhere soon.
I love how film's tackle this LGBTQ teenager's problems. Especially, the character's talking about being thrown out or cheating and such, which given the time it was made, handled with care and compassion. It was after all, the 90s. AIDS death was still on the uptick. Its nice to see how they have each other's back even with some of stuff.
Stylistically, it is very lofi, no budget vibes. You could feel the indie-ness of the film. Its rough and almost scratchy which makes me remember those Waters and Warhol films. And with the additional talking heads, made it have that documentary feel.
Overall, this was a very interesting watch. A great time capsule of a troubling time. When out is also being out there alone with other alike. Excited to watch Nowhere soon.
This is the first film from Gregg Araki, the man who made "Doom Generation" and "Nowhere". Like those films, the theme is the end of the world and features a backdrop of industrial music (Ministry, My Life With the Thrill Kill Kult, 16 Volt, etc.). The only difference is the lack of budget and big name actors (no Rose McGowan or John Ritter). We follow the lives of a group of gay and lesbian teenagers over the course of roughly two weeks. We see their struggles against oppression, their personal lives. An AOL user would summarize this films as "Buttsecks? O RLY? Ya RLY." but that's just ignoring the overall themes to focus on the more distasteful aspects of the film. If you're ans Araki fan or want a new experience, check this film out. It's not nearly as weird as his other films (no aliens or talking decapitated heads), but it will warp your perception of the world. And the end, while very abrupt, leaves something of a lasting effect.
I saw this film in 1995 at the ICA in London, and it blew me away - and it still does today. Mostly because it treates the characters as genuine real PEOPLE,
and without stereotypes. Even in today's age of "will and grace" crap, it still holds up as ten times more genuine.
A lot of people complain that nothing much happens - but that's what these
characters are destined to do- nothing much. They're problem is that they can't find a place to hang out, to fit in, to find others like them. They are nihilistic outcasts, and because they're gay in 1993, they're even more outcast - but
partially by themselves. This film shows this better than any film I've seen since...
-ken
and without stereotypes. Even in today's age of "will and grace" crap, it still holds up as ten times more genuine.
A lot of people complain that nothing much happens - but that's what these
characters are destined to do- nothing much. They're problem is that they can't find a place to hang out, to fit in, to find others like them. They are nihilistic outcasts, and because they're gay in 1993, they're even more outcast - but
partially by themselves. This film shows this better than any film I've seen since...
-ken
It's obvious that the other person who did a review of this movie was not an Araki fan. In order to understand this movie, you have to be a hardcore Gregg Araki aficionado. This was one of his first films, and he was just beginning to develop his unique style of directing and writing. The language used is supposed to emphasize the immaturity of our generation even though we are in such serious situations as shown in the movie. It's actually a great juxtaposition. As for the cinematography, I would rather see a movie filmed in the way Totally F***ked Up was than any other uninterestingly-filmed movies. At it's core, this is really a story about the struggles of anyone who has ever felt like an outcast. It does leave us hanging at the end, but so do other Araki movies. That's just his style; and if you don't like it, then too bad for you. If you do happen to like this film or are interested, I urge you to see the rest of the Teenage Apocalypse Trilogy [next: The Doom Generation, Nowhere], and all other Araki films. They are all interesting and stylish.
Le saviez-vous
- AnecdotesFirst part of Gregg Araki's Teenage Apocalypse Trilogy. The other two parts are Doom Generation (1995) and Nowhere (1997). James Duval stars in all three films.
- Citations
Patricia: Let me tell you what the problem with the stupid fucking world is. All the stupid people are breeding like mad having tens and tens of kids, while the cool people aren't having any! So, the population just keeps getting stupider and stupider! I mean, it's no wonder the whole world's going down the toilet.
- ConnexionsFeatured in Beyond Clueless (2014)
- Bandes originalesMotorskill
Written by 16 Volt, Eric Powell (uncredited)
Performed by 16 Volt
Published by Ink Head
Courtesy of Eric Powell & Reconstriction
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- How long is Totally F***ed Up?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 101 071 $US
- Montant brut mondial
- 101 071 $US
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