Lisa

I remember watching this when I was a kid and my own growing pains were starting to act up.

This film is about 14 yr old Lisa. She lives with her single, over protective mother and is in a hurry to grow up. She's like most teenage girls. Boy crazy, eager to date and loves her best friend, Wendy, who seems to have all the freedom Lisa so desperately wants.

After accidently running into an older, but attractive man, she gets his phone number by way of his license plate and begins making flirtatious phone calls. Little does she realize the dashing man is a crazed rapist killer who has earned the title of "The Candlelight Killer" due to the romantic candle lit atmosphere he sets up for his victims just before killing them. Her playfulness creates an obsession within the killer and soon the prankster becomes prey.

I think this is a pretty solid, yet understated, thriller. While it holds some nostalgia for me, it has a decent storyline and the lead actress does a wonderful job with her character. It's also filmed well aside from a slight "made for tv" vibe.

This is a great film for a bit of suspense and remebering the innocent naivety of youth. I'd recommend it but it's not likely to be a film for everyone. I was just tickled to come across it after all these years.

A 14 years-old girl (Staci Keanan) inadvertently strikes up a secret relationship with a distinguished restauranteur in Hollywood (DW Moffett). Unfortunately, he might also be the notorious Candlelight Killer, which would put her and her mother in danger (Cheryl Ladd).

"Lisa" (1990) is a coming-of-age drama meshed with PG-13 slasher. Writer/director Gary Sherman knows how to make atmospheric horror in view of his well-done "Dead & Buried" (1981). I happened to see Brian De Palma's "Dressed to Kill" (1980) the night prior and it was thoroughly artistic and well-written with genuine surprises. This film, by comparison, strikes me as by-the-numbers, which no doubt had to do with the modest budget.

Nevertheless, "Lisa" is a perfectly serviceable film in which the mother & daughter are successfully fleshed out and you find yourself caring for them and their outcome. Staci was only 14 during shooting while Cheryl was 38. If you're a fan of either, this is certainly worth checking out, even though it's not exactly high art.

The movie runs 1 hour, 35 minutes, and was shot in Hollywood (the apartment, flower shop and school) and Muse restaurant on Beverly Boulevard in Los Angeles.

GRADE: B-

This was a beautifully crafted suspense thriller about an overprotected 14-year-old girl named Lisa (played by Staci Keanan) who, in her innocent attempts to have some involvement with the opposite sex, becomes tied up in conversing by phone with a handsome guy, who unknown to her is the crazed serial killer responsible for several murders of young single women in the area where she and her single mom live.

Staci Keanan and Cheryl Ladd made a wonderful mother-daughter team. There are many suspenseful moments involving Lisa and the killer, yet the whole time she has no clue just how dangerous this handsome young man she stalks really is. It would make any teen think twice before trying to pick up a handsome stranger. I was thirteen when this film was first released in 1990. "Lisa" sure scared the hell out of me when I first saw it.

Chilling, well-observed thriller, whose message seems to be: "Careful when you're making telephone pranks, you never know whom you might mess with!". The bland cinematography gives it a TV-movie look, but it still has natural , believable performances by Ladd and Keanan, a well-cast actor as the handsome psycho, a good ear for dialogue and some moments that would make Hitchcock proud (especially the scene where the girl is trapped in the back seat of the killer's car). (***)

Lisa is a lesser-known seductive thriller that toys with the perils of connecting with a stranger over the phone (back then, a landline) in the late 80s. When 14-year-old Lisa (a cute Staci Keanan) falls for the much older, outwardly charming Richard (D.W Moffett), she stalks him and connects with him virtually over phonecalls. This is particularly fueled by the fact that Lisa's (single) mom Katherine (the lovely Cheryl Ladd) doesn't want her to date until she's 16, while her bestie Wendy is allowed by her parents to do so. Little does she know that Richard is a serial killer targeting young women, and he gives chase to Lisa, thinking she's her mother.

The film hasn't exactly aged well and is filled with questionable logic but it delivers pretty solidly as a cat-and-mouse thriller. The horror is minimal - if you think a killer leaving recorded messages and jumping out of the shadows leaving a trail of violence in his wake is good enough, it does alright. But in terms of building an atmosphere, it's pretty far behind. We're introduced to Richard's antics early on, and by the time the second kill happens, we already know his pattern and it really doesn't build any further layers of mystery. And the way the character has been written too is quite ordinary.

What works in the film are the following: the uneasy mother-daughter chemistry between Keanan and Ladd, the charming 80s Los Angeles setting, the pulpy elements (like Lisa getting unexpectedly stuck in Richard's car), and the blood-soaked finale.