L'ange de la destruction

Of all the thousands of movies I've seen that have employed guns and tanks and exploding things, this is the first that made me want to turn the gun on myself. As each scene wore on and on, I kept gesturing in the air to 'hurry it up'. It was as if dead people were on the screen. The characters spoke so slow, I began to doubt that any of them ever spoke before! A world of frustration. There was only a little tension, a fair plot and a whole lot of inconceivabilities. Supposedly, the robot was infused with the memories and life experiences of her/its creator. So, it was expected to act and respond according to this 'information'. Yeah, right. Yawn. Gregory Hines was right for the role and his performance was very good, as expected. Everybody else were rank amateurs, as evidenced by their uninteresting, wooden deadpan styles. Avoid this movie unless you want to eat your own lead salad.

Awesomely underwhelming tale of a scientist who designs a female robot, half WESTWORLD half TERMINATOR, modelled on her own personality, emotions and thought-processes.

Sometime Dutch actress Renee Soutendijk, whom one might unkindly describe as Lee Remick's less attractive sister (on a good day) has her hands full when EVE turns feral and runs amok. Gregory Hines, hopelessly miscast in his role as a Wesley Snipes PASSENGER 57 type operative, heads up the chase to defuse Eve with Ms Soutendijk's somewhat reluctant help.

Looking rather dated these days, especially by 90's standards, the film gets nowehere at a remarkably slow pace leading up to the subway climax which at least heralds the end of the movie!

Yawn.....next please?

The premise of this film is how robots, complete with comprehensive copies of human minds and with immense strength, power and armament, may deal with the darker parts of their copied brain. Renée Soutendijk gets to play both the human creator, Dr Eve, and her robot copy named Eve VIII, and pretty juicy parts they are to play too, poles apart, and every good actors dream role. And a pretty good job she does too, never too overplayed, never too crude, just subtle.

When Eve VIII escapes and appears to go on to blood letting of extreme proportions we are treated to some insight into the darker parts of Dr Eve's mind, at first to titillate and then to hunt the errant robot down. And it is not badly done either. Okay some of the dialogue may be a little comical or flawed at times, but the underlying tale is always watchable and that is what films are supposed to be. Tension is ratcheted up nicely throughout, and the ending is almost as good as one would expect from this kind of B movie genre. It certainly puts to shame many much more hyped up pieces of the sci-fi genre around on the circuits these days.

Worth a watch and six out of ten.

Low budget 90s cheese. Renée Soutendijk isn't awful, Gregory Hines is wasted, everything around them kinda stinks: Awesomely generic 80s soundtrack. The editing will make you scratch your head. Scenes go on forever, highlighting the terrible script. Get ready for expositional dialogue about "little Timmy" and a hilarious spousal abuse flashback.

Only once you realize the film isn't meant to be taken seriously will it open up its charm to you. Eve has an Uzi with unlimited ammo, for blowing up cars and killing the also Uzi-wielding Marines. She also has "VHS- vision" and lots of goofy flashbacks. It wants to be serious, but mostly you'll be laughing at/be bored by this film. Then again, if you and some friends watch this with your brain off - you'll probably enjoy it. The final 15 minutes especially are a blast of bad-movie goodness.

I guess future guns have huge laser sights.

A peculiar story of a woman scientist trying to track down (with the help of a tough army colonel) a female robot with nuclear powers, who not only looks like her but also shares her thoughts and memories. The gimmick is that the robot has no inhibitions, and acts out the woman's darkest sexual and violent fantasies, until "it" gets completely out of control. The story provides plenty of opportunities for male-bashing (it seems that almost every man that the robot meets is a chauvinistic pig), and the film doesn't miss any of them. But if you're patient, you'll be rewarded; the climactic sequence in the New York subway is excitingly staged and delivers the goods. And Renee Soutendijk is utterly convincing in both her roles. (**1/2)