Le Dernier Samaritain

Tony Scott's The Last Boy Scout arrived at a time when the macho action thrillers popularised in the 1980's were starting to die out. This, combined with its odd Christmas-time release, meant that the film would go on to underwhelm at the box-office, although it would prove a hit in the rental market and reignite Bruce Willis' action career after the failure of Hudson Hawk. It also took a beating from critics, many voicing their displeasure at the foul-mouthed dialogue and particularly brutal violence. It's a shame really, as looking back, The Last Boy Scout really represents the pinnacle of this overly masculine sub-genre, even though it arrived at a time when audiences were growing tired with it. Yes, it's preposterous, crude and slightly misogynistic, but it's also funny, clever and features screenwriter Shane Black at his most quotable best.

The movie begins with making a mockery of American Football's televised musical intros, before diving right into the thick of the action on a particularly dark and rainy night. Running back Billy Cole (Tae Bo guru Billy Blanks) is having a great night on the field before outside pressures and a hit of PCP lead him to shoot up half of the opposition before turning the gun on himself. Deadbeat private investigator Joe Hallenback (Bruce Willis) is acting as a bodyguard for young stripper Cory (Halle Berry), whilst dealing with his own marital problems in a cheating wife and brat daughter. When Cory is killed, her boyfriend - disgraced former quarterback Jimmy Dix (Damon Wayans) - finds himself reluctantly buddying up with Joe to slowly unravel a conspiracy that may expose corruption on a massive scale, and offer an explanation for Billy Cole's mysterious suicide. Their snooping isn't appreciated however, and they soon find themselves the target of a criminal gang desperate to cover their tracks and see their plan through to the end.

The Last Boy Scout was famously dogged by production problems, where producer Joel Silver was often cited as the cause of it all. Silver and Willis allegedly took over production, forcing Scott to film scenes he didn't approve of and altering Black's script so much that the finally story barely resembled his original idea. Scott would take revenge in his next film True Romance, where the role of a controlling, cocaine-fuelled producer was modelled on Silver. On top of everything else, Willis and Wayans hated each other. Impressively, these troubles somehow can't be seen in the final product. The chemistry between the two leads is one of the movie's strongest suits, and the plot unravels coherently with more car chases and shoot-outs than you could ever hope for. Scott shoots the film with a glossy commercial aesthetic that works well in the context of the tacky world the film is looking to expose. But the real winner here was Black, who pocketed a cool $1.75 million for his efforts after suffering a setback in his personal life. Despite the changes, this still has the writer's fingerprints all over it, even eclipsing what is undoubtedly his most popular work, Lethal Weapon. They just don't make 'em like this anymore.

In the early 90's, there was a definite, consistent presence in action movies: slow motion cinematography, wild gun-play, and funny one-liners. Granted, there are still some of those today (2004), but it just wasn't the same as back in the day. Now there are so many special effects in the current action films that it drowns out what used to be the great style of a "popcorn flick".

Die Hard paved the way for these type of movies, and some of the offspring of this did well and did not. The Last Boyscout was one that did well. This was a very intelligent and fun action/thriller/buddy-comedy that can still be enjoyed to this day. Tony Scott is the master of under-appreciated action movies in the 90's, such as this and True Romance.

My suggestion is to get a 6-pack, go rent this movie, sit back and enjoy the ride.

It's been 14 years since Tony Scott's The Last Boyscout was released and it was not a major hit at the box office.

Too bad.

Still, this guilty pleasure is one of funniest action movies ever made. The movie starts with the rocky (and cheesy) theme "Friday Night is A Great Night For Football" sung by Bill Medley. You can't top that way to begin a movie.

But then Scott surprises us again. the opening sequence, where a football player is going to use any way possible to score a touchdown, is breath taking too. Enter Joe Hallenback (Willis) and Jimmy Dix (Wayans) two fallen heroes. One, a detective, the other an ex pro of the Stallion's league. The mob is there too, gamble, money, bets, a murdered young girl and big explosions. All of this wrapped up in a great story, which I won't spoil. This film is one of Tarantino's favorites. It's full of one liners and classic scenes. Violent and graphic. "Touch me again and I kill you..." says Willis' character to one of the gangsters. You should see the result. Written by Shane Black (Lethal Weapon) you've got a guarantee you're going to have a great time. Taylor Negron is great as Milo, the villain, a young and beautiful Halle Berry is Kory a girl that knows too much, the sexy Chelsea Field is Hallenback's wife and Danielle Harris is her daughter a great characters that nearly steals the show.

This is not an "art" movie. It's pure entertainment, an excellent flick. Is anything better than that?

We watched this on an encore channel and given it's mediocre 2 star rating and age of 14 years we didn't really expect much. First, we aren't connoisseurs of the action flick and maybe it's too uneven to please people who really dote on the genre. There are a couple of places where the plot is advanced without much pretext other than the need to cut to an exciting bit of action. And there are a couple of action scenes that a good editor would simply have cut.

But Willis and Wayans give energetic and nicely tuned performances. Chelsea Field is just perfect in a limited role as the detective's wife. The villains are far better drawn than the usual bunch of lazy thugs. And Danielle Harris steals the show as Darian Hallenbeck, the feisty and foul-mouthed 13 year old daughter. She grows during the film with barely an effort – by either writer or actor. A part written with great comic creativity. Really the best thing about a film that has a lot of imaginative lines and action moments.

And there are lots of places in this film where the writers give us lines that are head and shoulders above typical film dialog – and way, way beyond the norm for most action movies. A quick guess would be that there were a dozen places where a good line turned up instead of the usual clichés.

The Last Boy Scout is without a doubt one of the greatest action movies ever made. There is nothing a good action film needs that isn't woven into Tony Scott's vision of Shane Black's screenplay. We have shootouts.... lots and lots of shootouts. We have Bruce Willis. We have football. We have some beautiful women at our disposal. There are some fast cars. There are drugs. And the profanity-laden dialog is so well-written that virtually the entire script can be read in the memorable quotes section of this site.

Our story, though completely preposterous, has some real depth. We have multi-dimensional characters and we are taken on quite a ride with them as the action unfolds. Bruce Willis plays a burned out private investigator who helps a disgraced former pro football player solve the murder of his girlfriend. Before our story ends, we have a dirty US senator, a greedy football team owner, and about a hundred seedy henchmen thrown into the mix. Things move so quickly that only towards the end does one of our characters actually speak a line that sums up how ridiculous it all is. Damon Wayans, who plays the former football star gives Willis some sobering insight. He points out that Willis must be one of the dumbest people alive. He is not only trying to save the life of the man who ruined his career, but also trying to avenge the death of the man who was f*#king his wife! But somehow, we the audience care about the outcome, and getting there couldn't be more fun.

The film has dated fairly well up to this point. Being as though it came out in 1991, you can still see a high top fade on a black character or two. The football uniforms have changed a little, too, but these are minor things that take nothing away from the enjoyment of the story. Water is still wet, the sky is still blue, and this is still one hell of a movie...and then some!!! This film scores a perfect 10 of 10 stars. It couldn't have been made any better.

So sayeth the Hound.