Les chandelles noires

My favorite DVD bar none. Denholm Elliott's Smiley was a brilliant interpretation in the shadow of Alec Guinness, not a surprise if one remembers his role in Woody Allen's "September." Glenda Jackson and Diane Fletcher might have been given more screen time. Christian Bale was smartly cast.

I've watched the DVD perhaps 30 times, more than either Tinker Tailor 1979 or Smiley's People 1982 (but they are several hours longer, I'd have to reload the DVD player for these, and each have gotten 10 or more viewings). To digress, Bernard Hepton's part in Smiley"'s People is scary good. To digress again, Cyril Cusack's "Control" in Spy Who Came in from the Cold" is chilling (though the style of the film is badly dated).

Is this program a mystery at all? I think "A Murder of Quality" is mostly a commentary by Le Carre on the sins and pretensions and hypocrisy of the decayed British Empire of the 1950's. To me, the mystery is much in the background - it provides a great format. In contrast, Tinker-Tailor and Smiley's People use the complex mystery to illuminate the hypocrisies of the East and West, but are strong core mysteries.

When I first viewed "A Murder of Quality" I was slightly put off by the structure, particularly the quick scene changes. I now think it was clever and possibly the reason I view the story over and over. I'm not sure who might get my credit/praise. Perhaps it's J Le Carre himself since he has screen writing credit.

On my DVD, Diane Fletcher's photo appears for Glenda Jackson in her (Glenda's) biography. There is no Diane Fletcher biography.

I saw this recently and remembered how good English TV drama can be. Denholm Elliot's Smiley is so good that I didn't even feel urged to compare it with Alec Guinness'. They both took the character on so well that in each case it was a very complete performance. They both captured the deceptively calm and inoffensive persona - and the sharp biting anger that seems to come from nowhere. The story is good, the mood and supporting cast are all tops. Some of the answers to the mystery can be picked up early on but who cares? The entire production is so well crafted that it's a pleasure just watching it all roll out scene by scene.

This movie is a fine work of art. Changes to the original story are very scarce and the acting is quite flawless. So is the period feel as well as camera and directing. Denholm Elliot was magnificent as Smiley. "So sad - so few of us left" (Shane Hecht in the novel, for those who have not read it.)

A surprise to John Le Carré's readers and to viewers who already know about his works adapted into films, "A Murder of Quality" is a less challengeable enterprise for the great agent George Smiley, this time investigating a mysterious murder close to a respected school in England's countryside. Smiley and his ability to find clues here are more approachable to someone like Hercule Poirot than to someone who had difficult missions when of his time in the Circus solving global problems during the Cold War.

This TV adaptation goes according the original work, a small film based on a small book with effective and similar result. Both are good but they suffer from the greatness of seeing Smiley doing more important jobs going around the world working for the British intelligence. Plot is well elaborated but sometimes we lose interest in it, its lack of having a good pace to keep the story going. Plus, it looks like something already shown before time and time again, but it might work better for those who never watched careful and brilliant investigative flicks before. This isn't sinking into obscurity because people are rediscovering it due to very young Christian Bale's minor yet important role in it, people get curious to see some of his early projects.

Casting's good work is what makes of "A Murder of Quality" a very decent film. Playing the great George Smiley is Denholm Elliott, who brings a jolly quality to the role of the eternally enigmatic, contrived and serious character whose delivery of lines goes without affection, enthusiasm or surprise. Not the best portrayal of Smiley (Gary Oldman nailed it in every possible aspect in "Tinker Tailor Soldier Spy") but it's a good one anyway, very amusing and playful. And there's place for a remarkable performance of Glenda Jackson, playing George's best friend and helper with the case, and the efficient presences of David Threlfall and Joss Ackland.

A good dramatic suspense but never effervescent as Carré's stories tend to be. 7/10

SO I just watched the film version of Jean LaCarre's *A Murder of Quality*. I liked the way the book ended better. However, it did prove something I had been saying for a long time: that Gary Oldman made a TERRIBLE George Smiley. He does not look right and he does not act right. You see, I'm a HUGE Smioley fan and, like most, I'm a fan from the books. Smiley is described as a funny little man and a disheveled Oxford Don. He has great humor about him that masks a great rage, and his rage is righteous, almost zealous. He is a champion in a battle between good and evil, and he hates the fact that he is constantly doing evil in the name of good. Oldman was wrong physically and was wrong in temperament. Eliot, a great if often overlooked British Actor, plays that switch between humor and rage perfectly, and he looks like a funny little Oxford Don. When I read that Elliot played smiley in this version I knew it would be great, because his turn as Marcus Brody in the Indiana Jones movies had all of Smiley's humor and the Oxford don clichés without his cunning or his rage.

In addition to Elliot, the movie has a terrific cast, including Joss Ackland at his sonorous best, Glenda Jackson, and a very young Christian Bale in a pivotal role (this was right before Newsies and a couple years after Henry V). It has that typical made for TV British mystery plodding, and one or two incredibly poor digital mats, but I really liked it.