Ajouter une intrigue dans votre langueDonald is a young man dying of AIDS. His lover, James, asks his mother to go to Fayetteville, Arkansas and tell Donald's mother, who has been estranged from her son for years.Donald is a young man dying of AIDS. His lover, James, asks his mother to go to Fayetteville, Arkansas and tell Donald's mother, who has been estranged from her son for years.Donald is a young man dying of AIDS. His lover, James, asks his mother to go to Fayetteville, Arkansas and tell Donald's mother, who has been estranged from her son for years.
- Réalisation
- Scénario
- Casting principal
Jonathan Fahn
- Hospital guest
- (non crédité)
Geoff Stradling
- Pianist
- (non crédité)
Avis à la une
When one hears that Julie Andrews and Ann-Margaret are going to be in the same film, one expects possibly a comedy or musical. What you have here are some riveting performances by two old pros in a story that still could resonate today. The in-bred bigotry espoused by Ann-Margaret I am sure, is still practiced by many in regions all over the world. Julie Andrews character is somewhat more enlightened as she has (grudgingly) accepted her son's homosexuality. Her initial facade of tolerance is tempered by a "disappointment" that her own son is gay. Her earnest wish for her son to be tested and his fear of being tested show honest and true emotions for the characters. Hugh Grant does well in his role of the lover about to lose his mate. I hadn't see this since it was first telecast in 1991, but I was surprised to see how well the writing, direction and especially the performances have held up over the years. See this by all means.
This is possibly the best made TV movie I've ever watched... Very powerful, moving and wonderfully acted. "Our Sons" is a great tearjerker and lesson in tolerance!
Both Julie Andrews and Ann Margret bring a lot of heart and subtlety to this story, about two mothers from very different backgrounds brought together by a tragedy affecting their sons and their common difficulty facing it. Their characters offer different perspectives on a sensitive topic.
The roles of James and particularly Donald are not as strong or subtly acted, but do not hurt the quality of this film or our enjoyment watching it.
Let's hope this little known pearl will be coming to DVD soon, for all to discover and enjoy!
Both Julie Andrews and Ann Margret bring a lot of heart and subtlety to this story, about two mothers from very different backgrounds brought together by a tragedy affecting their sons and their common difficulty facing it. Their characters offer different perspectives on a sensitive topic.
The roles of James and particularly Donald are not as strong or subtly acted, but do not hurt the quality of this film or our enjoyment watching it.
Let's hope this little known pearl will be coming to DVD soon, for all to discover and enjoy!
a film about AIDS. touching for its provocative manner to present not the most comfortable themes, using a cast who, at the first sight, seems be ideal for different genre of film. but this is the detail who gives to a simple story force and significance and status of support for reflection. because it is impeccable in the translation of states of each character. in the conquest of the past. in definition of motherhood. in the delicate way to examine the roots of different forms of love. and this did it a must see.
It's not the best AIDS or gay drama around, but it's good. The cast is great and the script, while being imperfect, has very good moments.
The four main characters are well developed and their conflict with each other are very interesting.
A very nice TV movie, but still- a TV movie. Nothing more than that.
The four main characters are well developed and their conflict with each other are very interesting.
A very nice TV movie, but still- a TV movie. Nothing more than that.
Our Sons is one of the better films dealing with AIDS that I've seen next to The Normal Heart. It casts Julie Andrews and Ann Margret as two radically different women who must come together when one of their sons is dying of AIDS.
Hugh Grant has an early role as Andrews' son and he pleads with his mother to bring Margret's character from Arkansas to see his dying lover and her son. This doesn't go as planned and Andrews must convince Margret to see her son, because Margret is under the impression that her son deserves what's coming to him because of his lifestyle.
Even 30 years later, this story is all too resonate with parents abandoning their gay children all the time. Our Sons tells an incredibly moving story about how it's never too late to reconnect and forgive. Andrews and Margret have never been better and you have to give them credit for willing to star in a non-judgemental story about AIDS when people were still scared to talk about it.
Hugh Grant has an early role as Andrews' son and he pleads with his mother to bring Margret's character from Arkansas to see his dying lover and her son. This doesn't go as planned and Andrews must convince Margret to see her son, because Margret is under the impression that her son deserves what's coming to him because of his lifestyle.
Even 30 years later, this story is all too resonate with parents abandoning their gay children all the time. Our Sons tells an incredibly moving story about how it's never too late to reconnect and forgive. Andrews and Margret have never been better and you have to give them credit for willing to star in a non-judgemental story about AIDS when people were still scared to talk about it.
Le saviez-vous
- AnecdotesAnn-Margret writes that she and Dame Julie Andrews were amazingly similar to the characters they were playing. While Ann-Margret was disorganized and messy, Andrews was "very much like Mary Poppins", always with a neat appearance and a tidy dressing room.
- GaffesJames mentions that Luanne lives in Fayetteville, Arkansas, mentioning that it is near Little Rock. The two cities are actually almost 200 miles apart.
- Citations
Audrey Grant: He's gonna die, you stupid bitch!
- Crédits fousSuggested by the Documentary Too Little, Too Late (1987) by Micki Dickoff.
- ConnexionsReferences Le Petit César (1931)
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By what name was Au-delà du désespoir (1991) officially released in India in English?
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