Swordsman: La légende d'un guerrier

For sheer entertainment value, it's hard to beat this film. If you're not concerned about intellectual stimulation, you'll have a great time. The plot is completely confusing, but it helps if you've seen "The Swordsman", the first movie in this sequence.

Don't worry; you won't be paying too much attention to the plot, because if you do you'll get a headache. In a capsule, various martial arts clans vie for possession of a scroll which describes how to obtain secret powers. This is a great excuse to hang together a bunch of amazing martial arts sequences, silly humor, and drunken singing -- and you'll probably sing right along. In fact, you'll see where "The Matrix" got a lot of its inspiration when you watch this film. (The Wachowski brothers worship Jet Li.)

As in "The Swordsman", I appreciated the fact that there are a number of strong female roles in this film. Hollywood doesn't allow many women action heroes, and this film shows how women can knock your socks off, if given the chance, in the fighting sequences.

Assume movie essence absorbing stance!

many of the previous comments have cited this film as one the best in the martial arts genre. i think there's a little more to it. this film articulates one of the central philosophical questions of the Chinese tradition: withdrawal from the world vs. facing the world. it is a theme featured in all of china's great philosophers, Lao-Tze, Zhuang-Tze, Confucious, and as well as its great poets and artists. it is also, arguably, the central question of Chinese Buddhism.

recall that the film premises on the withdrawal of Jet Li's character and his clan from the world of martial arts (the uniquely Chinese, "Jiang-Hu"). they were tired of the constant battles and blood-shed. "Ox-back Mountain" was, for them, the idyllic place to escape the bitterness of the world. the events of the movie--Jet Li's involvement with Ying Ying, the rescue of Ren Woxing, the appearance of Dong Fang Bu Bai, the brutal slaughter of the Hua Mountain clan--all serve to problem's the possibility of exiting the world.

Linghu Chong's (Jet Li's) conversation with Ren Woxing captures this conflict in these immortal words (my translation): "you (Linghu Chong) know so little about the world. when there is people, there is hatred and resentment, and when there is hatred and resentment, there is Jiang Hu (the world)." this is a pessimistic view of the world, but one that rightly argues for the importance of resentment in the order of the world. moreover, unlike most films that fall into this trap, the Swordsman II does not posit love as a force of reconstitution and re-ordering; love only complicates things...

Having been a big fan of Hong-kong fantasy action movies(chinese ghost story 1,2,3..and etc..) especially I completely captivated by this one. When I first saw this movie, I was only 14. this movie was brought a great popularity and main stars Brigitte Lin and Jet li became household name in here, South Korea. I still remember when these two stars visited here to promote, Brigitte Lin had to escaped from being run over by her fans in Korea.

She plays "Asia the invincible" who's gave up his manly symbol to become the best sword man. Jet li plays another great sword man who's pure, sincere to his belief. On the way to find his men, came across "Asia the invincible" several times. although "Asia the invincible" is a villain who's so brutal when he eliminates his enemy, starts attracted to Jet li. and Jet li does too.

But the development relationship between Jet li and "Asia the invincible" can hardly describe. actually both of them are men. It can be called "Homosexual interest". but it doesn't a big deal. In fact I think this made this movie more unique, and sensual, joyful to watch.

Striking, powerful performance by Brigitte. she had been my idol for years. it's a really pity that she had disappear from the screen after getting married. it's a role really hard to play. but she's charismatic enough to command the whole movie. her last scene still haunting me. can't believe she was almost 40 when she did shoot this one.

The early Jet li so cute, and I really admire his martial arts skills( although most of his martial arts here are computer-generated or wire actions ) I can't count how many times I've seen this movie. action sequences so beautiful and stunning. See this movie. it will be unusual experience!!!

(1992) Swordsman II (In Chinese with English subtitles) ACTION

Full of big name Chinese stars from the likes of Jet Li, Rosamond Kwan, Jacky Cheung and Hong Kong actress veteran Brigitte Lin follows a mythical tale about ruling powers within' China. Full of wire- fu effects, and not so much a fan of those either but plenty of sword fights and beheading's (looks fake, of course), back stabbers and betrayals and some comedy relief. Similar to what one can find on one of those long Chinese soap opera films except that it's all crammed into a film. The other thing I like about this film is that it's not all serious as say "Crouching Tiger and Hidden Dragon" or even "Hero"! Jet Li's boyish persona was still intact here before his movies went all serious and the subtitled version is better than seeing it dubbed.

Ling Wu Chung (Jet Li) is a great young swordsman with a big problem: the question on which side he shall fight means only choosing the lesser of two evils. On one hand, there is master Wu (Shi-Kwan Yen) who became mad during his imprisonment. Ling frees him from the prison, but does not wish to support Wu's cruel and merciless vengeance afterwards. On the other hand, there is Asia (Brigitte Lin), a wicked, mysterious woman of great beauty who hides many secrets from Ling and cannot be trusted. The movie has many wild, over the top action scenes from the director of "Chinese Ghost Story", but it was impossible to find a happy ending for it. Along with the sad music, visual beauty and spectacular effects, without a doubt a classic of its genre in the 1990s. My only little grudge is that the characters in the first Swordsman movie were more sympathetic than here in the sequel.