Agni Sakshi

Hollywood movie - Sleeping with the Enemy (1991) starring Julia Roberts, Patrick Bergin and Kevin Anderson presented the story of a runaway wife who has to run away because of her abusive husband and then she finds her soulmate in the form of another, better man who does not take his love to absurd possessiveness culminating in abuse of his spouse. This story idea impressed Bollywood filmmakers so much that within a few years, many Bollywood adaptations of this story came on the Indian screen viz. Yaaraana (1995) featuring Raj Babbar as the villain, Agni Saakshi (1996) featuring Nana Paatekar as the villain, Daraar (1996) featuring Arbaaz Khan as the villain, Koi Mere Dil Se Poochhe (2002) featuring Sanjay Kapoor as the villain etc. Among all these, Agni Saakshi emerged as the best adaptation of the Hollywood movie and therefore, it proved to be a box office grosser whereas the other ones flopped. I watched it twice in the theatre.

Agni Saakshi (the sacred fire as the witness) tells the story of Shubhaangi (Manisha Koiraala) who is actually a runaway bride with her real name being Madhu. She was married to Vishwanaath (Nana Paatekar) who though loved his wife was overpossessive about her and there was a sadistic abnormality in his personality. Madhu now rechristened as Shubhaangi comes into contact with Suraj (Jackie Shroff) who instantly falls in love with her and marries her. However the marital bliss of Shubhaangi aka Madhu proves to be short-lived when Vishwanaath who was made to believe that Madhu was dead, finds her and then demands her back from Suraj on the ground of himself still being the legal husband of Madhu. After many dramatic and thrilling incidents in the narrative, Shubhaangi aka Madhu gets rid of him to spend her life happily as Suraj's wife.

Writer Ranbir Pushp and director Partho Ghosh have handled the story very well and after devoting some footage to the romantic track of Shubhaangi and Suraj as well as that of Shubhaangi's friend Urmila (Divya Dutta) and Suraj's younger brother Ravi (Ravi Behl), does not allow the audience to yawn even for a moment. The breathtaking narrative keeps the audience thoroughly engrossed for the major part of the movie. This 142 minutes long movie is highly entertaining, there's little doubt about it.

The biggest USP of this movie is unarguably Nana Paatekar who is a natural actor and is able to infuse life into any role assigned to him. He has brought the overpossessive abusive husband Vishwanaath alive on the screen and turned this movie into an extra-ordinary one which cannot be categorized with the run-of-the-mill stuff made in plenty in Bollywood. His scenes and dialogs have been written with care and attention and his mesmerizing performance has made every scene featuring him a highly impressive one. If not for anything else, this movie can be watched at least or his sake.

The director has exasperated the sadistic love of Vishwanaath for his wife with finesse. The audience wants to hate the abusive husband but cannot because this sadism contains an indirect element of comedy also. Despite feeling sympathetic for the aggrieved wife, the audience cannot help but laugh at the mannerisms of the husband who is apparently the villain of the story.

Other than Nana also, the director has been able to extract natural performances from his cast. The second best performer is Manisha Koiraala who has excelled in the role of the aggrieved wife who has no option but to run away from her abusive husband and adopt a second identity to live the remaining part of her life peacefully. She loves her second husband from the core of her heart but is very much concerned for his well-being and safety which is in danger because of her first husband's chasing her. Manisha was very beautiful in her twenties and her performance in this movie is one of the best performances of her career. Jackie Shroff is fine as the hero though his tragedy is that the villain has got a higher profile than him in the movie.

Nadeem Shravan have composed good music for Sameer's lyrics. Jaana O Jaan-e-Tamanna Tu Meri Gulfaam Hai, O Piya O Piya, O Yaara Dil Lagaana, Waada Karo Dil Se Kabhi Door Nahin Jaaoge Tum, Mujhko Dildaar Yaar Aisa Chaahiye, Ab Aankhen Band Karo etc. are all reasonably good to listen and enjoy.

Summing up, Agni Saakshi is the best Indian version of Sleeping with the Enemy which is damn entertaining and likable by all categories of audiences. I recommend this thoroughly entertaining thriller movie to not only the fans of Nana Paatekar but the movie buffs in general also.

It's basically the story of a woman who tries to start a new life when the past comes to her in person and haunts her till she has to fake her own death. It sheds light on women trapped in relationships that they cannot escape from, especially in the Indian society. If you are into bollywood movies, this movie is a must see. The songs are decent but can be skipped. In today's world where the name "Bollywood" reminds us of half-clad helpless actresses whose only purpose in the movie is to yell for help while the macho actor comes from nowhere and rescues her, this movie gives Bollywood viewers yet another reason to be patient and wait for movies such as these. Even though there are moments in this movie where the main actor rescues the actress from her "past", there is definitely a plot! Manisha Koirala and Nana Patekar especially give us a stunning performance and the rest of the cast do a decent job too.

It is the best one of the movie I have seen. The acting of nana patekar is best of the best.the story is very good.the display of emotions are remarkable.can not think who is right or who is wrong. The portrayal of feeling are unforgettable.one man who want her love back again at any cost but at last the end turn unexpectable.songs are mind blowing remain in mind give you peace and make you passionate the dialogue delivery is perfect it show the love beyond the level can be painful the story is starts,create suspense and slowly slowly open the circumstances.story depict the difference of love .it is really a great show mile stone in a cinema.

This was indeed the remake of Julia Robert's starrer Sleeping with the Enemy but then also it's really well made movie.

The story is plain and simple. A woman Madhu(Manisha Koirala) is married to Vishwanath (Nana Patekar). Vishwanath is highly obsessive and controlling husband, a bit of a psycho. Madhu fakes her own death and finds Suraj and marries him(Jackie Shroff). Vishwanath finds Madhu and then the drama starts.

Nana Patekar is absolutely amazing in the role of Vishwanath. Basically its like tailor made role for him and he finds himself comfortable in such role. Manisha Koirala is extemely convincing as Madhu and Shivangi and is able to bring out different shades. Jackie shroff is superb in his role.

The movie is actually Nana Patekar and Manisha Koirala's show all the way and there is hardly any other thing to notice. Yes, there is Jackie Shroff and he does really well.

Director Partho Ghosh has handled the story well and the narrative is fluent. There is hardly a dull moment in the movie and the drama is treated like a well made thriller.

Music of this movie is simply brilliant.

So, yet another film about a wife on the run from her abusive husband. Back in the day it took Hindi filmmakers a few years to grasp there was an American film the story of which could not have been more suited to the Indian screen. And each time it was a really poor Hollywood film that inspired them - this time, Sleeping with the Enemy, an inconsequential but watchable film inspired Daraar, Yaarana, and this film. Now with all fairness, other than the main concept of battered wives fleeing their abusive husbands (or boyfriends whatever), there isn't much more in common. Now to the film under review, Agni Sakshi is watchable, very watchable and worthy of a one-time watch though not more than that.

The film really rests on the presence of its leads, particularly Nana Patekar and Manisha Koirala. Amusingly, that same year saw the release of Khamoshi: The Musical, Sanjay Leela Bhansali's wonderful directorial début where Patekar and Koirala played a father and daughter in two phenomenal performances. Not quite on that level here, they still do a very good job as an abusive husband and his runaway wife. Patekar seems to have found a niche in playing creepy, subdued sort of villains, as previously evidenced in Parinda and Angaar, and he does an excellent job here. Koirala, who was at the top of her dramatic power around that time with performances in Bombay and Khamoshi, is credibly intense.

There is a third edge in this triangle and that's Jackie Shroff, who started being relagated to supporting roles with films like Rangeela. While he is apparently the lead here as the kind, rescuing romantic hero, he is actually a supporting actor against the meatier parts of his coactors even despite his top-billing. Interestingly it appears that all three of them did what they did best at that time in this regard, but that Shroff is an excellent actor only helps both the film and his part. Partho Ghosh, an interesting director in commercial cinema at the time, does a good job even though the film is not of the best cinematic quality. It has flaws, quite a lot of them actually, but it's fairly gripping and enjoyable, so it's a nice watch overall.