La vie idyllique de Carolyn et Ben Ryan est brisée en un instant, quand la petite amie de leur fils adolescent, Jacob (Edward Furlong), est découverte sauvagement assassinée.La vie idyllique de Carolyn et Ben Ryan est brisée en un instant, quand la petite amie de leur fils adolescent, Jacob (Edward Furlong), est découverte sauvagement assassinée.La vie idyllique de Carolyn et Ben Ryan est brisée en un instant, quand la petite amie de leur fils adolescent, Jacob (Edward Furlong), est découverte sauvagement assassinée.
- Réalisation
- Scénario
- Casting principal
Avis à la une
We learn of course, that everyone is against the mother and son who want to just tell the truth, especially the lawyer who is interested more in getting Jacob off the hook, no matter how much of a story he has to invent, how many lies he has to tell, how many people's characters he has to besmirch. The moral structure behind the criminal justice system in the U.S. is uncovered as not one that seeks what is right or true but what kind of entertaining bi-polar battles between the defense and the prosecution can be unleashed in a furious game of words.
While the theme of the film is compelling, the production standards are low. This seems more like a made-for-TV movie. With big guns like Liam Neeson and Meryl Streep you'd expect better acting. While Streep's performance is okay, Neeson seems like not the best choice for this role. Also, the actor playing the second dark-haired lawyer seems too clownish for his role. Surprisingly, I found that the young actors were the strongest. The actors playing the two children, especially "Jacob" were extremely skilled.
Aspect ratio: 1.85:1
Sound format: Dolby Digital
A middle-class New England family is forced to confront a range of difficult issues when the eldest child (Edward Furlong) is accused of murdering his girlfriend (Alison Folland).
Barbet Schroeder's earnest drama looks and feels like a big-screen TV movie, toplined by A-list stars and filmed with professional elegance on wintry New England locations. Schroeder struggles to avoid melodrama and mawkishness, resulting in a lack of tension, as parents Meryl Streep and Liam Neeson become torn between protecting their son and telling the truth about his possible involvement in Folland's death. Frustrated lawyer Alfred Molina makes the point that 'truth' has little or no bearing on the criminal justice system, where defence and prosecution teams become engaged in brinkmanship designed to sway the jury one way or another. Ted Tally's screenplay makes a number of similar points, but the narrative begins to drift around the halfway mark and never really recovers. Some will be won over by the cast and production values, others won't be so forgiving.
"Before and After" also has some of the finest actors of our day - Liam Neeson as the father, Meryl Streep as the mother, Daniel Von Bargen as the sheriff.
But, somehow the movie only works moderately well. Some of the dialog is a bit dubious, some of the scenes are over-dramatic. I suppose it is a function of so-so writing and directing.
Still, it is a film that kept my interest very well. The story got me to thinking what I would have done if any of my teenage children had gotten into a similar bind. With a great writer and director this could have been a "10" movie. I rate it 7 of 10.
Le saviez-vous
- AnecdotesIn the scene where Meryl Streep enters a court room to appear in front of the grand jury in the front row (in the middle of the frame) sits a young Paul Giamatti as an extra his head turned around to have a look at her.
- GaffesAfter Jake and his girlfriend pull over, their car gets stuck in the snow and the two are unable to drive away. It is unexplained how Jake is able to dive out of the rut alone after his girlfriend's fall if the two could not do the job while working together.
- Citations
Jacob Ryan: That's juts a bunch of sentimental bullshit.
Carolyn Ryan: Wait, sentimental bullshit
Jacob Ryan: Yeah everyone's parents say that.
Carolyn Ryan: Oh really, and do everyone's parent destroy evidence and lie... to the police?
Meilleurs choix
Détails
Box-office
- Budget
- 35 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 8 797 839 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 023 815 $US
- 25 févr. 1996
- Montant brut mondial
- 8 797 839 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1