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Les Virtuoses

Titre original : Brassed Off
  • 1996
  • R
  • 1h 48min
NOTE IMDb
7,2/10
22 k
MA NOTE
Ewan McGregor, Pete Postlethwaite, and Tara Fitzgerald in Les Virtuoses (1996)
Trailer
Lire trailer1:41
1 Video
56 photos
ComédieDrameMusiqueRomanceDrame sur le lieu de travail

Une mine de charbon dans un village du nord de l'Angleterre risque de fermer, ce qui signe la fin de la fanfare des mineurs.Une mine de charbon dans un village du nord de l'Angleterre risque de fermer, ce qui signe la fin de la fanfare des mineurs.Une mine de charbon dans un village du nord de l'Angleterre risque de fermer, ce qui signe la fin de la fanfare des mineurs.

  • Réalisation
    • Mark Herman
  • Scénario
    • Mark Herman
  • Casting principal
    • Pete Postlethwaite
    • Tara Fitzgerald
    • Ewan McGregor
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    22 k
    MA NOTE
    • Réalisation
      • Mark Herman
    • Scénario
      • Mark Herman
    • Casting principal
      • Pete Postlethwaite
      • Tara Fitzgerald
      • Ewan McGregor
    • 158avis d'utilisateurs
    • 33avis des critiques
    • 60Métascore
  • Voir les informations de production sur IMDbPro
    • Nomination aux 3 BAFTA Awards
      • 10 victoires et 7 nominations au total

    Vidéos1

    Brassed Off
    Trailer 1:41
    Brassed Off

    Photos56

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    Rôles principaux64

    Modifier
    Pete Postlethwaite
    Pete Postlethwaite
    • Danny
    Tara Fitzgerald
    Tara Fitzgerald
    • Gloria
    Ewan McGregor
    Ewan McGregor
    • Andy
    Stephen Tompkinson
    Stephen Tompkinson
    • Phil
    Jim Carter
    Jim Carter
    • Harry
    Philip Jackson
    Philip Jackson
    • Jim
    Peter Martin
    Peter Martin
    • Ernie
    Sue Johnston
    Sue Johnston
    • Vera
    Mary Healey
    Mary Healey
    • Ida
    Melanie Hill
    Melanie Hill
    • Sandra
    Lill Roughley
    • Rita
    Peter Gunn
    Peter Gunn
    • Simmo
    Stephen Moore
    Stephen Moore
    • McKenzie
    Kenneth Colley
    Kenneth Colley
    • Greasley
    • (as Ken Colley)
    Olga Grahame
    Olga Grahame
    • Mrs. Foggan
    Toni Galacki
    • Gary
    Sky Ingram
    • Kylie
    Luke McGann
    • Shane
    • Réalisation
      • Mark Herman
    • Scénario
      • Mark Herman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs158

    7,221.6K
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    Avis à la une

    Matt-225

    Wonderful film with few weaknesses.

    A superb film. A film which did not seek to glamourise the effect of long term unemployment and the break up of communities. And a film which WAS based very closely on a true story. The band members you see actually playing the music? That's the Grimethorpe Colliery Band, winners of the national Battle of the Bands competition in the year that the colliery closed down. And they did turn professional too!

    Films like Brassed Off, which seek to present a view of a sensitive issue, are often derided for not offering a solution which can be written on the back of a cereal box. Personally, I take that as a recommendation!

    The point of the film is this: put people in situations that most of us will happily never face, and they react in extreme fashions. There was little or no 'political' argument, other than the fact that the Conservative Government of the time did destroy an entire industry. That same government them spent millions of pounds a year buying coal from Europe and South America. Angry? I would be.

    I saw characters portrayed in their entirety, which meant 'scabs' and 'sellouts' rubbed shoulders with the committed and poor. I saw unflattering portraits of basically decent people, prepared to risk friendships and relationships to keep alive an industry which was killing them but without which they could not live. It was a desperate time, and the fact that families have been split since the 1984 strike shows just how deep feelings can run on this issue.

    And I saw no skipping over the holes in the logic either. No mention of the 4-1 vote in favour of closing the mine? Half of the chuffing film was about that! What about the fate of Gloria's report? What about Phil, a striker from 1984, voting for closure? Did no-one notice that he was one of the major characters?

    I do think that there were some problems with the structure of the film (although it was dramatically more satisfying than the Full Monty). Gloria was unconvincing; the wives were underused, and the speech at the end, yes, I found it embarrassing too!

    But please, before you attack the veracity of such a rounded and honest film as Brassed Off, take the time and trouble to watch it properly first!
    9ToldYaSo

    Matters of music and of people

    You don't have to be a fan of brass bands to enjoy "Brassed Off", but it couldn't hurt. The music is a central focus of the film, but not as a compromise to the story of a town in turmoil. Coal mines being shut down in the name of progress puts many men out of work which naturally also jeopardizes the existence of the colliery band. The music combined with brilliant storytelling (and editing) is merely a platform for some superb acting, particularly from Pete Postlethwaite.

    Having lived all my life in a large metropolitan city, I cannot relate first hand to the plight of a small town community. Despite that, I found the story intriguing even though it may seem the outcome is somewhat predictable.

    Having just purchased the DVD, I found the brief write-up on the box to be way off the mark. It touts this film as some kind of romantic and hilarious comedy, never once even grazing past the real subject matter of the film. This is another perfect example of the continued miscalculated promotion of a truly well crafted film that "Muriel's Wedding" also fell victim to. I'm not sure what the promoters were thinking, but if you set someone up for a hilarious romantic comedy and what they receive is a thoughtful serious and sometimes depressing film, are they going to be happy just the same? There are graciously some light moments and humourous turns in this otherwise sombre subject matter, but this film doesn't have a happy ending. But it sure does have a moving one. Postlethwaite's performance hits you in an unexpected way and you'd have to have a heart of stone to not be moved by it.

    Any success that the film enjoys now that's it's strictly on video, is likely to come from very strong word of mouth. I had been told how good it was and enjoyed it immensely. Now that I've seen it twice, and thus been twice moved, I wait for a reasonable time to pass so that I may watch and enjoy it again as I am bound to do.
    bob the moo

    Solid British drama – bit depressing but makes good political statements and good human drama

    The Colliery Brass Band has survived two world wars, depressions and is still playing. However the threaten closure of the pit itself puts the band under threat – although many of the band fear the wider implications. Danny Ormondroyd remains focused on his music despite sickness and his son's spiral of debt. While a relationship between of the band turns sour when she is found to be working with the pit's management. The band's music becomes an allegory for the plight of the workers.

    Released a year before The Full Monty made working class British comedy a Hollywood hit, this has a lot more realism and a lot more heart. The story deals mainly with the plight of the miners – betrayed and deserted by the Tory Government – and the bands corresponding struggle to survive and overcome. The metaphors are good but not heavy – basically the story can work if you don't see the parallels. The story works best due to the level of emotion the story carries. This has a lot of heart and builds to a wonderful standoff that brings a message without being preachy.

    The cast are excellent. Postlethwaite is top class as Danny and delivers a metaphor for the dying mine itself – not interesting in politics, just trying to keep producing the ethics he always has but all the time knowing his time is coming. Equally as good is Tompkinson – a complex role, full of emotion and he deasl very, very well with it – to me his was the performance of the film. Fitzgerald is a little weak but a pre-Jedi McGregor is solid in support. The rest of the band is fleshed out by solid UK faces and do well.

    Overall this is a great little film. It deals with heavy politics but mixes human drama effortlessly. It delivers message without preaching or shouting and it is driven by a fantastic cast.
    7noralee

    Effective Combination of Uplift and Economic Reality

    "Brassed Off" is a surprisingly tough anti-Thatcher flick, and I did have some problem with the thick accents now and again.

    While I could have done with a bit more romance, there was an excellent story line of working class difficulties to attend to that is similar to downsizing heartbreak here.

    Pete Postlethwaite as the band leader/black lunged ex-coal miner was terrific, but so was Stephen Tomlinson as a guy with just everything against him under so many pressures.

    Yeah it's a heartwarming story of trying to keep dignity vs. Big Business, it's not a fantasy but upliftingly realistic.

    Ewan MacGregor took what could have just been the male ingénue role and was quite intense with it.

    Amazingly - there's no child abuse in it, what a relief these days. Everyone here really loves their kids, their jobs, their community, their colliery band. It's just the Tories (and management) they hate.

    I just hate to think how hopeless things are for them after the movie ends.

    (originally written 6/14/1997)
    didi-5

    the miners' political kick to the establishment

    'Brassed Off' came at just the right time for British politics, just as the death knell for the Conservative Party as the main political force sounded; the story fictionalises the troubles of the real-life Grimethorpe Colliery Band (who you hear playing the great brass band tunes throughout).

    There are pit closures all over Yorkshire, and 'Grimley' Band has one last chance to triumph in the various band contests to end up playing at the Royal Albert Hall. This being drama of course the path to victory isn't a smooth one - there is bankruptcy, illness, broken marriages, and a clash with the new executive power (represented by Tara Fitzgerald, also taking a place in the band for her father). Romantic interest for Tara is present in cute Ewan McGregor - an unusually quiet role for him.

    Say what you like about the way this film portrays the North of England, there is no denying the power of the final sequences as the triumph of 'William Tell' turns into Postlethwaite's power rant against the Government and into the trip home's 'Land of Hope and Bloody Glory'. It really couldn't have been done better.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Pete Postlethwaite was heavily criticized by ex-miners for claiming he supported the 1984 strike, but believed people should never burn coal. The last remaining coal mines in the UK closed largely as a result of the 2008 Climate Change Act.
    • Gaffes
      The result of the vote for redundancy seems to take place on a Saturday, when the regional final for the brass band is also held. Some miners are shown leaving their shift. Saturday work had been eliminated from the National Coal Board long before the film is set. An announcement as important as a redundancy vote would not have been made on a Saturday.
    • Citations

      Danny: The truth is, I thought it mattered - I thought that music mattered. But does it bollocks? Not compared to how people matter.

    • Crédits fous
      On some prints, the words "The End" remain onscreen as three additional lines of "definitions" are added one by one underneath:
      • 1. closure (as in 140 pits since 1984)
      • 2. termination (as in 250,000 jobs)
      • 3. conclusion (as in draw your own...)
    • Versions alternatives
      The British release does not have the dictionary definitions at the start or end of the film. These were added to the American release to introduce the US audience to British slang. The end of the film has the same information, but just as normal text.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Addicted to Love/Gamera: Guardian of the Universe/The Van/Brassed Off (1997)
    • Bandes originales
      Death Or Glory
      Written by Robert Browne Hall (as R. B. Hall)

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    FAQ

    • How long is Brassed Off?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 juin 1997 (France)
    • Pays d’origine
      • Royaume-Uni
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Tocando el Viento
    • Lieux de tournage
      • High Street, Grimethorpe, Barnsley, South Yorkshire, Angleterre, Royaume-Uni('In Cod We Trust' fish and chip shop and Spar supermarket)
    • Sociétés de production
      • Channel Four Films
      • Miramax
      • Prominent Features
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 2 576 331 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 52 534 $US
      • 26 mai 1997
    • Montant brut mondial
      • 2 597 310 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 48 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby SR
    • Rapport de forme
      • 1.85 : 1

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