NOTE IMDb
7,2/10
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MA NOTE
Une mine de charbon dans un village du nord de l'Angleterre risque de fermer, ce qui signe la fin de la fanfare des mineurs.Une mine de charbon dans un village du nord de l'Angleterre risque de fermer, ce qui signe la fin de la fanfare des mineurs.Une mine de charbon dans un village du nord de l'Angleterre risque de fermer, ce qui signe la fin de la fanfare des mineurs.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 3 BAFTA Awards
- 10 victoires et 7 nominations au total
Kenneth Colley
- Greasley
- (as Ken Colley)
Avis à la une
A superb film. A film which did not seek to glamourise the effect of long term unemployment and the break up of communities. And a film which WAS based very closely on a true story. The band members you see actually playing the music? That's the Grimethorpe Colliery Band, winners of the national Battle of the Bands competition in the year that the colliery closed down. And they did turn professional too!
Films like Brassed Off, which seek to present a view of a sensitive issue, are often derided for not offering a solution which can be written on the back of a cereal box. Personally, I take that as a recommendation!
The point of the film is this: put people in situations that most of us will happily never face, and they react in extreme fashions. There was little or no 'political' argument, other than the fact that the Conservative Government of the time did destroy an entire industry. That same government them spent millions of pounds a year buying coal from Europe and South America. Angry? I would be.
I saw characters portrayed in their entirety, which meant 'scabs' and 'sellouts' rubbed shoulders with the committed and poor. I saw unflattering portraits of basically decent people, prepared to risk friendships and relationships to keep alive an industry which was killing them but without which they could not live. It was a desperate time, and the fact that families have been split since the 1984 strike shows just how deep feelings can run on this issue.
And I saw no skipping over the holes in the logic either. No mention of the 4-1 vote in favour of closing the mine? Half of the chuffing film was about that! What about the fate of Gloria's report? What about Phil, a striker from 1984, voting for closure? Did no-one notice that he was one of the major characters?
I do think that there were some problems with the structure of the film (although it was dramatically more satisfying than the Full Monty). Gloria was unconvincing; the wives were underused, and the speech at the end, yes, I found it embarrassing too!
But please, before you attack the veracity of such a rounded and honest film as Brassed Off, take the time and trouble to watch it properly first!
Films like Brassed Off, which seek to present a view of a sensitive issue, are often derided for not offering a solution which can be written on the back of a cereal box. Personally, I take that as a recommendation!
The point of the film is this: put people in situations that most of us will happily never face, and they react in extreme fashions. There was little or no 'political' argument, other than the fact that the Conservative Government of the time did destroy an entire industry. That same government them spent millions of pounds a year buying coal from Europe and South America. Angry? I would be.
I saw characters portrayed in their entirety, which meant 'scabs' and 'sellouts' rubbed shoulders with the committed and poor. I saw unflattering portraits of basically decent people, prepared to risk friendships and relationships to keep alive an industry which was killing them but without which they could not live. It was a desperate time, and the fact that families have been split since the 1984 strike shows just how deep feelings can run on this issue.
And I saw no skipping over the holes in the logic either. No mention of the 4-1 vote in favour of closing the mine? Half of the chuffing film was about that! What about the fate of Gloria's report? What about Phil, a striker from 1984, voting for closure? Did no-one notice that he was one of the major characters?
I do think that there were some problems with the structure of the film (although it was dramatically more satisfying than the Full Monty). Gloria was unconvincing; the wives were underused, and the speech at the end, yes, I found it embarrassing too!
But please, before you attack the veracity of such a rounded and honest film as Brassed Off, take the time and trouble to watch it properly first!
You don't have to be a fan of brass bands to enjoy "Brassed Off", but it couldn't hurt. The music is a central focus of the film, but not as a compromise to the story of a town in turmoil. Coal mines being shut down in the name of progress puts many men out of work which naturally also jeopardizes the existence of the colliery band. The music combined with brilliant storytelling (and editing) is merely a platform for some superb acting, particularly from Pete Postlethwaite.
Having lived all my life in a large metropolitan city, I cannot relate first hand to the plight of a small town community. Despite that, I found the story intriguing even though it may seem the outcome is somewhat predictable.
Having just purchased the DVD, I found the brief write-up on the box to be way off the mark. It touts this film as some kind of romantic and hilarious comedy, never once even grazing past the real subject matter of the film. This is another perfect example of the continued miscalculated promotion of a truly well crafted film that "Muriel's Wedding" also fell victim to. I'm not sure what the promoters were thinking, but if you set someone up for a hilarious romantic comedy and what they receive is a thoughtful serious and sometimes depressing film, are they going to be happy just the same? There are graciously some light moments and humourous turns in this otherwise sombre subject matter, but this film doesn't have a happy ending. But it sure does have a moving one. Postlethwaite's performance hits you in an unexpected way and you'd have to have a heart of stone to not be moved by it.
Any success that the film enjoys now that's it's strictly on video, is likely to come from very strong word of mouth. I had been told how good it was and enjoyed it immensely. Now that I've seen it twice, and thus been twice moved, I wait for a reasonable time to pass so that I may watch and enjoy it again as I am bound to do.
Having lived all my life in a large metropolitan city, I cannot relate first hand to the plight of a small town community. Despite that, I found the story intriguing even though it may seem the outcome is somewhat predictable.
Having just purchased the DVD, I found the brief write-up on the box to be way off the mark. It touts this film as some kind of romantic and hilarious comedy, never once even grazing past the real subject matter of the film. This is another perfect example of the continued miscalculated promotion of a truly well crafted film that "Muriel's Wedding" also fell victim to. I'm not sure what the promoters were thinking, but if you set someone up for a hilarious romantic comedy and what they receive is a thoughtful serious and sometimes depressing film, are they going to be happy just the same? There are graciously some light moments and humourous turns in this otherwise sombre subject matter, but this film doesn't have a happy ending. But it sure does have a moving one. Postlethwaite's performance hits you in an unexpected way and you'd have to have a heart of stone to not be moved by it.
Any success that the film enjoys now that's it's strictly on video, is likely to come from very strong word of mouth. I had been told how good it was and enjoyed it immensely. Now that I've seen it twice, and thus been twice moved, I wait for a reasonable time to pass so that I may watch and enjoy it again as I am bound to do.
The Colliery Brass Band has survived two world wars, depressions and is still playing. However the threaten closure of the pit itself puts the band under threat although many of the band fear the wider implications. Danny Ormondroyd remains focused on his music despite sickness and his son's spiral of debt. While a relationship between of the band turns sour when she is found to be working with the pit's management. The band's music becomes an allegory for the plight of the workers.
Released a year before The Full Monty made working class British comedy a Hollywood hit, this has a lot more realism and a lot more heart. The story deals mainly with the plight of the miners betrayed and deserted by the Tory Government and the bands corresponding struggle to survive and overcome. The metaphors are good but not heavy basically the story can work if you don't see the parallels. The story works best due to the level of emotion the story carries. This has a lot of heart and builds to a wonderful standoff that brings a message without being preachy.
The cast are excellent. Postlethwaite is top class as Danny and delivers a metaphor for the dying mine itself not interesting in politics, just trying to keep producing the ethics he always has but all the time knowing his time is coming. Equally as good is Tompkinson a complex role, full of emotion and he deasl very, very well with it to me his was the performance of the film. Fitzgerald is a little weak but a pre-Jedi McGregor is solid in support. The rest of the band is fleshed out by solid UK faces and do well.
Overall this is a great little film. It deals with heavy politics but mixes human drama effortlessly. It delivers message without preaching or shouting and it is driven by a fantastic cast.
Released a year before The Full Monty made working class British comedy a Hollywood hit, this has a lot more realism and a lot more heart. The story deals mainly with the plight of the miners betrayed and deserted by the Tory Government and the bands corresponding struggle to survive and overcome. The metaphors are good but not heavy basically the story can work if you don't see the parallels. The story works best due to the level of emotion the story carries. This has a lot of heart and builds to a wonderful standoff that brings a message without being preachy.
The cast are excellent. Postlethwaite is top class as Danny and delivers a metaphor for the dying mine itself not interesting in politics, just trying to keep producing the ethics he always has but all the time knowing his time is coming. Equally as good is Tompkinson a complex role, full of emotion and he deasl very, very well with it to me his was the performance of the film. Fitzgerald is a little weak but a pre-Jedi McGregor is solid in support. The rest of the band is fleshed out by solid UK faces and do well.
Overall this is a great little film. It deals with heavy politics but mixes human drama effortlessly. It delivers message without preaching or shouting and it is driven by a fantastic cast.
"Brassed Off" is a surprisingly tough anti-Thatcher flick, and I did have some problem with the thick accents now and again.
While I could have done with a bit more romance, there was an excellent story line of working class difficulties to attend to that is similar to downsizing heartbreak here.
Pete Postlethwaite as the band leader/black lunged ex-coal miner was terrific, but so was Stephen Tomlinson as a guy with just everything against him under so many pressures.
Yeah it's a heartwarming story of trying to keep dignity vs. Big Business, it's not a fantasy but upliftingly realistic.
Ewan MacGregor took what could have just been the male ingénue role and was quite intense with it.
Amazingly - there's no child abuse in it, what a relief these days. Everyone here really loves their kids, their jobs, their community, their colliery band. It's just the Tories (and management) they hate.
I just hate to think how hopeless things are for them after the movie ends.
(originally written 6/14/1997)
While I could have done with a bit more romance, there was an excellent story line of working class difficulties to attend to that is similar to downsizing heartbreak here.
Pete Postlethwaite as the band leader/black lunged ex-coal miner was terrific, but so was Stephen Tomlinson as a guy with just everything against him under so many pressures.
Yeah it's a heartwarming story of trying to keep dignity vs. Big Business, it's not a fantasy but upliftingly realistic.
Ewan MacGregor took what could have just been the male ingénue role and was quite intense with it.
Amazingly - there's no child abuse in it, what a relief these days. Everyone here really loves their kids, their jobs, their community, their colliery band. It's just the Tories (and management) they hate.
I just hate to think how hopeless things are for them after the movie ends.
(originally written 6/14/1997)
'Brassed Off' came at just the right time for British politics, just as the death knell for the Conservative Party as the main political force sounded; the story fictionalises the troubles of the real-life Grimethorpe Colliery Band (who you hear playing the great brass band tunes throughout).
There are pit closures all over Yorkshire, and 'Grimley' Band has one last chance to triumph in the various band contests to end up playing at the Royal Albert Hall. This being drama of course the path to victory isn't a smooth one - there is bankruptcy, illness, broken marriages, and a clash with the new executive power (represented by Tara Fitzgerald, also taking a place in the band for her father). Romantic interest for Tara is present in cute Ewan McGregor - an unusually quiet role for him.
Say what you like about the way this film portrays the North of England, there is no denying the power of the final sequences as the triumph of 'William Tell' turns into Postlethwaite's power rant against the Government and into the trip home's 'Land of Hope and Bloody Glory'. It really couldn't have been done better.
There are pit closures all over Yorkshire, and 'Grimley' Band has one last chance to triumph in the various band contests to end up playing at the Royal Albert Hall. This being drama of course the path to victory isn't a smooth one - there is bankruptcy, illness, broken marriages, and a clash with the new executive power (represented by Tara Fitzgerald, also taking a place in the band for her father). Romantic interest for Tara is present in cute Ewan McGregor - an unusually quiet role for him.
Say what you like about the way this film portrays the North of England, there is no denying the power of the final sequences as the triumph of 'William Tell' turns into Postlethwaite's power rant against the Government and into the trip home's 'Land of Hope and Bloody Glory'. It really couldn't have been done better.
Le saviez-vous
- AnecdotesPete Postlethwaite was heavily criticized by ex-miners for claiming he supported the 1984 strike, but believed people should never burn coal. The last remaining coal mines in the UK closed largely as a result of the 2008 Climate Change Act.
- GaffesThe result of the vote for redundancy seems to take place on a Saturday, when the regional final for the brass band is also held. Some miners are shown leaving their shift. Saturday work had been eliminated from the National Coal Board long before the film is set. An announcement as important as a redundancy vote would not have been made on a Saturday.
- Crédits fousOn some prints, the words "The End" remain onscreen as three additional lines of "definitions" are added one by one underneath:
- 1. closure (as in 140 pits since 1984)
- 2. termination (as in 250,000 jobs)
- 3. conclusion (as in draw your own...)
- Versions alternativesThe British release does not have the dictionary definitions at the start or end of the film. These were added to the American release to introduce the US audience to British slang. The end of the film has the same information, but just as normal text.
- Bandes originalesDeath Or Glory
Written by Robert Browne Hall (as R. B. Hall)
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- How long is Brassed Off?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Tocando el Viento
- Lieux de tournage
- High Street, Grimethorpe, Barnsley, South Yorkshire, Angleterre, Royaume-Uni('In Cod We Trust' fish and chip shop and Spar supermarket)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 576 331 $US
- Week-end de sortie aux États-Unis et au Canada
- 52 534 $US
- 26 mai 1997
- Montant brut mondial
- 2 597 310 $US
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