The Canterville Ghost

Do you remember those charming, touching, romantic movies from the 40s or 50s? Can you imagine one of those transformed into a teenie film without loosing a bit of its charm? Well, it can be done, as this film proves.

It's the perfect film for an autumn evening with a fire crackling in the fireplace and the lights turned low.

This is a little gem of a movie, with lush sets and surprisingly good special effects, in a truly English (as opposed to a Disney/Mary Poppins British) setting and an attractive cast. Patrick Stewart brings the full weight of his Shakespearian background to bear, and creates a tragic and tender ghost, never lapsing into bathos or slapstick. Neve Campbell as the heroine is convincing as a brave, warm-hearted girl embarking on a gentle romance with the well-cast Daniel Betts. Kids will love the ghostly capers, teenagers and older family members will enjoy Ginny and Francis getting closer together, and empathise with the father-daughter conflict, and more mature watchers will be moved by the sad history of Sir Simon. A three-hanky movie. The only fly in the ointment was the entirely wasted presence of Joan Sims and Donald Sinden - "ham" really should have been off the menu in their case, but at least we don't have to see much of them.

What cuteness, great adaptation, half youthful, half romantic, a little dramatic and almost nothing frightening, anyway, delicious ... Gracinha da Família, a simple and captivating film...

Fore I did in fact enjoy this.

Its not everyday that after years of watching thousands of movies, shows and anime from across the decades from the turn of the century with black and white silent flicks, to modern crud or the odd good modern film. I am not going to pretend I am some great critic that writes like a poet, but this film, though made for tv, was good. IT had the super talented and entertainment Sir Patrick Stewart, Neve Campbell back in her super cute early 20s, and a relatively funny "newer" version of one of Oscar Wilde's short stories. The irony is that this story was like the polar opposite of The Portrait of Dorian Grey, which is a storye of Wilde's I love. Yet for those not familiar with the Canterville Ghost the tale is about a different kind of immortality; stuck in perpetual pergatory and not actually being allowed to move on to heaven or hell. Just stuck in a lonely, sad, soul crushing, purposeless ghostly existence. At least Dorian Grey got to live, but he was too much of a hollow, nearly dead foppish fool. Dead on the inside as the Ghost of Canterville was in all truth and meaning of the word. BUt it was kinda light hearted as older made for tv stories were.Its got that kinda grainy lower quality look to the film from the older tech and trying to shoot scenes by actual candlelight ( with dim but noticable staged lgihting here and there too at times)...but I loved that back in the day. The story is nice and charming ina simple way that almost anyone can watch, even young children of 5+ years old. Its hardly a real horror story. And the family and myself liked it immensely. Almost an 8 out of 10 for that fine tale and ending.

I liked this version okay, but my favorite "Canterville Ghost" is the one 10 years before this one-- the 1986 version with Alyssa Milano and Sir John Gielgud. The 1986 movie was much better and more exciting than this one... More scary and funny things happened in it. I also thought they bothered to do better "ghostly" special effects. But the 1996 one is definitely worth seeing, none the less... It's a nice story and I thought that Patrick Stewart and Neve Campbell did a good job. The little brothers were annoying though in this one, and completely un-necessary to the movie. But the castles and the english scenery are so pretty in both. The music was much better in the 1986 version though.. even the opening scene was nicer of them going up to the castle in the horse drawn carriage, rather than in a car. So it's those little details that make the one a decade earlier a lot better than this one.