Entertaining Angels: The Dorothy Day Story

Wow. Those of you who haven't had a chance to see Moira Kelly are really missing out on a truly great talent. Ever since I first saw her on The Cutting Edge, I've really looked up to her admirable character and her obvious acting talent. As Dorothy Day, she manages to take upon a tremendously difficult role and she succeeds beyond all expectations. The screenplay is well written, and while it does lead off the main drive of the story at times, Kelly is always there to provide a cohesive nature to to it which keeps the entire thing together. I really enjoyed this film -- I really didn't find the religious overtones to be a problem as a few of the reviews out there seemed to suggest. I hope you give it a try. You'll be glad you did. And, oh yeah... she's got a nice singing voice, too.

This may be the best film no one has seen, despite the brief but important performance of rising star Heather Graham. {Perhaps the awkward title kept people away). "Entertaining Angels" does what few movies have: explore inner, spiritual conflict dramatically and intelligently. This is an engaging, challenging work for everyone. The film overall is not preachy, yet the religious dimension here is real, just as it is real in the lives of millions of Americans, whether the Hollywood inner-circle likes it or not.

I liked this film. It tells the real-life story of Dorothy Day, who founded the "Catholic Worker" newspaper and relief agency for the poor in New York City during the Depression. Moira Kelly gives a very good performance as Day. The story follows her quest to find her way in life, ultimately leading to her helping thousands of people and providing a role model for activists.

The film contains a scene where Kelly says one of the most quotable lines ever: "If you feed the poor, you're called a saint. If you ask why they're poor, you're called a Communist." Kelly says this during a scene when she is responding to people who resist her search for the truth through her newspaper. Americans who are concerned with political freedom and justice should keep this statement in mind - it is especially salient today.

That said, there are flaws in "Entertaining Angels." Kelly's performance as the younger Dorothy Day is great, but in the film Day is supposed gradually to look older, and this aging process isn't convincing. Martin Sheen also has a part as a wandering, Christ-like, populist preacher. He's OK here, but his Inspector Clouseau-like French accent won't be on his career retrospective videotape. Also, the film might have bitten off more than it can chew. It could have used a bigger budget and a more professional cast.

Overall, though, this one is well worth a rental. I'm a big Moira Kelly fan, too. I hope she will be around a long time.

Helpful to see the life of a person now beatified. Sainthood pending. I suspect the most informative information about her is in the FBI files, from the years she was agitating for the Female vote, and for a Social security underlying our economy. Pretty clear things haven't changed.

The best of this is a view into how the errors she became painfully aware of were removed by the Grace she experienced. "You are no Marxist" is a good line. The movie nowhere mentions Therese of Liseaux who died a few years before Dorothy was born. Dorothy Day wrote the biographies for Therese of the Little Flowers parents. Like others I would like to see the movement clarified in another movie: what happened to the kids who were raised along side the poor.

One of the finer discoveries in my search for obscure and unseen films, Moira Kelly is such an incredible, plunky, tomboy leading lady. One of the unsung stars of recent decades, from Gen X. This shows she could have been big in the 40s, 50s, or any era. Directors who knew, knew.

It was produced by the Paulist Fathers, a Catholic religious order, and directed by Michael Ray Rhodes, and the question is... who are these people? Because this is powerhouse filmmaking start to finish. The film's scale is unbelievable, every scene is crammed with energy.

The camera is so effortlessly free flowing and expressive, almost like a Japanese film the way it captures movement. When it's not moving or taking you through crowds, it is printing these beautiful human moments. It's pitch perfect acting and directing in total lockstep.