Méfie-toi de l'eau qui dort

I'd recommend this film primarily for its visual impact: the photography and the camera work make the natural setting stunningly beautiful. Splendid pictures of animals are interwoven into the very fabric of the film - in fact, a heron is a recurring linking device between the three stories. Each tells of disappointed love; the first protagonist is a boy, the second a man, the third an old man. They are separate people, but they share a delight in closely observing what they see as beautiful. The narratives are intriguing and unusual: the second, for example, plays with the supernatural and has the largest comic element. I caught this on Belgian TV and it's on my Must-See-Again list.

One of the most peaceful and quiet film I have ever seen; a movie that evokes serenity and reflexion about the meaning of life and old times. A deep dive in poetry with a bit of sadness where the blood line with PICNIC AT HANGING ROCK is not so far. The poetic sense of this movie is rare, though I know that if you search hard enough and with being lucky, you may find this kind of film from time to time, but not on large spread release.

I'd recommend this film primarily for its visual impact: the photography and the camera work make the natural setting stunningly beautiful. Splendid pictures of animals are interwoven into the very fabric of the film - in fact, a heron is a recurring linking device between the three stories. Each tells of disappointed love; the first hero is a boy, the second a man, the third an old man. They are separate people, but they share a delight in closely observing what they see as beautiful. The narratives are intriguing and unusual: the second, for example, plays with the supernatural and has the largest comic element. I caught this on Belgian TV and it's on my Must-See-Again list.