Anastasia

Starring the voice talents of Meg Ryan, John Cusack, Christopher Lloyd and Kelsey Grammar At the turn of the century Imperial Russia was undergoing the throes of revolution. It didn't take long for Tzar Nicholas Romanov and his family to be murdered and replaced by the Bolsheviks.

That was the end of Tzarist Russia in 1917.

But this film is something else entirely - a beautiful romance between a peasant palace worker and the impetuous and excitable Anastasia Romanov. This is a journey through life, a quest for truth on a road less traveled.

Young Anastasia has no recollection of her past, but she is soon won over by a charming swindler who takes her to Paris to meet up with the Empress of Russia. Action, adventure and romance awaits!

Let others carp about the disservices to history: this Anastasia rises above its flaws to offer an engaging, emotionally resonant story of a girl's search for identity. Within its historical, quasi-factual context, the film presents a situation almost everyone can relate to--that of trying to find one's place in the world. Orphaned Anya's quest for her past (and, consequently, her future) strikes universal emotional chords: singing "Journey to the Past," she sets out with both trepidation and hope to find her identity and her place in the world. The haunting, poignant "Once Upon a December" sequence, one of the finest scenes in any recent film, is unforgettable, as we watch Anya's yearnings take the form of a ghostly dance with memories of a vanished life. And the final reunion where hostility melts gradually into acceptance, is one of the most moving and satisfying moments in film. Everything about the film bespeaks loving attention and quality: the magnificent animation and design re-create lavish Russian and Parisian locations (complete with recognizable artworks and cameos by celebrities of the '20s), and the screenplay balances action, humor, and genuine emotion. Villain Rasputin is clearly aimed at children, and some of the repartee between Anya and unlikely hero Dimitri may seem jarringly anachronistic, but viewers of any age should still enjoy this timeless coming-of-age story.

The best way to watch a movie is with suspension of disbelief - Just trust what the producers present you with and don't question it. With that, "Anastasia" is one of the most delightful movies I've seen in some time. It's like an old musical, with people spontaneously erupting into choreographed dance, but with modern dialog (And funny, at that!), an enjoyable romance, and action sequences to keep things moving. The music, while nothing to remember to the point of distraction, was perfect for humming, and even worked to advance the plot - Unlike so many animated songs put in for the sake of having a song. So it wasn't historically perfect - if it were, there'd be no story. Go ahead and feel smug that you know what really happened, but don't turn to comment to your neighbor, lest you miss one minute of the wonderfully unfolding plot.

This is my personal favourite of the Don Bluth movies. I also recommend American Tail, Land Before Time and All Dogs Go To Heaven. Anastasia is just beautiful, and was one of the most requested films when we had our family cinemas. A couple of years ago, I got it on video, and all those memories came back. I love this movie so much. The animation is gorgeous. The characters are well drawn, and the backgrounds and colours are stunning. There is a lot of wit between the characters. Not to mention a truly sweet romance between Anastasia and Dimitri. Whoever hated this movie, must be told, that this is so much more watchable than Richard Rich's King and I. Anastasia herself is so beautiful. The highlights were Anastasia's dream and the scene on the train. The songs are what make this movie. My favourite is "Once Upon a December" as it is so nostalgic, haunting and poignant. All the other songs are well done and move the story forward. Even "Dark of the Night". As for the story, yes it is historically inaccurate, but so is Pocahontas, and this is marginally better. It was so well told. In some Don Bluth movies, they lose the essence right from minute one, but not here. As for the voice talents, they were all impeccable. Meg Ryan was suitably feisty as Anastasia, and Liz Callaway did her singing voice beautifully. John Cusack put an immense amount of charm into his voice-over, although Dimitri was for me was the weakest character in the movie. Kelsey Grammar has great fun as Vladmir, and also check him out as Zozi in Bartok the Magnificent. Christopher Lloyd voices villain Rasputin with over the top menace, and the villain loses his body parts here. We have all had days like that. Hank Azaria is also great as Bartok.Underrated Broadway actress Bernadette Peters has a great french accent, and I had so much fun with her singing "Paris hold the key to your heart." For me, Angela Lansbury provides a completely human and poignant character in the Dowager Empress. Her prologue was so well paced, and there was a side to the great character actress that I never knew she had. In conclusion, a sweet and beautiful animation that is essential to all animation lovers. 9.5/10 Bethany Cox

Some of the most beautiful animation and backgrounds in recent history are a central ingredient of "Anastasia", a charming full-length feature based on the famous title character and set against the period of the Russian revolution. Expert vocal work by Angela Lansbury (Dowager Empress), Meg Ryan (Anastasia), John Kusack (Dimitri) and many others, make the characters seem more dimensional than in most animated features. Particularly Dimitri and Anastasia, whose love-hate relationship seems startlingly real given the superb animation.

The score is studded with some Oscar-nominated music and the sinister moments have the kind of villain you love to hate (Rasputin). Some of the scenes might be too intense for small children--as well as a realistic railway scene on a runaway car--but all in all, should delight young and old. Angela Lansbury's voice is especially effective as the Empress. The art of animation doesn't get any better than this! This Don Bluth/Gary Goldman production is as good as anything Disney might have attempted.