NOTE IMDb
7,1/10
9,2 k
MA NOTE
Ajouter une intrigue dans votre langueHomosexual German lovers are sent to Dachau.Homosexual German lovers are sent to Dachau.Homosexual German lovers are sent to Dachau.
- Récompenses
- 3 victoires et 3 nominations au total
Nikolaj Coster-Waldau
- Wolf
- (as Nikolaj Waldau)
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Only half way through this film did I remember having seen a small theatre production of the play in Los Angeles a dozen years ago. I only remembered when the rock-moving scenes began. I don't recall being particularly moved by the play -- it may have been a condensed 1-act version or something. I only remember thinking it was too "talky." But, the film was very powerful and moving and enraged me! I'm also older and more aware of prejudice on every level. Every gay person...or minority of any kind (race, religion, etc.) should see this film just to remind them (us) of just HOW BAD it can get and how "humans" can become such sick animals as the Nazis were in this film. I kept thinking: "Hey, how can they keep blaming Hitler, when he was not there ordering the guards to torture and ENJOY hurting people like that?" Powerful film!
I sat down to watch this movie, and I was completely drawn into it. By the end, i thought that only 15 minutes had passed instead of an hour and a half. The subject matter (homosexual persecution during the Holocaust) was approached with the right amount of dignity and respect. Bent, furthermore, has the most powerful and original love scene that I have ever seen. I do feel that it needed more character development, but regardless it is an intensely psychological and powerful movie.
While I didn't spot Jude Law or Rachel Weisz, I couldn't miss Clive Owen. What a fantastic performance and a gorgeous backside. Supported by Ian McKellen and a very glam Mick Jagger, he goes on a terrible journey that I can only imagine is amazing on stage.
It wasn't as horrificly graphic as I was expecting, which was pleasing, as some concentration camp films really upset me, but it still had a strong and poignant message to tell.
I wasn't sure if the bombed out properties used at the beginning as the club and Clive's house were to represent the stage show more than a true idea of where they would actually be, but I liked its quirks and artistic direction throughout.
As much as I love Mr Owen, I think I have to say that Lothaire really gives the greatest most emotive and heartfelt performance in this film and the "No touching" scene was unbelievable.
It wasn't as horrificly graphic as I was expecting, which was pleasing, as some concentration camp films really upset me, but it still had a strong and poignant message to tell.
I wasn't sure if the bombed out properties used at the beginning as the club and Clive's house were to represent the stage show more than a true idea of where they would actually be, but I liked its quirks and artistic direction throughout.
As much as I love Mr Owen, I think I have to say that Lothaire really gives the greatest most emotive and heartfelt performance in this film and the "No touching" scene was unbelievable.
I happened upon this movie in the "Sundance Film Recommends" section, and didn't even read the box before renting it. The name of the film sounded familiar...as it turns out, it was from a bit of miscellaneous info stashed in my brain: Jude Law IS in this movie. Saying that, however, blink and you'll miss him. His role is exactly 2 lines, and he wears an eyepatch, so for those Jude fans on the prowl for great eye-candy, you may be disappointed.
Granted, you will not be disappointed with this movie as a whole. I was extremely moved by this picture; it has the wonderful, heart-wrenching quality that only a great play can produce, mixed with a very compelling lead actor and fabulous supporting cast.
Clive Owen as Max was a wake-up call; at the end you may be asking yourself, "where can I see more of this actor??". He plays his character with beauty, strength, and emotion under conditions that no lving thing should have to endure.
The rest of the cast is equally wonderful, especially Ian McKellan as Uncle Freddie. He adds that special charm that we expect from his performances, no matter how small the role.
This movie requires an open mind, and the ability to not deny the reality of horrific, true events of the past. Above all, to not deny the importance of love, that which always tests and strengthens the human spirit.
Granted, you will not be disappointed with this movie as a whole. I was extremely moved by this picture; it has the wonderful, heart-wrenching quality that only a great play can produce, mixed with a very compelling lead actor and fabulous supporting cast.
Clive Owen as Max was a wake-up call; at the end you may be asking yourself, "where can I see more of this actor??". He plays his character with beauty, strength, and emotion under conditions that no lving thing should have to endure.
The rest of the cast is equally wonderful, especially Ian McKellan as Uncle Freddie. He adds that special charm that we expect from his performances, no matter how small the role.
This movie requires an open mind, and the ability to not deny the reality of horrific, true events of the past. Above all, to not deny the importance of love, that which always tests and strengthens the human spirit.
What can I possibly say about this movie that would not bring me to tears. This movie was very powerful and thought provoking. I just could not understand the hatred for human beings, just because of what religion, sexual orientation, or whether they had a big nose. I just can't for the life of me figured that out. I guess I will never figure it out.
There were some very strong scenes in this movie that tugged at my heart. The ridiculous killing of men and women for no apparent reason other than what I said above. The never ending work the prisoners did was just unspeakable. The conditions, and also the ever popular "no touching each other". The latter is the most difficult to endure for two gay men captured and put to work in the concentration camps. In one powerful scene, that I have to admit I watched over and over about five times, during one of Max and Horst's (main stars) rock moving extravaganza's, they are allowed a three minute rest period while working a twelve hour shift. They are not allowed to look at each other, they must stand up straight looking ahead (some rest period huh). Well without giving away the scene. They have what we would call very graphic and arousing phone sex. And I have to tell you, I was right there with them. This scene really brought these two prisoners much closer together and very much in love. It was beautiful.
I have a couple of things that bothered me in this movie. I really hated the way the SS men spoke to the prisoners. I mean, one word sentences like "You" - "Walk" - "Friend?" - or "Watching You". I mean for a people who claimed to be the superior race, these guys were not intelligent at all. Also the fake train outtakes that were obviously superimposed into the movie. The scenes themselves were in black and white which told the audience that they were not from the original film, but from some other movie.
Overall, this movie was profoundly incredible. It is a must see for everyone, no matter what the content of the movie - gays, murder, sex, SS men, Hitler's BS , concentration camps. You have to watch this movie with an open heart and mind to actually feel for these people, not just because they were two gay men in love and pain, because they were human beings first and foremost. 7.5 out **********. See it, you will not be disappointed.
There were some very strong scenes in this movie that tugged at my heart. The ridiculous killing of men and women for no apparent reason other than what I said above. The never ending work the prisoners did was just unspeakable. The conditions, and also the ever popular "no touching each other". The latter is the most difficult to endure for two gay men captured and put to work in the concentration camps. In one powerful scene, that I have to admit I watched over and over about five times, during one of Max and Horst's (main stars) rock moving extravaganza's, they are allowed a three minute rest period while working a twelve hour shift. They are not allowed to look at each other, they must stand up straight looking ahead (some rest period huh). Well without giving away the scene. They have what we would call very graphic and arousing phone sex. And I have to tell you, I was right there with them. This scene really brought these two prisoners much closer together and very much in love. It was beautiful.
I have a couple of things that bothered me in this movie. I really hated the way the SS men spoke to the prisoners. I mean, one word sentences like "You" - "Walk" - "Friend?" - or "Watching You". I mean for a people who claimed to be the superior race, these guys were not intelligent at all. Also the fake train outtakes that were obviously superimposed into the movie. The scenes themselves were in black and white which told the audience that they were not from the original film, but from some other movie.
Overall, this movie was profoundly incredible. It is a must see for everyone, no matter what the content of the movie - gays, murder, sex, SS men, Hitler's BS , concentration camps. You have to watch this movie with an open heart and mind to actually feel for these people, not just because they were two gay men in love and pain, because they were human beings first and foremost. 7.5 out **********. See it, you will not be disappointed.
Le saviez-vous
- AnecdotesSir Ian McKellen (Uncle Freddie) starred in the role of Max in the original London West End theatre production in 1979.
- Crédits fousThe film opens with the main credits revealing like a searchlight.
- Versions alternativesFor the U.S. release, the sex scenes were toned down from an "NC-17" rating to an "R" rated release. Both versions are available.
- Bandes originalesSTREETS OF BERLIN
Written by Martin Sherman and Philip Glass
Performed by Mick Jagger, piano by Matt Clifford
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- How long is Bent?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 496 059 $US
- Week-end de sortie aux États-Unis et au Canada
- 109 243 $US
- 30 nov. 1997
- Montant brut mondial
- 496 059 $US
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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