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Bent

  • 1997
  • NC-17
  • 1h 45min
NOTE IMDb
7,1/10
9,2 k
MA NOTE
Lothaire Bluteau and Clive Owen in Bent (1997)
Max is gay and as such is sent to Dachau concentration camp under the Nazi regime. He tries to deny he is gay and gets a yellow label (the one for Jews) instead of pink (the one for gays). In camp he falls in love with his fellow prisoner Horst, who wears his pink label with pride.
Lire trailer2:30
1 Video
70 photos
DrameGuerreL'histoireRomanceDrame carcéralRomance tragique

Ajouter une intrigue dans votre langueHomosexual German lovers are sent to Dachau.Homosexual German lovers are sent to Dachau.Homosexual German lovers are sent to Dachau.

  • Réalisation
    • Sean Mathias
  • Scénario
    • Martin Sherman
  • Casting principal
    • Lothaire Bluteau
    • Clive Owen
    • Mick Jagger
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    9,2 k
    MA NOTE
    • Réalisation
      • Sean Mathias
    • Scénario
      • Martin Sherman
    • Casting principal
      • Lothaire Bluteau
      • Clive Owen
      • Mick Jagger
    • 75avis d'utilisateurs
    • 23avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 3 nominations au total

    Vidéos1

    Bent
    Trailer 2:30
    Bent

    Photos70

    Voir l'affiche
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    + 63
    Voir l'affiche

    Rôles principaux52

    Modifier
    Lothaire Bluteau
    Lothaire Bluteau
    • Horst
    Clive Owen
    Clive Owen
    • Max
    Mick Jagger
    Mick Jagger
    • Greta
    Brian Webber
    Brian Webber
    • Rudy
    Nikolaj Coster-Waldau
    Nikolaj Coster-Waldau
    • Wolf
    • (as Nikolaj Waldau)
    Jude Law
    Jude Law
    • Stormtrooper
    Gresby Nash
    • Waiter
    Suzanne Bertish
    Suzanne Bertish
    • Half-Woman - Half-Man
    David Meyer
    • Gestapo Man
    Stefan Marling
    • SS Captain
    Richard Laing
    Richard Laing
    • SS Guard
    Crispian Belfrage
    Crispian Belfrage
    • SS Guard
    Ian McKellen
    Ian McKellen
    • Uncle Freddie
    Johanna Kirby
    • Muttering Woman
    David Phelan
    • Fluff in Park
    Peter Stark
    Peter Stark
    • Guard 1 on Train
    Rupert Graves
    Rupert Graves
    • Officer on Train
    Charlie Watts
    • Guard 2 on Train
    • Réalisation
      • Sean Mathias
    • Scénario
      • Martin Sherman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs75

    7,19.1K
    1
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    6
    7
    8
    9
    10

    Avis à la une

    ironheart-1

    Very difficult to watch...

    Only half way through this film did I remember having seen a small theatre production of the play in Los Angeles a dozen years ago. I only remembered when the rock-moving scenes began. I don't recall being particularly moved by the play -- it may have been a condensed 1-act version or something. I only remember thinking it was too "talky." But, the film was very powerful and moving and enraged me! I'm also older and more aware of prejudice on every level. Every gay person...or minority of any kind (race, religion, etc.) should see this film just to remind them (us) of just HOW BAD it can get and how "humans" can become such sick animals as the Nazis were in this film. I kept thinking: "Hey, how can they keep blaming Hitler, when he was not there ordering the guards to torture and ENJOY hurting people like that?" Powerful film!
    8caejal

    I am in awe

    I sat down to watch this movie, and I was completely drawn into it. By the end, i thought that only 15 minutes had passed instead of an hour and a half. The subject matter (homosexual persecution during the Holocaust) was approached with the right amount of dignity and respect. Bent, furthermore, has the most powerful and original love scene that I have ever seen. I do feel that it needed more character development, but regardless it is an intensely psychological and powerful movie.
    7adamjohns-42575

    Heartbreaking.

    While I didn't spot Jude Law or Rachel Weisz, I couldn't miss Clive Owen. What a fantastic performance and a gorgeous backside. Supported by Ian McKellen and a very glam Mick Jagger, he goes on a terrible journey that I can only imagine is amazing on stage.

    It wasn't as horrificly graphic as I was expecting, which was pleasing, as some concentration camp films really upset me, but it still had a strong and poignant message to tell.

    I wasn't sure if the bombed out properties used at the beginning as the club and Clive's house were to represent the stage show more than a true idea of where they would actually be, but I liked its quirks and artistic direction throughout.

    As much as I love Mr Owen, I think I have to say that Lothaire really gives the greatest most emotive and heartfelt performance in this film and the "No touching" scene was unbelievable.
    8Kate_Ashton

    Clive Owen has found a fan for life...

    I happened upon this movie in the "Sundance Film Recommends" section, and didn't even read the box before renting it. The name of the film sounded familiar...as it turns out, it was from a bit of miscellaneous info stashed in my brain: Jude Law IS in this movie. Saying that, however, blink and you'll miss him. His role is exactly 2 lines, and he wears an eyepatch, so for those Jude fans on the prowl for great eye-candy, you may be disappointed.

    Granted, you will not be disappointed with this movie as a whole. I was extremely moved by this picture; it has the wonderful, heart-wrenching quality that only a great play can produce, mixed with a very compelling lead actor and fabulous supporting cast.

    Clive Owen as Max was a wake-up call; at the end you may be asking yourself, "where can I see more of this actor??". He plays his character with beauty, strength, and emotion under conditions that no lving thing should have to endure.

    The rest of the cast is equally wonderful, especially Ian McKellan as Uncle Freddie. He adds that special charm that we expect from his performances, no matter how small the role.

    This movie requires an open mind, and the ability to not deny the reality of horrific, true events of the past. Above all, to not deny the importance of love, that which always tests and strengthens the human spirit.
    Brandy-28

    Must See!!!

    What can I possibly say about this movie that would not bring me to tears. This movie was very powerful and thought provoking. I just could not understand the hatred for human beings, just because of what religion, sexual orientation, or whether they had a big nose. I just can't for the life of me figured that out. I guess I will never figure it out.

    There were some very strong scenes in this movie that tugged at my heart. The ridiculous killing of men and women for no apparent reason other than what I said above. The never ending work the prisoners did was just unspeakable. The conditions, and also the ever popular "no touching each other". The latter is the most difficult to endure for two gay men captured and put to work in the concentration camps. In one powerful scene, that I have to admit I watched over and over about five times, during one of Max and Horst's (main stars) rock moving extravaganza's, they are allowed a three minute rest period while working a twelve hour shift. They are not allowed to look at each other, they must stand up straight looking ahead (some rest period huh). Well without giving away the scene. They have what we would call very graphic and arousing phone sex. And I have to tell you, I was right there with them. This scene really brought these two prisoners much closer together and very much in love. It was beautiful.

    I have a couple of things that bothered me in this movie. I really hated the way the SS men spoke to the prisoners. I mean, one word sentences like "You" - "Walk" - "Friend?" - or "Watching You". I mean for a people who claimed to be the superior race, these guys were not intelligent at all. Also the fake train outtakes that were obviously superimposed into the movie. The scenes themselves were in black and white which told the audience that they were not from the original film, but from some other movie.

    Overall, this movie was profoundly incredible. It is a must see for everyone, no matter what the content of the movie - gays, murder, sex, SS men, Hitler's BS , concentration camps. You have to watch this movie with an open heart and mind to actually feel for these people, not just because they were two gay men in love and pain, because they were human beings first and foremost. 7.5 out **********. See it, you will not be disappointed.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Sir Ian McKellen (Uncle Freddie) starred in the role of Max in the original London West End theatre production in 1979.
    • Citations

      Max: I love you... What's wrong with that?

    • Crédits fous
      The film opens with the main credits revealing like a searchlight.
    • Versions alternatives
      For the U.S. release, the sex scenes were toned down from an "NC-17" rating to an "R" rated release. Both versions are available.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Alien Resurrection/Welcome to Sarajevo/Flubber/Public Housing/Bent (1997)
    • Bandes originales
      STREETS OF BERLIN
      Written by Martin Sherman and Philip Glass

      Performed by Mick Jagger, piano by Matt Clifford

    Meilleurs choix

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    FAQ19

    • How long is Bent?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 octobre 1997 (Japon)
    • Pays d’origine
      • Royaume-Uni
      • Japon
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • 生命中不能承受之情
    • Lieux de tournage
      • Dalmellington, Ayrshire, Écosse, Royaume-Uni
    • Sociétés de production
      • Channel Four Films
      • NDF Inc.
      • ASK Kodansha
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 496 059 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 109 243 $US
      • 30 nov. 1997
    • Montant brut mondial
      • 496 059 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 45min(105 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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