NOTE IMDb
6,5/10
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MA NOTE
En 1923 à Londres, la fête bien organisée de la mondaine Clarissa Dalloway est perturbée par le retour d'un vieux prétendant qu'elle a connu 33 ans plus tôt. Avec Vanessa Redgrave, lauréate ... Tout lireEn 1923 à Londres, la fête bien organisée de la mondaine Clarissa Dalloway est perturbée par le retour d'un vieux prétendant qu'elle a connu 33 ans plus tôt. Avec Vanessa Redgrave, lauréate d'un Oscar.En 1923 à Londres, la fête bien organisée de la mondaine Clarissa Dalloway est perturbée par le retour d'un vieux prétendant qu'elle a connu 33 ans plus tôt. Avec Vanessa Redgrave, lauréate d'un Oscar.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 2 victoires et 1 nomination au total
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Avis à la une
Very good.
I enjoyed this movie very much, although I really loved the novel a bit more, but that's always the case it seems. Vanessa Redgrave and Natasha McElhone make a GREAT older/younger version of each other, and Rupert Graves gives a stellar performance as a young man dealing with the impact of war. This is a gently told tale, but it's done very well. Worth a look.
10anelson1
How sad, to find it "boring!"
Everyone doesn't like everything, so I'm not surprised that some people find the movie of Mrs. Dalloway boring. They probably would find the book boring too. But it's depressing. So they won't agree with some of us who see the novel as one of the great works of the 20th century, and the film as a truly remarkable and beautiful capturing of it. The only touch I regretted was the opening of the film with the Septimus Warren-Smith war scenes. The opening really belongs with Mrs. D. and her first words, "I will buy the flowers myself." After that moment, it's a quiet day but a beautiful and sensitive one.
A beautiful adaptation of a wonderful book!
This is a beautiful little film, which portrays the book admirably. When put up against its counterpart in The Hours I think it compares favourably. For sure it is a much smaller film in both stature and actor profiles, but this does not make it worse, in fact quite the contrary.
The English cast do a great job, on this essentially English story, with strong performances all around, notably from the leads from both eras. It is nicely shot, and the script has been well managed, and achievement for a Virginia Woolf novel.
I often find myself trying to pick out flaws in films like this, but the only possible complaint I can think of is the lack of continuity in height ratio between the leads over the two eras, petty some might say, and actually a small price you might expect to pay when you cast the wonderful Vanessa Redgrave.
I can't help feel sorry for those people who don't get this film. If Virginia Woolf isn't your cup of tea fair enough, but to think this and therefore the book is boring can only mean a lack of understanding or appreciation of Woolf's views on the point of life.
In essence when I watched this film it charmed me for an hour and a half, and then when it was finished left me questioning the value of my life, and important decision I had made, and was yet to make, which if you have ever read it is exactly what the book does.
The English cast do a great job, on this essentially English story, with strong performances all around, notably from the leads from both eras. It is nicely shot, and the script has been well managed, and achievement for a Virginia Woolf novel.
I often find myself trying to pick out flaws in films like this, but the only possible complaint I can think of is the lack of continuity in height ratio between the leads over the two eras, petty some might say, and actually a small price you might expect to pay when you cast the wonderful Vanessa Redgrave.
I can't help feel sorry for those people who don't get this film. If Virginia Woolf isn't your cup of tea fair enough, but to think this and therefore the book is boring can only mean a lack of understanding or appreciation of Woolf's views on the point of life.
In essence when I watched this film it charmed me for an hour and a half, and then when it was finished left me questioning the value of my life, and important decision I had made, and was yet to make, which if you have ever read it is exactly what the book does.
Totally missed the tone of the novel
I appreciate this film for its technical quality, as well as its ambition in trying to film a novel that is written in the stream of consciousness style, however it fails overall because of Ms. Redgrave's performance. Her acting destroys the tone of the movie in a extremely jarring way; the contrast between her just-swallowed-a-bottle-of-Prozac happiness and the other plot lines and draws the viewer out of the experience of the film. The novel's tone is much darker and Clarissa's point-of- view much more based on regret, and more in sync with the post-traumatic-stress and depression of Septimus and the ennui and disenfranchisement of her daughter. Her performance wasn't only in the wrong tone, but it was incredibly phony; a viewer should never see acting happening. This is the same gripe I have with Rupert Grave's performance of Septimus; his acting is too stagy and I never truly believed him when shouting "EVANS! EVANS!"
Probably will be (and perhaps should be) the last time a film adaptation is made of this novel.
Probably will be (and perhaps should be) the last time a film adaptation is made of this novel.
sadness
In 1923 London, socialite Clarissa Dalloway (Vanessa Redgrave) is planning a high class party. She is the wife of MP Richard Dalloway. Her daughter Elizabeth prefers do-gooder Miss Kilman than her. Her old suitor Peter Walsh arrives with a troubled love life and various failures. Meanwhile, former soldier Septimus Warren Smith (Rupert Graves) is haunted by the nightmarish Great War. His wife Rezia is concerned. The movie also flashbacks to a young Clarissa (Natascha McElhone), a young Peter, and best friend Sally (Lena Headey).
This is adapted from a Virginia Woolf novel. The Septimus side of the story is separated from Clarissa for most of the movie. That kept me at an arm's length as I waited for the two sides to come together. While interested in Septimus, it seems to repeat the same premise. He would be better to be in his own movie about a shell shocked veteran. When the sides finally collide, it's not as compelling as one wish. Of course, it's still interesting as a character study for Clarissa. It may work better in literary form. As for young Clarissa, I'm more interested in Sally than Peter. It may be salacious but that counts. Vanessa Redgrave is able to maintain interest for the most part. I can't say that this is exciting or thrilling in any way. She's a marginally interesting character.
This is adapted from a Virginia Woolf novel. The Septimus side of the story is separated from Clarissa for most of the movie. That kept me at an arm's length as I waited for the two sides to come together. While interested in Septimus, it seems to repeat the same premise. He would be better to be in his own movie about a shell shocked veteran. When the sides finally collide, it's not as compelling as one wish. Of course, it's still interesting as a character study for Clarissa. It may work better in literary form. As for young Clarissa, I'm more interested in Sally than Peter. It may be salacious but that counts. Vanessa Redgrave is able to maintain interest for the most part. I can't say that this is exciting or thrilling in any way. She's a marginally interesting character.
Le saviez-vous
- AnecdotesFirst screenplay written by Eileen Atkins.
- GaffesIn the flashback scenes with the younger actors, Peter is slightly taller than Clarissa. When they dance together at the party, he is considerably shorter than her.
- Citations
Peter Walsh: [Talking about Clarissa in 1923] She broke my heart, and you can't love like that twice.
- Bandes originalesTime for Old Time
Composed by Jack Trombey (as J. Trombey)
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- How long is Mrs Dalloway?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Mrs Dalloway
- Lieux de tournage
- Duke of York Column, St James's, Londres, Angleterre, Royaume-Uni(Mrs Dalloway coming back from shopping flowers)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 3 309 421 $US
- Week-end de sortie aux États-Unis et au Canada
- 90 127 $US
- 22 févr. 1998
- Montant brut mondial
- 3 309 421 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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