Les soeurs March vivent et granidssent lors de Guerre Civile américaine.Les soeurs March vivent et granidssent lors de Guerre Civile américaine.Les soeurs March vivent et granidssent lors de Guerre Civile américaine.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 3 Oscars
- 6 victoires et 19 nominations au total
Avis à la une
I've seen the original, starring Katherine Hepburn as Jo which was directed by George Cukor in (what seems to be) 1901. That's an excellent version of this story, a real classic.
Maybe the story just needed a 'new coat of paint' to spruce it up a bit because it sure does seem new and worth telling again.
Winona Ryder has to carry the movie, more or less, and gives a confident performance as the independent Jo. Susan Sarandon is not around that much but makes a good Marmee. Christian Bale is great, as always, and Trini Alvarado and Eric Stoltz round out the cast.
You don't see Claire Danes that much, but then it becomes about her quite a bit as the story moves on. A gift she receives for Christmas from a kindly neighbor could give your tearducts a workout, at the very least.
Beautiful movie. Could even be longer, and how many times can you say that about anything?
Maybe the story just needed a 'new coat of paint' to spruce it up a bit because it sure does seem new and worth telling again.
Winona Ryder has to carry the movie, more or less, and gives a confident performance as the independent Jo. Susan Sarandon is not around that much but makes a good Marmee. Christian Bale is great, as always, and Trini Alvarado and Eric Stoltz round out the cast.
You don't see Claire Danes that much, but then it becomes about her quite a bit as the story moves on. A gift she receives for Christmas from a kindly neighbor could give your tearducts a workout, at the very least.
Beautiful movie. Could even be longer, and how many times can you say that about anything?
"Little Women" is a gem of a movie, encompassing comedy, drama, and romance into one well-made film that is true to Louisa May Alcott's literary classic. It follows the lives of the four March sisters, from the turbulence of youth, the turmoil and romance of adolescence, the joy of love, and the pain of loss. The quality of this movie depends entirely upon the chemistry between the actors, and it accomplished this with success. The film is a vignette of scenes throughout the sisters' lives, showing their relationships with one another and with the people around them.
Winona Ryder is the quintessential Jo, the tomboyish, spirited sister who dreams of becoming an accomplished writer. She brings a refreshingly sweet, human touch to the character, who is as impulsive and headstrong as she is ambitious and loving. Ryder carried the film beautifully, and much of its success is due to her.
Trini Alvarado made a very pretty and convincing Meg, the dependable older sister, although she is not so set on marrying for money as she is in the book. Claire Danes as sweet, selfless Beth, really shone in one heartbreaking scene that is impossible not to cry through. For her performance as the spoiled youngest sister, Amy, the very young Kirsten Dunst showed remarkable potential, and brought humor to the character.
Christian Bale as Laurie was everything the "boy next door" should be: handsome, kind, and charming. His chemistry with Winona Ryder was considerable, and made their friendship very believable. Susan Sarandon played a wonderful Marmee, supportive and loving towards her girls.
Another thing I would recommend is the soundtrack to this movie, composed by Thomas Newman, which has some gorgeous music on it.
10/10
Winona Ryder is the quintessential Jo, the tomboyish, spirited sister who dreams of becoming an accomplished writer. She brings a refreshingly sweet, human touch to the character, who is as impulsive and headstrong as she is ambitious and loving. Ryder carried the film beautifully, and much of its success is due to her.
Trini Alvarado made a very pretty and convincing Meg, the dependable older sister, although she is not so set on marrying for money as she is in the book. Claire Danes as sweet, selfless Beth, really shone in one heartbreaking scene that is impossible not to cry through. For her performance as the spoiled youngest sister, Amy, the very young Kirsten Dunst showed remarkable potential, and brought humor to the character.
Christian Bale as Laurie was everything the "boy next door" should be: handsome, kind, and charming. His chemistry with Winona Ryder was considerable, and made their friendship very believable. Susan Sarandon played a wonderful Marmee, supportive and loving towards her girls.
Another thing I would recommend is the soundtrack to this movie, composed by Thomas Newman, which has some gorgeous music on it.
10/10
There are many, many reasons why I love this version of Little Women. The main one - or at least the most immediate - is the way the film looks. I love the soft lighting, the hair and costumes (I was astounded this year when I bought the DVD to hear on the commentary that Winona Ryder's hair was not her own but a wig! I never would have guessed it at all.) The male characters as much as the females, I do love the period costumes, and I'm impressed by the efforts the wardrobe department made to get everything so accurate. The girls were in impoverished circumstances, so the clothes they wear aren't new and look just as though they've been handed down from one sister to another.
There are a few subtle touches in this film that I sometimes find a bit jarring, such as when Marmee is talking with John Brooke in front of Meg and mentions her disagreement with the idea of women wearing restrictive corsets, but that is really the only bit that I don't feel is quite right, and it is there to demonstrate Marmee's liberal attitude.
I love the way the characters interact, although there perhaps isn't enough demonstration of why Laurie and old Mr. Laurence disagree. Jo and Amy act just like real sisters - they fight and provoke each other into arguments and disputes, and generally have a chance to make little digs at the other. Meg is the pretty - but yet also virtuous - one, and clearly the most socially at ease with the upper classes of the time, for instance reminding Jo "Don't shake hands with people. It isn't the thing any more", and in the end - although she has to wait for a period of time that would seem endless today before marrying the man she loves - she opts for a poorer but obviously happier life. It would be very easy to simply say that Beth is not given anything dramatic or interesting to do, but that is the whole point of her character. She watches those around her do great and exciting things, and there is a sense that she herself is happy with that. Susan Sarandon's Marmee clearly holds this family together - the ideal mother figure, she is comforting, incredibly wise (I wonder if anyone has ever met anyone with all the wisdom she seems to have) and always on hand to encourage her girls in their quest to do as they please.
The male characters are also interesting. John Brooke is stable and compassionate and sensible. Laurie (also known as Teddy just occasionally) can be quite an intense figure and I was amazed to find that Christian Bale was only about twenty when this film was released. It is as interesting to see the changes his personality goes through as it is to see those the girls go through. The Professor is a slightly unorthodox character and yet he complements Jo perfectly.
I have watched this film many, many times now (so many, in fact, that I have sometimes been known to say the lines along with the characters as they say them) and I know I will watch it many more times in the future. It might perhaps be a bit of a holiday film but it's certainly worth watching for the feel-good factor it generates.
There are a few subtle touches in this film that I sometimes find a bit jarring, such as when Marmee is talking with John Brooke in front of Meg and mentions her disagreement with the idea of women wearing restrictive corsets, but that is really the only bit that I don't feel is quite right, and it is there to demonstrate Marmee's liberal attitude.
I love the way the characters interact, although there perhaps isn't enough demonstration of why Laurie and old Mr. Laurence disagree. Jo and Amy act just like real sisters - they fight and provoke each other into arguments and disputes, and generally have a chance to make little digs at the other. Meg is the pretty - but yet also virtuous - one, and clearly the most socially at ease with the upper classes of the time, for instance reminding Jo "Don't shake hands with people. It isn't the thing any more", and in the end - although she has to wait for a period of time that would seem endless today before marrying the man she loves - she opts for a poorer but obviously happier life. It would be very easy to simply say that Beth is not given anything dramatic or interesting to do, but that is the whole point of her character. She watches those around her do great and exciting things, and there is a sense that she herself is happy with that. Susan Sarandon's Marmee clearly holds this family together - the ideal mother figure, she is comforting, incredibly wise (I wonder if anyone has ever met anyone with all the wisdom she seems to have) and always on hand to encourage her girls in their quest to do as they please.
The male characters are also interesting. John Brooke is stable and compassionate and sensible. Laurie (also known as Teddy just occasionally) can be quite an intense figure and I was amazed to find that Christian Bale was only about twenty when this film was released. It is as interesting to see the changes his personality goes through as it is to see those the girls go through. The Professor is a slightly unorthodox character and yet he complements Jo perfectly.
I have watched this film many, many times now (so many, in fact, that I have sometimes been known to say the lines along with the characters as they say them) and I know I will watch it many more times in the future. It might perhaps be a bit of a holiday film but it's certainly worth watching for the feel-good factor it generates.
This version of Little Women is lovely. Everyone is perfectly cast, and fans of the novel will be happy that it is quite true-to-book. Winona Ryder is perfect as Jo, quite equal to Katherine Hepburn's performance in the 1933 version. Susan Sarandon is wonderful (though I'm not sure Marmee would talk about 'restrictive corsets' to John Brooke). :) Christian Bale is an excellent Laurie, and Gabriel Byrne is wonderful as our Professor Bhaer. Kirsten Dunst and Claire Danes showed acting ability beyond their years. Trini Alvarado was a very pretty and sweet Meg. Samantha Mathis was a very pretty older Amy, but she could have been more lively. Eric Stoltz was a great John Brooke. I had never pictured Brooke with red hair, but it was nice. The rest of the cast was terrific, especially Mary Wickes as Aunt March. For once, Mary wasn't playing somebody's nurse or maid. :)
The music and cinematography were beautifully done. It was absolutely wonderful, and I highly recommend it (and the book of the same name). :)
The music and cinematography were beautifully done. It was absolutely wonderful, and I highly recommend it (and the book of the same name). :)
Superlative, mostly faithful adaptation of Louisa May Alcott's acclaimed novel of four impoverished teenage sisters who come of age in Civil War era New England. The film chronicles ambitious scribe Jo, decorative and impressionable Meg, timid, musically inclined Beth, and artistic, precocious Amy, with emphasis placed on their relationship with their beloved "Marmee" and their growing bond with the playful, cultured boy next door as they attempt to make their way while their father is off fighting in the war. While devoted readers may have wished for an ending that was more in line with the novel, this is perfectly cast and brilliantly acted, with wonderful characters, a pinpoint sense of the time period, and genuine emotions that flow throughout the proceedings; a worthy adaptation indeed. ***
Le saviez-vous
- AnecdotesWinona Ryder introduced Christian Bale to his future wife Sibi Blazic on the set of this film. At the time she worked as Ryder's personal assistant.
- GaffesWhen Amy discovers that Jo will be her teacher, she sulks twice. However, this is in keeping with Amy's character - if no one noticed her sulking the first time, she would most likely do it again.
- Citations
Laurie: I have loved you since the moment I clapped eyes on you. What could be more reasonable than to marry you?
Jo March: We'd kill each other.
Laurie: Nonsense!
Jo March: Neither of us can keep our temper-...
Laurie: I can, unless provoked.
Jo March: We're both stupidly stubborn, especially you. We'd only quarrel!
Laurie: I wouldn't!
Jo March: You can't even propose without quarreling.
- Crédits fous19th-century-style portraits of the sisters are seen under the early part of the credits.
- Bandes originalesLeila! Dieu Puissant
No.9 "Act II of the Pearl Fishers"
Music by Georges Bizet (uncredited)
Lyrics by Eugène Cormon (uncredited) and Michel Carré (uncredited)
Performed by Barbara Hendricks and John Aler with L'Orchestre National du Capitole de Toulouse (as Orchestre du Capitole de Toulouse)
Conducted by Michel Plasson
Courtesy of EMI Classics, under license from CEMA Special Markets
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- How long is Little Women?Alimenté par Alexa
- What is 'Little Women' about?
- Is "Little Women" based on a book?
- Is this movie another remake of the 1933 and 1949 movies?
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Mujercitas
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 50 083 616 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 411 247 $US
- 25 déc. 1994
- Montant brut mondial
- 50 085 123 $US
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What is the streaming release date of Les quatre filles du Docteur March (1994) in Mexico?
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