Y a-t-il un flic pour sauver Hollywood ?
Titre original : Naked Gun 33 1/3: The Final Insult
- 1994
- Tous publics
- 1h 23min
Le lieutenant Frank Drebin, maintenant à la retraite pour sauver son couple, reprend du service afin d'aider ses anciens collègues. Sa mission : rentrer en contact avec un prisonnier qui pré... Tout lireLe lieutenant Frank Drebin, maintenant à la retraite pour sauver son couple, reprend du service afin d'aider ses anciens collègues. Sa mission : rentrer en contact avec un prisonnier qui prévoit un attentat à la cérémonie des Oscars.Le lieutenant Frank Drebin, maintenant à la retraite pour sauver son couple, reprend du service afin d'aider ses anciens collègues. Sa mission : rentrer en contact avec un prisonnier qui prévoit un attentat à la cérémonie des Oscars.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires au total
K.L. Segal
- Purse Woman
- (as Karen Segal)
Résumé
Reviewers say 'Naked Gun 33 1/3: The Final Insult' offers Leslie Nielsen's signature deadpan humor and slapstick comedy, though many find it relies too much on recycled jokes. The parodies and star-studded climax are praised, but the change in director is noted to affect the tone. Despite mixed opinions, the film's self-awareness and cameos provide enough laughs, though it's often seen as the weakest in the trilogy.
Avis à la une
This is a pretty funny spoof with a unstopped string of gags which holds up almost to the final. Again Frank Drebin(Nielsen) return from retirement to help Police Squad(George Kennedy, O. J. Simpson). Drevin is back this time to save the Oscar Academy from a plot hatched by a nasty villain. The dumber law officer from Inspector Clouseau goes undercover a penitentiary where is a top terrorist named Rocco(Fred Ward). He along with his mother(Kathleen Freeman) and girlfriend(Anna Nicole Smith) are planning bomb the Academy Award ceremony . Meanwhile, his wife Jane(Priscilla Presley) is desperate for pregnant and leaves him.
This amusing picture is plenty of slapdash and slapstick, displaying lots of laughs and silly gags. This third part with the deadpan, botcher Drebin, has been planned by ZAZ, : Jim Abrahams, Jerry and David Zucker. They're known satirists with successful work and longtime collaborators and made their own comedy troupe, the Kentucky Fried theater. The parody is hilarious, continuous and absurd , though sometimes is gross-out, but some moments here and there also is intelligent and bold. However lacks the freshness of its predecessors, two prequels titled ¨From the filed of Police Squad¨ and ¨The smell of fear¨. As always, the usual cinematographic references , being an entertaining to find them out, as the parody includes: ¨The untouchables(Brian De Palma)¨ and ¨The great escape(John Sturges)¨and prison films. Habitual cameos and long invited actors, such as, James Earl Jones, R.Lee Ermey, Rachel Welch,Morgan Fairchild, Mariel Hemingway, Pia Zadora, Elliot Gould, among them. The film is professionally directed by Peter Segal. The motion picture will like to Leslie Nielsen enthusiastic and lunatic humor buffs.
This amusing picture is plenty of slapdash and slapstick, displaying lots of laughs and silly gags. This third part with the deadpan, botcher Drebin, has been planned by ZAZ, : Jim Abrahams, Jerry and David Zucker. They're known satirists with successful work and longtime collaborators and made their own comedy troupe, the Kentucky Fried theater. The parody is hilarious, continuous and absurd , though sometimes is gross-out, but some moments here and there also is intelligent and bold. However lacks the freshness of its predecessors, two prequels titled ¨From the filed of Police Squad¨ and ¨The smell of fear¨. As always, the usual cinematographic references , being an entertaining to find them out, as the parody includes: ¨The untouchables(Brian De Palma)¨ and ¨The great escape(John Sturges)¨and prison films. Habitual cameos and long invited actors, such as, James Earl Jones, R.Lee Ermey, Rachel Welch,Morgan Fairchild, Mariel Hemingway, Pia Zadora, Elliot Gould, among them. The film is professionally directed by Peter Segal. The motion picture will like to Leslie Nielsen enthusiastic and lunatic humor buffs.
10Mister-6
It's rare for a cop movie to combine elements from "The Untouchables", "Thelma & Louise" and "The Brady Bunch".
Unless, of course, the lead character has a tendency to run his car into parking meters.
"The Naked Gun 33 1/3: The Final Insult" brings the lofty trilogy to a close with the same old cast (Kennedy, Simpson, Presley) and slapstick antics involving a prison breakout, terrorist plot and the Oscars. And there in the center is Lt. Frank Drebin (Nielsen) on the verge of retirement and fighting with bad guys, shopping carts and Weird Al Yankovic while trying convince lovely wife Jane (Presley) that the spark in their relationship is still there.
How can you talk down a movie like this; it's as useless as putting up a tent in a windstorm, so they say. You have to enjoy stupidity, one-liners, gags and visual puns, as created by the ZAZ boys (Zucker, Abrahams, Zucker) and delivered by a cast of pros (including Fred Ward and Pia Zadora!!), all with the tone of adolescence and insanity you've come to know and love.
And if you don't, why are you reading this?
Kudos go to Anna Nicole Smith, who makes her debut in movies here in a big way (sorry) and shows she is at her best when laughing at herself. Good job, Anna.
Favorite scene? I lost count after the first 10 minutes; it's an exercise in futility, every scene will make you chuckle, laugh, guffaw, roar and/or howl with delight. Besides, why spoil the fun?
And as for Nielsen...as always, he is THE MAN! Even when throwing up in a tuba.
Ten stars for a great "Final" trip down into Dumbville. And one star more for the very last scene - classic!
Thanks, Frank.
Unless, of course, the lead character has a tendency to run his car into parking meters.
"The Naked Gun 33 1/3: The Final Insult" brings the lofty trilogy to a close with the same old cast (Kennedy, Simpson, Presley) and slapstick antics involving a prison breakout, terrorist plot and the Oscars. And there in the center is Lt. Frank Drebin (Nielsen) on the verge of retirement and fighting with bad guys, shopping carts and Weird Al Yankovic while trying convince lovely wife Jane (Presley) that the spark in their relationship is still there.
How can you talk down a movie like this; it's as useless as putting up a tent in a windstorm, so they say. You have to enjoy stupidity, one-liners, gags and visual puns, as created by the ZAZ boys (Zucker, Abrahams, Zucker) and delivered by a cast of pros (including Fred Ward and Pia Zadora!!), all with the tone of adolescence and insanity you've come to know and love.
And if you don't, why are you reading this?
Kudos go to Anna Nicole Smith, who makes her debut in movies here in a big way (sorry) and shows she is at her best when laughing at herself. Good job, Anna.
Favorite scene? I lost count after the first 10 minutes; it's an exercise in futility, every scene will make you chuckle, laugh, guffaw, roar and/or howl with delight. Besides, why spoil the fun?
And as for Nielsen...as always, he is THE MAN! Even when throwing up in a tuba.
Ten stars for a great "Final" trip down into Dumbville. And one star more for the very last scene - classic!
Thanks, Frank.
Maybe I'm looking at this movie from a somewhat biased viewpoint, because out of all 3 "Naked Gun" films, this is the one I've seen the most times. So when I just purchased it on DVD, as part of the "Naked Gun" gift set, the gags weren't as fresh to me. I watched it several times when it appeared on ABC, and since the movie doesn't contain any foul language or overt sexual gags, very little was snipped from the TV version. Needless to say, the reason why this sequel doesn't work as well is because of the absence of David Zucker as director. This time Peter Segal occupies the director's chair. Segal definitely has talent. He's the same director who brought us "Tommy Boy," "My Fellow Americans" and the hilarious "Anger Management." But his approach to humor isn't the same as Zucker's. Zucker is better at handling slapstick, while Segal is better at scatological comedy. Though the same writers contributed to this third installment, Segal's a little rusty with the timing and delivery of these gags. And in farce, timing is everything. In the other two films, I found all the gags either funny or hilarious. If I didn't get a belly laugh, I was probably chuckling at least. "The Naked Gun 33 1/3" contains some gags that simply don't work and settle for flat payoffs. But on a positive note, most of the gags do work and the cast still gives their all. It's a shame that O.J. Simpson got involved in murder. He could've made a fine comic actor. I don't exactly visualize him as a leading man, but he would do well in quirky supporting roles like these. Another good thing about the film is Anna-Nicole Smith, who at the time looked absolutely stunning! And though I didn't receive as many belly laughs as I thought, there are a few, like the conclusion at the Oscar ceremony. The sperm bank scene is also hilarious. Unfortunately, the joke is worn out for me, now that I've seen the movie about 5 times. If you're in the mood for a good comedy (though not a great one), "The Naked Gun 33 1/3" delivers. But don't go in expecting too much.
I thought this one was almost as good as the first film and a bit better than the second one. I liked the whole infiltration of the prison plot and the retirement aspect of the film more than all the politics of the second film. However, Leslie plays Drebin in a bit more of a goofy fashion this go around. There are also other things in this film that were not really in the first two installments like the scenes that parodied other movies. Scenes like these were not in the first two movies, from what I remember anyway, but there are a couple of them in this one. Such as the opening which parodies "The Untouchables" and a "Thelma and Louise" one as well. However, the film has a nice conclusion at the academy awards which makes fun of Hollywood's biggest night in grand fashion. The plot has Frank retired, but he is coaxed out of retirement to break into a prison and find out a sinister plot. The villain this time is Fred Ward and he is good as is his gang. There are some surprises here and there too. I just thought this one was a bit more humorous than two, but not quite on par with the first one. Close, but not quite.
The law of diminishing returns really starts to kick in with The Naked Gun 33 1/3: The Final Insult. It's definitely got the lowest gag ratio of the three films but there's still enough here to warrant the return. The shorter run time really helps with the lower gag ratio and the jokes that do land still have that same gleeful stupidity.
Leslie Nielsen's gifts are needed more than ever before. Even if the film around him is faltering he never is as he really carries this. Frank briefly becoming the stay at home wife then going undercover gives him plenty of new material to work with and the reaction shots of Nielsen looking baffled will never get old.
Peter Segal's direction doesn't falter straight away as it opens with the funniest opening of the three and the strongest credits sequence. For better and worse, this one's humour feels broader compared to the others as it adds a lot of references to other films in between the slapstick and visual gags. There's still a lot of memorable stuff here, it just luls occasionally.
Leslie Nielsen's gifts are needed more than ever before. Even if the film around him is faltering he never is as he really carries this. Frank briefly becoming the stay at home wife then going undercover gives him plenty of new material to work with and the reaction shots of Nielsen looking baffled will never get old.
Peter Segal's direction doesn't falter straight away as it opens with the funniest opening of the three and the strongest credits sequence. For better and worse, this one's humour feels broader compared to the others as it adds a lot of references to other films in between the slapstick and visual gags. There's still a lot of memorable stuff here, it just luls occasionally.
Le saviez-vous
- AnecdotesReal biker gangs were hired in order to get the look of real prisoners for the prison fight scene. It was unknown at the time, but there were four rival gangs in the scene. However, no incidents occurred.
- GaffesWhen Frank arrives home for his "special evening," there's an old portrait hanging next to the front door. A few minutes later when Jane leaves, it's a similar, but different, portrait. The use of items being substituted, moved, and placed incongruously is one of the trademark touches used by the Zucker, Abrahams, Zucker team in all their comedies. It is intentionally done, not a goof.
- Citations
Frank Drebin: Like a midget at a urinal, I was going to have to stay on my toes.
- Crédits fousIn the middle of the credits: DON'T LEAVE YET
- Versions alternativesA number of scenes were deleted (later added) for network TV viewing. Some of the scenes are:
- An extended scene of Drebin and Norberg discussing a TV soap opera when Norberg and Ed come to visit.
- An extra scene at the Karlson Clinic where after Drebin's encounter with the dominatrix, he is shown afterwards in a wheelchair being pushed to the desk by a male nurse (Michael Boatman) who asks him to fill out the visitor forms. When Drebin is writing down his name, he sees Tanya receive a phone call and tries to get near her to listen in. When the male nurse returns, Drebin hides on a gurney covering himself with a sheet and the male nurse inadvertently wheels the gurney into an O.R. which says "penile implants."
- The scenes of Drebin's arrival undercover at the prison show additional prisoners in cells, including a real lion, and a mime in a cell with no bars and mimicking holding onto the imaginary bars.
- The scene in the cell with Rocco Dillon and Tyrone where Drebin introduces himself as Nick "The Slasher" McGerk, Junior, II saying that he's killed the previous McGerks and more dialogue of him insulting Rocco.
- During Drebin's encounter with the big hairy convict in the shower, the hairy convict comments how pretty Drebin is, and Drebin rubs the hairy convict's back with soap as a token of appreciation.
- Drebin and Rocco's escape tunnel digging is longer, featuring them disposing of the dirt in various jars in the mess hall, as well as feeding it to a long line of convicts during meal times.
- A scene with Drebin talking with the prison chaplain (Eric Christmas) about his life of crime.
- An extra scene of the getaway. After Drebin and Rocco accidentally come up under a funeral, they dig more and Drebin sticks his head up on a football field, with the football ready for a free kick right on top of his head.
- Bandes originalesHip to Be Square
by Bill Gibson, Sean Hopper & Huey Lewis
Performed by Huey Lewis & The News (as Huey Lewis and The News)
Courtesy of EMI Records USA, A Divsion of ERG
Under license from CEMA Special Markets
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- ¿Y dónde está el policía? 33 1/3: El insulto final
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 51 132 598 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 216 531 $US
- 20 mars 1994
- Montant brut mondial
- 51 132 598 $US
- Durée
- 1h 23min(83 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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