Ajouter une intrigue dans votre langueComic book artist Giovanna is attacked by the press when a real murderer copies the crimes of her fictional character Dr. Dark. And she gets phone calls from a stranger who claims to be the ... Tout lireComic book artist Giovanna is attacked by the press when a real murderer copies the crimes of her fictional character Dr. Dark. And she gets phone calls from a stranger who claims to be the killer.Comic book artist Giovanna is attacked by the press when a real murderer copies the crimes of her fictional character Dr. Dark. And she gets phone calls from a stranger who claims to be the killer.
- Réalisation
- Scénario
- Casting principal
Monica Carpanese
- Giovanna Dei
- (as Carol Farres)
Achille Brugnini
- Marzio Mannino
- (as Anthony Berner)
Carlo Granchi
- Massimo
- (as Carl Graham)
Antonio Zequila
- Amedeo Callistrati
- (as Anthony Zequila)
Avis à la une
This rare film by Italian sleaze director Bruno Mattei is not - as the English title "Eyes Without a Face" suggests - a remake of Georges Franju's all time horror classic "Les Yeux Sans Visage" (which, as every genre buff should know, inspired Jess Franco's "Les Prédateurs de la Nuit" in 1988, one of Franco's best). "Gli Occhi Dentro" is a thriller in best Giallo tradition and often reminds of the typical genre outings of the 1970s. And this is quite a surprise considering that Bruno Mattei is known for trashy horror and exploitation films, but hasn't made a Giallo before this one.
A serial killer murders baby sitters and plugs their eyes out. The killings resemble crimes from the latest issue of a successful comic book series called "Doctor Dark" about a schizophrenic who is a renowned professor by day and a maniac killer at night. The artist of the comic series is a young woman, and obviously the killer tries to make her suffer for his crimes: she starts finding the plugged out eyes of the victims at her home. After half an hour of the film, it seems that the maniac is caught. But it doesn't take much time to find out that the man apprehended is not the real killer.
The story certainly ain't that original. The actors surely aren't very good. And Bruno Mattei never was a great artist as a director. But all of his films - no matter how shabby - show certain style and atmosphere. And in "Gli Occhi Dentro", he really manages to develop suspense and thrills, and also to deliver enough convincing red herrings for a couple of genre outings. After a swift start and a really cool first half an hour, the film loses a bit of its pace. But Mattei keeps the viewer interested while the plot continues unfolding, and the last half hour culminates in a manic climax to make this undeniably low budgeted thriller big fun for every Giallo freak - and probably makes one sigh nostalgicly towards the 1970s, the Golden Age of Giallo films.
Concerning the plot (which is perfectly coherent for Mattei and average Giallo standards), the pace and the thrills, "Gli Occhi Dentro" is probably the most watchable of all films Mattei directed. Some scenes, though, remind the viewer that Mattei is an old "sleazeball": e.g. the phony close-up of the plugging out of the first victim's eye and a rather unmotivated love scene just before the climax starts. Concerning the gore, Mattei doesn't deliver it over the top. Nevertheless there are some bloody scenes and the murders that aren't as graphic are still quite grisly. All in all, this is a surprisingly well crafted thriller that delivers good thrilling entertainment and doesn't deserve to be as hard to get as it is at the moment. Rating: 7 out of 10.
A serial killer murders baby sitters and plugs their eyes out. The killings resemble crimes from the latest issue of a successful comic book series called "Doctor Dark" about a schizophrenic who is a renowned professor by day and a maniac killer at night. The artist of the comic series is a young woman, and obviously the killer tries to make her suffer for his crimes: she starts finding the plugged out eyes of the victims at her home. After half an hour of the film, it seems that the maniac is caught. But it doesn't take much time to find out that the man apprehended is not the real killer.
The story certainly ain't that original. The actors surely aren't very good. And Bruno Mattei never was a great artist as a director. But all of his films - no matter how shabby - show certain style and atmosphere. And in "Gli Occhi Dentro", he really manages to develop suspense and thrills, and also to deliver enough convincing red herrings for a couple of genre outings. After a swift start and a really cool first half an hour, the film loses a bit of its pace. But Mattei keeps the viewer interested while the plot continues unfolding, and the last half hour culminates in a manic climax to make this undeniably low budgeted thriller big fun for every Giallo freak - and probably makes one sigh nostalgicly towards the 1970s, the Golden Age of Giallo films.
Concerning the plot (which is perfectly coherent for Mattei and average Giallo standards), the pace and the thrills, "Gli Occhi Dentro" is probably the most watchable of all films Mattei directed. Some scenes, though, remind the viewer that Mattei is an old "sleazeball": e.g. the phony close-up of the plugging out of the first victim's eye and a rather unmotivated love scene just before the climax starts. Concerning the gore, Mattei doesn't deliver it over the top. Nevertheless there are some bloody scenes and the murders that aren't as graphic are still quite grisly. All in all, this is a surprisingly well crafted thriller that delivers good thrilling entertainment and doesn't deserve to be as hard to get as it is at the moment. Rating: 7 out of 10.
Ok italian Giallo with a story more interesting than usual. The budget shortcomings are evident in the setting and the poorly made FX, but the twist ending Is surprisingly effective.
Bruno Mattei is a director famous for making his own versions of popular films; so you would certainly be forgiven for thinking that Eyes Without a Face is a remake of the Georges Franju classic of the same title; and probably quite shocked to learn that it isn't! You're likely to be even more shocked to find out that this is actually a good film! The Giallo genre was most popular in the early seventies; although Mattei didn't start making films in the mid seventies, and by then the likes of exploitation, zombie films and cannibals had taken over as the most popular Italian export. However, the fact that the Giallo had been and gone by 1994 didn't stop Mattei from making one anyway. The plot focuses on a serial killer who is murdering people by way of plucking their eyes out; a modus operandi obviously inspired by a comic book known as 'Doctor Dark'. A few girls get killed and it would appear that the creator of the comic book, a beautiful young woman named Giovanna Dei, will be the killer's next victim when the disembodied eyes start turning up at her place...
Despite being made in 1994; this is every bit the classic styled Giallo, from the confusing plot to thin characters and brutal murder scenes. The film starts with a well worked scene at a go-cart race and the first half moves quite quickly and Mattei manages to keep up the suspense, which is definitely to the film's credit. However, the middle part of the film begins to get a bit tepid; but luckily things are recovered by the end. The film stars Monica Seller, in one of only three film appearances, and it's a shame she didn't work more often because she's very cute. Any violence involving the eyes is usually not for the feint hearted; and that is certainly the case here as while the murder scenes aren't particularly brutal; they are grisly enough and are sure to please. The film features plenty of red herrings; but the ending does come as a surprise and it's really well worked too. Mattei revs the sleaze factor up high and the film ends well. A good Bruno Mattei film is a rare thing; and therefore this film should be cherished. Be sure to give it a look if you can find a copy!
Despite being made in 1994; this is every bit the classic styled Giallo, from the confusing plot to thin characters and brutal murder scenes. The film starts with a well worked scene at a go-cart race and the first half moves quite quickly and Mattei manages to keep up the suspense, which is definitely to the film's credit. However, the middle part of the film begins to get a bit tepid; but luckily things are recovered by the end. The film stars Monica Seller, in one of only three film appearances, and it's a shame she didn't work more often because she's very cute. Any violence involving the eyes is usually not for the feint hearted; and that is certainly the case here as while the murder scenes aren't particularly brutal; they are grisly enough and are sure to please. The film features plenty of red herrings; but the ending does come as a surprise and it's really well worked too. Mattei revs the sleaze factor up high and the film ends well. A good Bruno Mattei film is a rare thing; and therefore this film should be cherished. Be sure to give it a look if you can find a copy!
Bruno Mattei's grisly, Gorgonzola-garlanded, gloriously goofy Giallo 'Madness' aka 'Occhi Senza Volto' remains a hysterically hinkey, luridly eye-ball harvesting, frequently hilarious, 90s B-Slasher disasterpiece! Larded with mesmerisingly awful acting, deliciously asinine dialogue, 'Madness' is a must-see romp, unless you happen to be one of Doctor Death's brutally brain-spiked, orb-less victims,natch! Misguided B-Movie maverick, Mattei's absurdly entertaining thriller is a ceaselessly delightful trip into bad movie nirvana! The gruesomely ripe performances are either catatonic or, Bette Davis's worst nightmare! Endearingly inept, compellingly cheesy, this gleefully gormless Giallo delivers an abnormally high quotient of trashy entertainment. The infamous, yet enormously beloved Italian schlock supremo, Bruno Mattei has a truly enviable C. V of magnificently mad, crudely plagiarised, generously blood-basted, cheaply made chunk blowers, and, happily, 'Madness' is right up there with the very worst of 'em! What a sunnier world it would be if ALL splatter films were this much fun to watch!
'Madness' aka 'Eyes Without a Face' is a baffling and poorly executed Italian giallo slasher flick directed by Bruno Mattei that lacks any style, originality or even ambition. The production design is bland and cheap, the visuals are uninspired, the acting ranges from awful to hysterically over the top and the movie's pacing was a slog to get through and lacks any sort of entertainment value whatsoever. There's a reason why the giallo genre was pretty much dead by this point with painfully trashy efforts like this.
The Plot centres around a comic book artist named Giovanna Dei (Monica Carpanese) where a masked killer is copying the look and killing style of her character Doctor Dark by murdering young women, and then starts targeting Giovanna herself.
It took me quite a few attempts to actually sit down and watch this as it was almost unwatchable due to its poor picture quality and dreadful English dubbing. Despite having a surprisingly interesting opening scene, it quickly goes down hill from there on out. The plot could have been interesting, but the lazy direction and incoherent structure lets everything down and even the twists and turns couldn't save it as the movie was simply too boring and sloppily made to keep me engaged.
The acting performances were sub-par all around with Monica Carpanese giving one of the most baffling and unconvincing performances I've ever seen, and the rest of the cast didn't fair any better either as there wasn't a single memorable character in this entire film.
Overall 'Madness' fails on just about every level imaginable and not entertainingly bad enough to be a trashy guilty pleasure cheese. This is definitely one of the worst giallo flicks I've seen so far.
The Plot centres around a comic book artist named Giovanna Dei (Monica Carpanese) where a masked killer is copying the look and killing style of her character Doctor Dark by murdering young women, and then starts targeting Giovanna herself.
It took me quite a few attempts to actually sit down and watch this as it was almost unwatchable due to its poor picture quality and dreadful English dubbing. Despite having a surprisingly interesting opening scene, it quickly goes down hill from there on out. The plot could have been interesting, but the lazy direction and incoherent structure lets everything down and even the twists and turns couldn't save it as the movie was simply too boring and sloppily made to keep me engaged.
The acting performances were sub-par all around with Monica Carpanese giving one of the most baffling and unconvincing performances I've ever seen, and the rest of the cast didn't fair any better either as there wasn't a single memorable character in this entire film.
Overall 'Madness' fails on just about every level imaginable and not entertainingly bad enough to be a trashy guilty pleasure cheese. This is definitely one of the worst giallo flicks I've seen so far.
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Détails
- Pays d’origine
- Aussi connu sous le nom de
- Madness
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 23 minutes
- Couleur
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