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Des extraterrestres atterrissent dans une petite ville du Midwest et prennent rapidement le contrôle des habitants en les manipulant telles des marionnettes, parasitant leur esprit et leur c... Tout lireDes extraterrestres atterrissent dans une petite ville du Midwest et prennent rapidement le contrôle des habitants en les manipulant telles des marionnettes, parasitant leur esprit et leur corps.Des extraterrestres atterrissent dans une petite ville du Midwest et prennent rapidement le contrôle des habitants en les manipulant telles des marionnettes, parasitant leur esprit et leur corps.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Avis à la une
I remember watching this as a kid and thinking it was so scary. Now on rewatch I realize it is a campy sci-fi movie but with some good practical effects and John Carpenter vibes.
This was a decent film. The book was far better.
If the book had been made into a three-hour film, it would have been excellent. They would have had time to do things right. As it is, they compact a wide-ranging tale set in the future into a dodgy action flick in the present day.
Do yourself a favour - read the book.
Donald Sutherland is too cool, though.
If the book had been made into a three-hour film, it would have been excellent. They would have had time to do things right. As it is, they compact a wide-ranging tale set in the future into a dodgy action flick in the present day.
Do yourself a favour - read the book.
Donald Sutherland is too cool, though.
This was a decent sci-fi flick. Good performances by Julie Warner and Eric Thal, and of course there's no role that Donald Sutherland can't pull off. Alien effects were revoltingly good. OK, it's not completely true to Heinlein's magnificent novel. Hollywood has a formula, (the happy ending, the obligatory love interest of one or more of the stars, etc.) and any deviation from it is exceedingly rare. That's why foreign films are good, because they are not bound by the formula. I've noticed that great sci-fi movies are almost always originally written for the screen, rather than adapted from books. Books are always better than movies, but science fiction seems to be particularly so.
Probably produced following the smash success of The X Files, The Puppet Masters is a pretty solid slice of alien invasion pulp fiction. The casting is good, with Eric Thal and Julie Warner proving to be charming enough stand-ins for Mulder and Scully. Elsewhere, sci-fi genre fans may appreciate the appearances of Yaphet Kotto (Alien), Keith David (The Thing) and of course the great Donald Sutherland (Invasion Of The Body Snatchers).
Behind the camera, it's an unusually British affair with director Stuart Orme, cinematographer Clive Tickner, and composer Colin Towns all heralding from the UK. They do nice work - Orme provides a tense and pacey first half, Tickner's very fine work lends a stylish visual sheen, and Towns' music is lushly complex.
However, although it starts out well, the flick loses some energy and traction around the middle and doesn't get it back. Its potential begins to slip away and I'm not quite sure why. Maybe budget/script cuts. The last third in particular, with its under-powered action set-pieces and somewhat perfunctory ending, suggests that the film had hit the glass ceiling of its production resources... or perhaps even its creators' full interest.
Nevertheless, it's an enjoyable sci-fi thriller for a good part of its running time. Might make a nice viewing companion with The Hidden (1987) or certainly any number of old X Files episodes!
Behind the camera, it's an unusually British affair with director Stuart Orme, cinematographer Clive Tickner, and composer Colin Towns all heralding from the UK. They do nice work - Orme provides a tense and pacey first half, Tickner's very fine work lends a stylish visual sheen, and Towns' music is lushly complex.
However, although it starts out well, the flick loses some energy and traction around the middle and doesn't get it back. Its potential begins to slip away and I'm not quite sure why. Maybe budget/script cuts. The last third in particular, with its under-powered action set-pieces and somewhat perfunctory ending, suggests that the film had hit the glass ceiling of its production resources... or perhaps even its creators' full interest.
Nevertheless, it's an enjoyable sci-fi thriller for a good part of its running time. Might make a nice viewing companion with The Hidden (1987) or certainly any number of old X Files episodes!
It looks like a UFO has landed in a small Iowa farm town. A top-secret US government investigative team from the "Office of Scientific Central Intelligence" goes out to investigate. The three stars are: limping leader Donald Sutherland (as Andrew Nivens), his handsome son and partner Eric Thal (as Sam Nivens) and sexy alien biologist Julie Warner (as Mary Sefton). They are about to conclude the whole thing was a teenagers' hoax, but Ms. Warner realizes aliens have landed. The reason, according to Warner, is that no males on the scene have noticed her arousing figure or tried to look down her unbuttoned blouse. You can almost hear her say, "Don't look at that alien spaceship, dammit, look down my shirt!"...
Now, these aliens attach themselves to your back (your spinal column, specifically) and they multiply quickly. The way to see if someone has been "infected" is to order the person to, "Take off your shirt!" Since this trick works, we're left wondering why most people in the cast are allowed to keep their backs covered. Most viewers would not protest Warner and Mr. Thal acting without their shirts (Thal goes without pants, too). If you don't mind wondering about plot confusions and contrivances like that, you could do worse than Stuart Orme's vision of Robert A. Heinlein's science-fiction novel. Thal and Warner are an attractive couple and Mr. Sutherland is a classic performer who can improve movies by simply being there.
****** The Puppet Masters (10/21/94) Stuart Orme ~ Eric Thal, Julie Warner, Donald Sutherland, Keith David
Now, these aliens attach themselves to your back (your spinal column, specifically) and they multiply quickly. The way to see if someone has been "infected" is to order the person to, "Take off your shirt!" Since this trick works, we're left wondering why most people in the cast are allowed to keep their backs covered. Most viewers would not protest Warner and Mr. Thal acting without their shirts (Thal goes without pants, too). If you don't mind wondering about plot confusions and contrivances like that, you could do worse than Stuart Orme's vision of Robert A. Heinlein's science-fiction novel. Thal and Warner are an attractive couple and Mr. Sutherland is a classic performer who can improve movies by simply being there.
****** The Puppet Masters (10/21/94) Stuart Orme ~ Eric Thal, Julie Warner, Donald Sutherland, Keith David
Le saviez-vous
- AnecdotesNo less than nine writers worked on the script. Besides the credited writers Ted Elliott, Terry Rossio and David S. Goyer, work was also done by James Bonny, Michael Engelberg, Richard Finney, Neal Purvis, Robert Wade and the film's director, Stuart Orme. The final version mainly uses ideas from the Goyer and Orme rewrites.
- GaffesNear the end of the movie, as a helicopter lands at the "Des Moines" City Hall, tall palm trees are visible in the background.
- ConnexionsFeatured in WatchMojo: Another Top 10 Scariest Movie Aliens (2015)
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- How long is The Puppet Masters?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 8 647 042 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 069 057 $US
- 23 oct. 1994
- Montant brut mondial
- 8 647 042 $US
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By what name was Les maîtres du monde (1994) officially released in India in English?
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