NOTE IMDb
6,2/10
19 k
MA NOTE
Ajouter une intrigue dans votre langueJordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex-and-violence-filled journey through an America of psychos an... Tout lireJordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex-and-violence-filled journey through an America of psychos and quickie marts.Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex-and-violence-filled journey through an America of psychos and quickie marts.
- Récompenses
- 2 nominations au total
Avis à la une
This was one of the strangest movie I've ever seen, but at the same time, one of the most meaningful. This was a good movie. There was a sadistic violence, a bunch of sex scenes, vulgarity, more graphic violence, more sex, a three way, and an incredibly sad, tragic ending.
If you are able to look past all this (many people cannot, mind you), than you will see a good movie about three teenage tortured souls cruising along the urban pits of Los Angeles, who run into a crazy clerk with a shotgun, a crazy drive thru attendant with a shotgun, a nasty blonde with a sword, and some really scary Neo Nazis, who all think Amy Blue is someone else.
Rose McGowen is Amy Blue, the sexy, angry, speed taking, tough as nails lead character, James Duval is Amy's naive, stoner boyfriend Jordan White, and Johnathon Schaech was Xavier Red, the crazy, dangerous, kinky, and violent source of trouble. If you have a strong stomach, and don't mind harshly sad endings, check it out, but be aware, because you might get grossed out and leave (I almost did). 9/10
If you are able to look past all this (many people cannot, mind you), than you will see a good movie about three teenage tortured souls cruising along the urban pits of Los Angeles, who run into a crazy clerk with a shotgun, a crazy drive thru attendant with a shotgun, a nasty blonde with a sword, and some really scary Neo Nazis, who all think Amy Blue is someone else.
Rose McGowen is Amy Blue, the sexy, angry, speed taking, tough as nails lead character, James Duval is Amy's naive, stoner boyfriend Jordan White, and Johnathon Schaech was Xavier Red, the crazy, dangerous, kinky, and violent source of trouble. If you have a strong stomach, and don't mind harshly sad endings, check it out, but be aware, because you might get grossed out and leave (I almost did). 9/10
I write this because I read a harsh critic from a fellow watcher here and I don't really understand his opinion.
this movie is highly surrealistic, and in its on way very truthful - regarding the fact that it shows the story through the eyes of these overcharacterized stereotypical teens. being an eastern European guy, I think I can say that this movie requires the watcher to step out of his usual westernized filters he's watching films through, and try to be as objective a listener as possible. I must disagree with the opinion that this movie has to be taken seriously - this is a weird kind of entertainment, weird in a positive way like those C-trash horrors that are so bad you start to collect them on your shelf. araki may not be the brightest star in independent film-making, but he's reasonably strong and original.
I recommend this to mature people who don't think that knowing high arts requires them to deny their childhood classics or spider-man. watch it with much self-irony and have a good time. :)
this movie is highly surrealistic, and in its on way very truthful - regarding the fact that it shows the story through the eyes of these overcharacterized stereotypical teens. being an eastern European guy, I think I can say that this movie requires the watcher to step out of his usual westernized filters he's watching films through, and try to be as objective a listener as possible. I must disagree with the opinion that this movie has to be taken seriously - this is a weird kind of entertainment, weird in a positive way like those C-trash horrors that are so bad you start to collect them on your shelf. araki may not be the brightest star in independent film-making, but he's reasonably strong and original.
I recommend this to mature people who don't think that knowing high arts requires them to deny their childhood classics or spider-man. watch it with much self-irony and have a good time. :)
The Doom Generation is a stunning, gripping, gut-wrenching movie. It's easy to see why reactions are so strongly polarized, with almost everybody either loving it or hating it. It's scary to imagine what kind of mind would react with genuine indifference.
I admit I didn't read all the reviews already posted for it, but in the ones I did read I was surprised to find so few that mentioned how funny and how charming this movie is. Like it or not, it's primarily a romantic comedy, and if you miss that you've missed what holds it all together. It's extremely intelligent, very dark, very sweet, profoundly erotic, and shockingly bloody. But most of all it's very, very funny. If I'd missed the humor, I'd still like the freewheeling sexiness, but I'd be appalled by the violence. But I didn't miss the humor, so I loved it all.
Everything about it is brilliant: the writing, the direction, even the gory special effects, and every single member of the large cast is perfect, especially the three leads. For a "heterosexual" movie, as Araki labeled it (with some irony, I have to think), with plenty of sex between the girl and both guys, the most powerfully erotic scenes are between the two men alone. There's no sex acted out between them at all, not even a kiss, but the heat is intense and stunning, much more powerful than the explicit sex between either of them and the girl. It's the best proof I've ever seen that eroticism and sex are completely different, and in a movie eroticism is much more entertaining. The sex acts in this movie may be all hetero, but the real heat is as gay as it gets. That's quite a coup.
I for one am glad it's not in widescreen on the DVD. If a movie that's filmed widescreen is shown at 4:3, you do lose information. But a lot of independent movies from that period were filmed at 4:3, so that a "widescreen" version just crops off the top and bottom of the picture, and you actually get less information. (The widescreen version of Gus Van Sant's brilliant Elephant is like that, but fortunately that DVD includes both versions.)
I admit I didn't read all the reviews already posted for it, but in the ones I did read I was surprised to find so few that mentioned how funny and how charming this movie is. Like it or not, it's primarily a romantic comedy, and if you miss that you've missed what holds it all together. It's extremely intelligent, very dark, very sweet, profoundly erotic, and shockingly bloody. But most of all it's very, very funny. If I'd missed the humor, I'd still like the freewheeling sexiness, but I'd be appalled by the violence. But I didn't miss the humor, so I loved it all.
Everything about it is brilliant: the writing, the direction, even the gory special effects, and every single member of the large cast is perfect, especially the three leads. For a "heterosexual" movie, as Araki labeled it (with some irony, I have to think), with plenty of sex between the girl and both guys, the most powerfully erotic scenes are between the two men alone. There's no sex acted out between them at all, not even a kiss, but the heat is intense and stunning, much more powerful than the explicit sex between either of them and the girl. It's the best proof I've ever seen that eroticism and sex are completely different, and in a movie eroticism is much more entertaining. The sex acts in this movie may be all hetero, but the real heat is as gay as it gets. That's quite a coup.
I for one am glad it's not in widescreen on the DVD. If a movie that's filmed widescreen is shown at 4:3, you do lose information. But a lot of independent movies from that period were filmed at 4:3, so that a "widescreen" version just crops off the top and bottom of the picture, and you actually get less information. (The widescreen version of Gus Van Sant's brilliant Elephant is like that, but fortunately that DVD includes both versions.)
Some films divide audiences immediately. 'Eraserhead', 'Beyond The Valley Of The Dolls', 'Night Of The Living Dead'. 'The Doom Generation' is one of those movies! I don't know of anyone who has seen it that has a luke warm response. You either love it or hate it, and I love it!
Gregg Araki makes unique movies. Self conscious, self parodying, INTELLIGENT trash. His world is not really our world. It's an exaggerated, surreal version of "reality". Sexy, violent, pop culture bombarded, dream-like, impossible to forget or ignore. 'The Doom Generation' is clever, ironic, disturbing fun.
Personally, I think his next movie 'Nowhere' is his masterpiece, but this is almost as good. Plus we get lots of Rose McGowan flesh on display - not a bad thing! Her performance as Amy Blue ALMOST makes her the 1990s version of Tura Satana! She will never knock off Tura's crown as Queen of Sleaze, but she seems to be having a hell of a lot of fun trying, and I have a hell of a lot of fun watching her!
Gregg Araki makes unique movies. Self conscious, self parodying, INTELLIGENT trash. His world is not really our world. It's an exaggerated, surreal version of "reality". Sexy, violent, pop culture bombarded, dream-like, impossible to forget or ignore. 'The Doom Generation' is clever, ironic, disturbing fun.
Personally, I think his next movie 'Nowhere' is his masterpiece, but this is almost as good. Plus we get lots of Rose McGowan flesh on display - not a bad thing! Her performance as Amy Blue ALMOST makes her the 1990s version of Tura Satana! She will never knock off Tura's crown as Queen of Sleaze, but she seems to be having a hell of a lot of fun trying, and I have a hell of a lot of fun watching her!
A quirky comedy (?) that takes a dark turn at the end. I can't quite tell if The Doom Generation is good or bad. Regardless, I quite enjoyed this wonky ride of a movie.
It contains very questionable acting and pacing but this movie is undoubtably entertaining and begging to be endlessly quoted. That dark ending really comes out of nowhere with very little build up. But it showcases that we live in a society, mannnn.
When all is said and done I can't quite say this is a masterpiece but I also can't say I didn't enjoy myself. A cult classic indeed, and one that kinda needs to be seen to be believed.
It contains very questionable acting and pacing but this movie is undoubtably entertaining and begging to be endlessly quoted. That dark ending really comes out of nowhere with very little build up. But it showcases that we live in a society, mannnn.
When all is said and done I can't quite say this is a masterpiece but I also can't say I didn't enjoy myself. A cult classic indeed, and one that kinda needs to be seen to be believed.
Le saviez-vous
- AnecdotesEvery time one of the characters uses the skull lighter, the flame is a different color; Blue when Jordan White lights it, White when Xavier Red lights it and Reddish Orange when Amy Blue lights it.
- GaffesAround 12:30 when the trio are running out of the store, you can see Jordan White's flannel fall off. it reappears throughout the film.
- Crédits fous"A big no thanks to Cheryl Ladd"
- Versions alternativesThe edited, R-rated version omits 13 minutes of footage, including explicit dialogue bits, sex scenes, and large portions of the ending.
- Bandes originalesHeresy
Performed by Nine Inch Nails
Written by Trent Reznor
©TVT/Interscope Records
Courtesy of Warner Special Products and TVT Records
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Generación sin futuro
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 284 785 $US
- Week-end de sortie aux États-Unis et au Canada
- 27 812 $US
- 29 oct. 1995
- Montant brut mondial
- 287 590 $US
- Durée1 heure 23 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant