Le major Kusanagi travaille avec son coéquipier Batou, tous deux cyborgs, au sein de la section 9. Ensemble, ils traquent un cybercriminel, du nom du Puppet Master, qui prend possession du G... Tout lireLe major Kusanagi travaille avec son coéquipier Batou, tous deux cyborgs, au sein de la section 9. Ensemble, ils traquent un cybercriminel, du nom du Puppet Master, qui prend possession du Ghost de ses victimes afin d'arriver à ses fins.Le major Kusanagi travaille avec son coéquipier Batou, tous deux cyborgs, au sein de la section 9. Ensemble, ils traquent un cybercriminel, du nom du Puppet Master, qui prend possession du Ghost de ses victimes afin d'arriver à ses fins.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 7 nominations au total
- Batô
- (voix)
- Togusa
- (voix)
- Ishikawa
- (voix)
- Gaikôkan
- (voix)
- Kenshi-kan
- (voix)
- Ossan
- (voix)
- Gishi
- (voix)
- Untenshu
- (voix)
Avis à la une
The film is stylish, artistic, and beautiful. Masamune Shirow's stunningly believable vision of the future makes the jump from manga to anime remarkably well. As brilliant as the comics are, I really prefer the film version, which eliminates the nearly pornographic T&A (the film has nudity but it's clearly not meant to be titillating) and all of the exaggerated comic relief which only detracted from the manga in my opinion. The film's action sequences are strikingly different from the overly stylized symphonies of destruction seen in most action films. Gunfire, martial arts combat, and car chases are depicted exactly as they would occur in the real world-- without fast music or Armageddon-style hyper-editing or any of the needless cinematic baggage we've come to expect. But it's the movie's ideas that make it great, particularly in the last half hour, when thoughtful viewers learn what this story is all about-- the emergence of a new kind of life form, an intelligent and self-aware intelligence that can live indefinitely without ever inhabiting a physical body. The film argues that this will occur within the next thirty years, and the superbly ambiguous ending inspires us to come up with our own ideas of what will happen to humanity once this new life form begins to reproduce. This is filmmaking that should be seen and discussed.
And now the disclaimer. All of the above comments refer to the subtitled Japanese version of the film, NOT the English dub. Simply put, the dub ruins everything. A good example is Kusanagi's wry comment at the very beginning of the film. An officer who is communicating with Kusanagi through a kind of electronic telepathy tells her there's a lot of static in her brain. In the original Japanese version (as well as in the manga) she replies that "It's that time of the month," but in the dub her comment is inexplicably changed to "Must be a loose wire." It's completely insane-- do they think that, in a film with considerable nudity and graphic violence, people are going to be offended by a PMS innuendo? The whole movie is filled with such intelligence-insulting changes; please do yourself a favor and watch the subtitled version.
Watching this fine piece of animation again brought back the reasons why I was attracted to anime in the first place. It is obvious that a lot of work went into Ghost in the Shell; the attention to graphic details creates some remarkably realistic animation.
Though the major reason to see this film is for the animation, there are also other fine points to consider. It has a fairly complex plot. The science it focuses on is definitely modern though, albeit, fantastic.
I recommend the subtitled version because the dubbed dialog is sometimes over wordy and odd-sounding (as are most dubbed versions).
Some viewers may be turned-off by the many scenes that aren't accompanied by music, especially the action sequences. The music, however, is outstanding. There are a couple of scenes that are basically slide shows of various themes. These are accompanied with music and no dialog. The animation, to say the least, is beautiful and seems to be the focus.
In summary, Ghost in the Shell is very satisfying.
Even more, it's a nightmarish vision of a society that's dominated by cyberspace and looking back now, is eerily prescient of today's computerized times. Many of the characters in the film are enhanced, someway or another by machines, to help them get the advantage in a vastly changing society.
I'll avoid going real deep into the plot simply because there's a whole lot to grasp and even I got more than a little confused trying to follow it. The story is that a team of high-level government operatives are hot on the trail of a notorious computer hacker called the "Puppet Master," who is wanted for various crimes in cyberspace and has taken a particularly fond interest in the team's tough, female cyborg leader.
Not surprisingly, as with the stigmas surrounding Anime', "Ghost in the Shell" is not short of nudity and graphic violence. But it's far from being gratuitous, and does not slow down the movie at all.
"Ghost in the Shell" was one of the first Anime' films to skillfully blend traditional drawn animation with computerized imagery. This helps to give the film a surreal, yet beautiful look. And the dialogue helps sometimes too, with helping to sort out the confusing plot and many of its mythical ideas about personal identity and human evolution.
This film is also even more revered today, in 2004, since some of this film's core themes helped to develop the plot basis of the insanely popular "Matrix" films, and some scenes from "Ghost in the Shell" were even homaged to in the first "Matrix" movie. The Wachowski Brothers certainly do owe a lot to this movie for the success of their work in America.
I think that to understand "Ghost in the Shell," it would help to accept that Anime' is much more complex and daring than traditional American animation. Most Japanese animation films, like this one, "Akira," or Mayazaki's "Spirited Away," are on a level of sophistication that will never be matched in America.
It has been said that the majority of American audiences would be afraid of Anime' because of the many stereotypes surrounding it, but that's why it's boundless - it's been given free reign to use those stigmas to its advantage in developing truly remarkable pieces of art that have gone largely ignored here in the U.S. "Ghost in the Shell" could very well be a mere reflection or a parable of a doomed society that's probably already accepted its dark fate. Most American animation would never touch up on this sort of subject matter.
"Ghost in the Shell" is my #3 choice Anime' film (behind "Spirited Away" and "Akira") because it's so full of ideas and is masterful in telling a dark story about our times.
10/10
It is a darker anime tale aimed towards a more mature audience. I enjoyed the amazing realism of this film. The attention to detail is definitely enjoyable to see.
The DVD has a rather enjoyable documentary on the making of the film. Any fan will enjoy the structure and content of the documentary. It is quite informative on the process of making the film.
Like most Anime, there is a lot of character development and dialogue mixed with stunning visuals.
I think the most captivating element that this film has to offer is its creative "cinematography" and attention to detail. There are numerous memorable shots in this film.
This is not an anime for everybody. Attention to story is critical and I am guilty of rewinding certain areas just to keep up with the story.
Thankfully this is not a mindless science-fiction/anime tale filled with crazy action sequences. The Ghost in the Shell proves to be quite philosophical in nature by questioning the meaning of life.
I would love to venture deeper into this story and its message but I think it is better for you interpret it on your own.
Remember to watch this movie with your heart, not with your mind. Reflect on it later. This is the best way to enjoy this type of film.
Deep thematic probing and philosophical questions dot the story. Characters that are cyborg-humans question their existence... this is a true potential problem for the far future. Is something created outside of a womb without a soul? Do souls even exist? Set all this against some incredible action sequences, plenty of eye candy, and a very dark, acrid backdrop of the future of civilization. This is a summer blockbuster and more. It's ashame that most people are too close-minded to consider a film like this.
Bad guys and good guys? No clue. I had to watch the film 3 times to
-Understand the plot fully -Understand the motivations of the characters -Realize the depth of the film -And still I'm left with questions
If you open your mind, Ghost in the Shell settle itself within you... it will linger far after your first viewing. You will realize that a movie can have action, incredible effects, and STILL be deep.
Drama, mystique, philosophy, intrigue, "going out on a limb" quality, action, adventure, deep characters who don't fall into bad or good categories, beautiful imagery, mind-boggling plot... even some comedy! I just can't get over the fact that I have never before seen a more perfect mix of the elements which make a masterpiece. EVER.
10/10.
Le saviez-vous
- AnecdotesIn ordinary anime, characters would at least blink to create the feeling of "being animated", but in this movie, Motoko's eyes intentionally stayed unblinking many times. Director Mamoru Oshii's intention was to portray her as a "doll".
- GaffesThe car underneath the spider tank changes in size relative to the tank between shots.
- Citations
Major Motoko Kusanagi: If we all reacted the same way, we'd be predictable, and there's always more than one way to view a situation. What's true for the group is also true for the individual. It's simple: Overspecialize, and you breed in weakness. It's slow death.
- Crédits fousOn the Special Edition DVD of the film, the Manga Entertainment logo appears shaded cyberspace green and surrounded by circuitry.
- Versions alternativesThe original Japanese version has the song "Reincarnation" played over the ending credits. This song was replaced with "One Minute Warning" by Passengers (a collaboration between U2 and Brian Eno) for the English version.
- ConnexionsEdited into Wamdue Project: King of my Castle (Roy Malone Remix) (1999)
- Bandes originalesSee You Everyday
Composed and Arranged by Kenji Kawai
Lyrics Pong Chack Man
Vocals Fang Ka Wing
Chorus Junko Hirotani
Meilleurs choix
Détails
Box-office
- Budget
- 330 000 000 JPY (estimé)
- Montant brut aux États-Unis et au Canada
- 889 074 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 736 $US
- 4 févr. 1996
- Montant brut mondial
- 968 116 $US
- Durée
- 1h 23min(83 min)
- Couleur
- Rapport de forme
- 1.85 : 1