Deux rivaux en affaires, qui se méprisent cordialement dans la vie réelle, tombent amoureux à leur insu sur Internet.Deux rivaux en affaires, qui se méprisent cordialement dans la vie réelle, tombent amoureux à leur insu sur Internet.Deux rivaux en affaires, qui se méprisent cordialement dans la vie réelle, tombent amoureux à leur insu sur Internet.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 6 victoires et 8 nominations au total
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This movie was so much more than I expected.
This movie was so much better than I expected, which was a simple romantic comedy with predictable "pass each other in the street" scenarios throughout. I was pleasantly surprised to find a love story that touched my heart. Kathleen's vulnerability and pride in her mother made me cry and Joe's sensitivity and devious behavior were so very sweet.
I didn't think that Tom Hanks & Meg Ryan could pull off a romance better than they did in Sleepless In Seattle but I am happy to be mistaken.
I didn't think that Tom Hanks & Meg Ryan could pull off a romance better than they did in Sleepless In Seattle but I am happy to be mistaken.
You've got something most of us like
Romantic comedies are not everyone's cup of tea; after all, who would want to watch unrealistic stories about ordinary people 'coupling' when we are offered such wonderful everyday experiences as ten car pileups, hordes of people being slaughtered in a hail of bullets while shopping, goblins, explosions, vampires and intergalactic spaceships?
But the majority of women, and many of those men who do not see themselves as the Governor of California will surely find much to like in this charming eye-moistener.
Tales of this ilk can easily be mawkish, but this one largely avoids the trap, thanks to an intelligent script, the believability of the lead pair (as well as the supporting cast) and good pacing that leaves the denouement until the closing shot.
But the majority of women, and many of those men who do not see themselves as the Governor of California will surely find much to like in this charming eye-moistener.
Tales of this ilk can easily be mawkish, but this one largely avoids the trap, thanks to an intelligent script, the believability of the lead pair (as well as the supporting cast) and good pacing that leaves the denouement until the closing shot.
Cookie-cutter romance, but Meg Ryan radiates with charm
Pleasant, warm-hearted fluff reworking 1940's "The Shop Around the Corner" (remade initially in 1949 as the musical "In The Good Old Summertime"). Tom Hanks and Meg Ryan reteam for the second time as rival bookstore owners in New York City: she operates a Mom & Pop bookshop, he's opening another outlet in his retail chain nearby. They lock horns over business, yet are unaware they are also each other's internet pen-pal. Slick and occasionally too-cute, too cookie cutter, but also an entertaining picture nicely set during the holidays. Ryan can't help but radiate personality and charm, though Hanks is curiously rote here (and he looks tired to boot),. Terrific supporting cast certainly helps, with Greg Kinnear, Parker Posey, Jean Stapleton and Steve Zahn making up a bright ensemble. Engaging, if you're not too demanding. *** from ****
That's exactly what I needed at this time!
God only knows why it's taken me so long to see this. But God I wanted it to be this kind of movies. I wanted it to be this kind of movies so badly.
(8/10)
(8/10)
Updated "Shop Around the Corner" in New York City.
I recently watched the 1940 "Shop Around the Corner" with Jimmy Stewart for the first time. In explaining a synopsis to my wife she said, "That sounds like the same story in 'You've Got Mail.'" So I did my research and found out she was right. Further, I realized I had never watched this 1998 movie. So here we are, I found the DVD at my public library.
The DVD "extra" is also interesting, the sisters Ephron explain their approach and Hanks and Ryan pitch in also. This is a thoroughly entertaining movie.
While it follows the same general story it is updated for the modern world. Not only is it moved from Budapest to New York, it uses the modern writing technique of email. It also uses the concept of a bigger store coming in and undercutting the smaller, long-established business.
Meg Ryan is Kathleen Kelly, owner of a smaller shop, called Shop Around the Corner, specializing in children's books. Her mother was the original owner. Tom Hanks is Joe Fox of the wealthy Fox family, opening a mega bookstore around the corner from her. They meet, they develop a pretty quick dislike for each other. Unknown to both of them, they had already become email pals with very high regard for each other.
So much of this movie plays out in similar ways to the 1940 movie, it is interesting and entertaining to see how it all plays out to the end.
The DVD "extra" is also interesting, the sisters Ephron explain their approach and Hanks and Ryan pitch in also. This is a thoroughly entertaining movie.
While it follows the same general story it is updated for the modern world. Not only is it moved from Budapest to New York, it uses the modern writing technique of email. It also uses the concept of a bigger store coming in and undercutting the smaller, long-established business.
Meg Ryan is Kathleen Kelly, owner of a smaller shop, called Shop Around the Corner, specializing in children's books. Her mother was the original owner. Tom Hanks is Joe Fox of the wealthy Fox family, opening a mega bookstore around the corner from her. They meet, they develop a pretty quick dislike for each other. Unknown to both of them, they had already become email pals with very high regard for each other.
So much of this movie plays out in similar ways to the 1940 movie, it is interesting and entertaining to see how it all plays out to the end.
Le saviez-vous
- AnecdotesThe scene where Joe accidentally closes the door of Kathleen's shop on the balloons was unscripted. Tom Hanks actually did that, and ad libbed the line, "Good thing it wasn't the fish." Nora Ephron thought it was so funny that she kept it in.
- GaffesWhen Joe picks up the book Kathleen has brought at the café and says 'Pride and Prejudice, I bet you just love this book', it is actually the cover of Jane Austen's Persuasion.
- Citations
Kathleen Kelly: [in an email to Joe Fox] The odd thing about this form of communication is that you're more likely to talk about nothing than something. But I just want to say that all this nothing has meant more to me than so many somethings.
- Crédits fousWhen the 75th anniversary variation of the Warner Bros. logo finished, the clouds and the 75th anniversary wordings is fading to the computer wallpaper with the words "WARNER BROS. PRESENTS", leaving the shield logo and then it zooms out to show a computer desktop, segueing into the opening credits, and the WB logo moves to the upper-left corner. The sounds of computers and fax machines playing over the logo.
- Versions alternativesSeveral scenes were originally scripted and partly filmed but not included in the final cut:
- A scene in which Kathleen gets involved with two garbagemen and first gets tongue-tied.
- Extended scenes referring to the roof-top murderer including a love affair with George.
- A scene with Kathleen and Christina talking about falling in love.
- Extended scenes that characterize Patricia: a presentation of an author (the woman in the later elevator scene)
- Extended scenes that characterize Frank: he meets an famous author whom he adores.
- Scenes on Kathleen's and Joe's childhood.
- A scene in which Joe explains Annabel why the Shop Around the Corner had to close.
- ConnexionsFeatured in Siskel & Ebert & the Movies: Breakout Stars (1998)
- Bandes originalesThe Puppy Song
Written by Harry Nilsson
Performed by Harry Nilsson
Courtesy of The RCA Records Label of BMG Entertainment
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Tienes un e-mail
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 65 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 115 821 495 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 426 749 $US
- 20 déc. 1998
- Montant brut mondial
- 250 821 575 $US
- Durée
- 1h 59min(119 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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