Sexe et autres complications

I absolutely love this film. Christina Ricci is perfectly cast and gives a great performance as a 16 year old who tries to manipulate and bully all of the other characters into bowing to her sick and twisted view of the world. While Ricci's character is not immediately likable she is somehow compelling and is effecting in driving the film. Ricci's character does and says hateful things throughout the movie but the film is successful in maintaining it's own view on these topics without squelching her characters voice. Hopefully what we see through her character is that despite the hateful things people do, there are real human beings behind these actions. I ended up liking the character for her survive at any cost mentality and her resolve.

The movie is hilariously funny and at times touching. Lisa Kudro turns in another great performance as a lonely single girl who is pining for the affections of Ricci's gay half brother. The humor is not of the joke a minute or slapstick variety but grows out of the situations and relationships between compelling characters.

The writing and directing are also superb. I especially liked scenes where the director showed how easily we can be manipulated by mood and music as well as the points that we show in a character's life. Ricci's narration is biting, wicked, clever, bitchy and witty. I can see however, how one could be offended and turned off by it. But the narration is not for shock effect but rather to frame the main character.

I wouldn't change a frame or a line in this film. It's funny, intelligent and warm in a strange sort of way. A definite must see.

I avoided seeing this movie for a long time but finally gave in last week. It was very funny, touching and insightful. It did occur to me that Lyle Lovett could use an acting lesson or two, and that Ivan Sergei is way too good looking; its borderline annoying. Martin Donovan and Kudrow make the movie; their characters were completely believable. Last but certainly not least is the best young American actress, Christina Ricci. She really makes every part she plays her own. I suggest the Christian Youth or whoever they are stay away; everyone in this movie has too many human qualities for you to tolerate.

There's something so off-kilter about this film. Something that makes it stand apart from others of its kind. The structure is pretty complex, if one takes into accounts all of the turns in the story the film makes. The performances are aces, but Kudrow really stands far and away at the top. One of the finest TV actresses ever, if not the finest (her work in TV is masterful) she has the perfect blend of comedy and drama here. Her work is effective on a dramatic level, even though it's also a pretty hilarious turn. This is a fantastic performance, hitting all of the right notes and pitch-perfect keys that one can hit. This is highly recommended.

I admit, I readily get caught in movies, even the most incompetent ones. I laugh and more importantly I cry when I'm supposed to. I am a sucker. In fact, I have laughed and cried with Roos' other projects, swept along as per design.

But this movie is different, and it pushed past the ordinary barriers I establish for movie life, barriers I didn't even know were there.

Here's the setup: we have a movie, with love and events and discovery just like any other movie. There actually are characters and some pithy engagement among them and with us. But thats only the excuse for the filmmaker to have a completely separate dialog with us. The movie is the excuse for that dialog, though sometimes the higher level of engagement between us and Roos will borrow from the story.

He is, in fact, having a sort of sex with us at the same time he tells us its the opposite, a different sort of attraction and seduction.

Roos' surrogate is Ricci in voice-over narration. It is the very best she has been, except for that bowling alley scene in "Buffalo." Since she isn't a great acting talent, what this means is that the role is a perfect fit for her sort of sexual detachment.

The narration starts out commenting on the movie, telling us what kind of movie this is not, and how we cannot expect her to behave as if she were in a movie. She leaves home and steals a gun. While doing so, she tells us to pay attention, that the gun will prove significant. Then, she deliciously shifts back into character and says that's foreshadowing and we studied that in school.

This is pretty shocking stuff, this shift out of the movie, using moviedom's most intimate trick, the internal noir narrative that starts such films. We immediately have a bond with this girl, but in her role outside the movie. As the movie rolls on, she bonds intimately with many characters, and each is an opportunity for us to readjust the relationship we have with her outside.

It is sex, no it is the opposite of sex, at least movie sex. But it is attraction as strong. And when it goes wrong, as it must, it is devastating. We know how to have movie sex, but few of us seem to have any dexterity with these things outside of movies.

And that's the point. I guess we can thank Hal Hartley from paving the way for this.

Ted's Evaluation -- 3 of 3: Worth watching.

A cast of talented actors and actresses does not make up for a what a tired and time consuming miss-match of a movie this is.

One liners may be all the rage in 'Will & Grace' but this particular 'flick' left with a funny taste in my mouth (no pun).

Character development is hidden away amongst the over-the-top narration. The story lacks emotion and depth and is very contrived - even for a Hollywood picture. It is a movie where the stars look quite simply out of place in their surroundings.

High expectations of a wholesome quality film were suddenly tail-spinning just 30 minutes through. At the end of the movie we had crash landed and I wanted my money back.