Meurtre parfait

Wealthy Wall Street tycoon Steven learns that his wife Emily is having an affair with David, an artist and career criminal, Steven decides to do away with his wife, using David to do the job.

Over the last few months I've worked my way though Hitchcock's catalogue of films, I was sat wondering why none of his films had been remade for an age, the I remembered this one.

So it's basically Dial M for murder, with a late 90's twist, so we've got the tech, The Wall Street tycoon and of course that wonderful 90's vibe.

I have no intentions of comparing, as I don't think you can, but as an updated version it's good, it's a stylish flick, I liked the updates, and of course the heart of the story is magical.

It perhaps has a little too much polish, but on the whole it works, Hitchcock films weren't exactly in vogue in the late 90's, so it gets credit for at least being different.

Some nice twists and turns, I particularly liked the way the tech is used, and the way that David turns the tables.

Paltrow and Mortensen are both very good, but I'd argue it is Michael Douglas that stands out, and boy does he look sharp here.

I'd forgotten David Suchet was in this, at the time it seemed as though he'd turned away from Poirot somewhat, output was lower, it felt like he was going to leave the role behind, thankfully he didn't.

7/10.

I went into A Perfect Murder expecting to enjoy it, but I recognised the fact that I wouldn't be in for a great film. To be honest, I love thrillers like this as they offer a solid two hours (or so) of non-too taxing entertainment, and what's not to like about that? A Perfect Murder is an update of the Hitchcock classic 'Dial M For Murder', and while the film doesn't touch Hitchcock's in terms of how thrilling it is, this update has been well handled and despite losing things such as the claustrophobia and the tight plot, A Perfect Murder still does what you'd expect it to do. The plot has become more expansive for this update, but the filmmakers have still managed to keep it tight so that the plot is focused mainly on the characters as opposed to the actual crime. The plot follows a rich man (Michael Douglas) who discovers that his trophy wife (Gweneth Paltrow) is having an affair with an artist (Viggo Mortensen). When his business affairs start to go awry, he decides to commit the perfect murder so that he can inherit his wife's trust fund. However, as all of us Hitchcock fans know; there's no such thing as the perfect murder.

Michael Douglas was the absolute perfect choice for this role. He may get typecast as the slimy businessman often, but he does it so well! You can really believe that he wants to kill his wife. Gweneth Paltrow, who is often solid but never outstanding; and Viggo Mortensen, who is actually a good actor, join him and make up the three-piece central cast. Mortensen's performance here isn't awesome; but it's good, and hints at the sort of stuff that would be to come - such as a great turn in David Cronenberg's A History of Violence. Like most nineties thrillers, this one is very stylishly shot and there's a focus on the more steamy elements of the story. The locations used aptly convey the groups within society that the characters belong to and the film does a good job of setting its scenes. The central set piece is well executed, and the build up to it is well done also; but it has to be said that the film starts to fall apart a little after that. Still, A Perfect Murder never becomes boring and even during it's down time; the film still manages to be thrilling. As mentioned, this isn't as great as Hitchcock's version - but as modern remakes go - this certainly isn't a bad one, and I recommend it to anyone who enjoys a good thriller.

Movies like these are missing from mainstream cinema today. I haven't seen a decent current psychological thriller for over a decade with the exception of Gone Girl. I am experiencing major Marvel fatigue and really wish the studios put out movies like this between all the blockbuster cgi fests. I miss the 90's thrillers like Kiss the Girls, Hand that Rocks the Cradle, Basic Instinct, Seven, Fatal Attraction, etc. This is my first time seeing this movie in 2022. The first half being significantly better than the second half. The first half was clever and fairly surprising and though unlikely, it was realistic. The second half got a little messy with a cliche ending. Still I appreciate the nice change of pace.

A Perfect Murder is a lot better than I thought it would be, probably because of the smart direction from director Andrew Davis (The Fugitive, Chain Reaction, Under Siege). Given a fairly involved script and an action film, (never mind the dialogue, just cut quickly to the next scene) shooting scheme, Davis has concocted a mainstream thriller that works quite well. A Perfect Murder is based on a middle rated Hitchcock film which was in turn based on a hit Broadway play called Dial M For Murder. Steven Taylor (Michael Douglas, in part revisiting Wall Street's Gordon Gecko) is in financial strife and decides to knock Emily his wife off to grab her money. She's played by the hapless Gwyneth Paltrow. Hubby blackmails his wife's lover (Viggo Mortensen) to do the dirty deed. This film is ferociously mainstream. The music chimes in just so. The bathrobe disappears just so. Michael Douglas plays Michael Douglas to perfection, Paltrow is protected from any line more than fifteen words long, but still A Perfect Murder is never boring. The original Hitchcock version starred Ray Miland and Grace Kelly. There weren't any mobile phones and the wife wasn't screwing the killer. And then there was Grace Kelly rather than Gwyneth Paltrow in that old film. I know who I'd prefer.

Hitchcock's DIAL M FOR MURDER was based on the Frederick Knott play of the same name. A PERFECT MURDER takes elements from the play, makes alterations in scenes and characters, changes the ending, and in attempting to modernize the whole thing has added some extra gore to the proceedings so today's audiences won't feel cheated. And yet, the result is not only distinctly disappointing, but inferior.

Only fans of Gwyneth Paltrow and Michael Douglas will relish their performances in this pale rehash of the original material. The complexity of "the key under the stairmat" which was so effectively played out in the Hitchcock film is entirely missing here. The detective work so fascinating in the original play and film is also gone despite the fact that he is played by David Suchet (in a very underwritten role). In short: none of the revisions are any improvement. Nor does Viggo Mortensen impress as Paltrow's lover.

Those who haven't seen the movie or the play DIAL M FOR MURDER will no doubt find some of this absorbing enough--but anyone able to make a comparison is bound to be disappointed. I'll take Ray Milland-Grace Kelly-Robert Cummings under Hitchcock's direction any day over a misguided Paltrow and Douglas under Andrew Davis' direction.

As for the comments of the viewer who said, "Who's Hitchcock?", please...spare me your review.