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5,4/10
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Après une explosion dans l'espace et une diffusion radio de deux minutes, deux astronautes rentrent chez eux auprès de leurs femmes. Peu à peu ils se révèlent ne plus être les mêmes qu'avant... Tout lireAprès une explosion dans l'espace et une diffusion radio de deux minutes, deux astronautes rentrent chez eux auprès de leurs femmes. Peu à peu ils se révèlent ne plus être les mêmes qu'avant.Après une explosion dans l'espace et une diffusion radio de deux minutes, deux astronautes rentrent chez eux auprès de leurs femmes. Peu à peu ils se révèlent ne plus être les mêmes qu'avant.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination
Gary Carlos Cervantes
- Doctor
- (as Carlos Cervantes)
Histoire
Le saviez-vous
- AnecdotesThe movie that Jillian and Spencer watch together is Penny Serenade (1941), which also centers on a dramatic child rearing.
- GaffesAll NASA shuttle astronauts live and work in the vicinity of the Johnson Space Center in Houston, many of them in Clear Lake, a Houston suburb. Yet in the film, Jillian teaches school in Florida, where she and Armacost clearly live. Astronauts only go to Florida for launches.
- Versions alternativesThe Indian Censor Board made cuts for an 'A' (adults) certificate by deleting the word "motherfucker", muting the word "fucking" from the line "Jesus fucking Christ" and reducing 50% of the love-making scene especially reducing to a flash the thrusting movements on the bed (when shown continuously) (Length Retained: 37.00 ft).
- Bandes originalesPoor Butterfly
Written by Raymond Hubbell, John Golden
Commentaire à la une
I have to say, I always enjoy Johnny Depp's work. He is a chameleon; an actor who can take literally any role, who can step outside the boundaries of typecasting. And, his performance in this film is in no way weaker than any other character; it is merely a role that not many are likely to recall when asked about him. The film builds decently enough. Depp and Theron play a married couple, and a significant element of stress begins to grow on Theron following Depp's events during an orbital assignment given to his character.
I also like Charlize Theron; my one nitpick is how she seems to always find her way into these 'tormented woman' roles, like in the Devil's Advocate. Her skills are not necessarily hindered by this repetitiveness; I just find it a redundancy she needs to work beyond. Those of you watching this film for a horror-themed thriller are going to be mostly put off. This film really does not rely to such an extent the horror mechanisms; rather it builds the tension through a number of strictly dialogue scenes, using the plot to intrigue rather than scare tactics.
The ending - quite literally, the last twenty minutes, is the only place you're likely to see what may be called horror. I will not give away what happens here; you have to watch it and see. All I will say is that the ending left me anticipating more. That said, my overall opinion is this movie is satisfactory at best, not a true stand out in the annals of cinema history, but certainly not one of the poorest examples of the profession.
I also like Charlize Theron; my one nitpick is how she seems to always find her way into these 'tormented woman' roles, like in the Devil's Advocate. Her skills are not necessarily hindered by this repetitiveness; I just find it a redundancy she needs to work beyond. Those of you watching this film for a horror-themed thriller are going to be mostly put off. This film really does not rely to such an extent the horror mechanisms; rather it builds the tension through a number of strictly dialogue scenes, using the plot to intrigue rather than scare tactics.
The ending - quite literally, the last twenty minutes, is the only place you're likely to see what may be called horror. I will not give away what happens here; you have to watch it and see. All I will say is that the ending left me anticipating more. That said, my overall opinion is this movie is satisfactory at best, not a true stand out in the annals of cinema history, but certainly not one of the poorest examples of the profession.
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Détails
Box-office
- Budget
- 75 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 10 672 566 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 027 003 $US
- 29 août 1999
- Montant brut mondial
- 19 598 588 $US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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