Reckless

I forgot to mention the music! A very integral and lovely part, transitioning us from one scene to another. Hal Lindes (of Dire Straits' fame) and Christopher Gunning did an extraordinary job to create the perfect melody, weaving it sensitively throughout Reckless, sometimes soft and sweet, other times, lively and playful, whatever the scene called for. Absolutely Perfect!!

When a younger man falls for an older woman whose husband is his boss, you can expect a few complications, which you get in "Reckless," a three-part miniseries starring Robson Green, Francesca Annis, Michael Kitchen, and David Bradley.

Green is Owen Springer, a young surgeon who takes a job in his home town of Manchester so that he can take care of his father (Bradley). He meets a woman on a train, Anna Fairley Crane, who lends him her phone, and finds out that they work in the same hospital, she in a management position. For Owen, it's love at first sight, though as he describes her later, she's "forty-odd" (Annis was actually 52 at the time of the series; Green was 33). Then he finds out that she's married to his boss (Michael Kitchen). His friends and fellow doctors (Julian Rhind-Tutt and Conor Mullen) are dead against it and are afraid he's headed for big trouble. He is.

Really grand series elevated by wonderful acting. Annis is gorgeous, Green is one of Britain's sexiest actors, and Michael Kitchen is fantastic as Anna's husband, and David Bradley hands in a marvelous performance as Owen's dad. Rhind-Tutt, whom I remember from Keen Eddie) and Mullen are hilarious. Everyone is very committed to their roles.

The series brings up a few things, not the least of which is the non-acceptance of an older woman and a younger man - this is 1997 -- now it's not unheard of. Also, it brings up the question of true love versus sexual/physical attraction. People in the series keep pointing out that Owen and Anna's relationship may be okay now, but what about in ten or twenty years, indicating that Owen would no longer find her sexy -- as if outward beauty and sexiness are the only reasons one falls in love. And, in fact, Owen would be older as well, but it's assumed he's still going to be sexy. As a bit of trivia, Annis is now 68 or thereabouts and still beautiful. Also, she had a 12-year relationship with Ralph Fiennes, 17 years her junior (I saw them together in Hamlet some years ago)

The other situation in the film is the class distinction, still prevalent in Britain, Robson with his working-class accent and beer-drinking father, involved with the glamorous administrator Annis, married to a highly-successful surgeon.

So though "Reckless" seems like just a romance, it actually, seen today, brings up some provocative questions. I liked it, and I look forward to the sequel.

This gripping tale of intergenerational love, jealousy and revenge was even more enjoyable to see on DVD years after its PBS broadcast, with a sharper picture and crisper sound. My only reservations are that the plot has a few improbable moments and that some of the stronger Manchester accents are difficult at times. Luckily even missing a word here and there won't spoil the fun: the primary actors are ideally cast. Robson Green brings an enigmatic smile, a go-for-broke temperament and an athletic physicality to his role as a young surgeon who falls hopelessly for the wife of his boss at the hospital where he's just begun to work. Francesca Annis is one of the most striking 50-ish women imaginable; her acting rivals her beauty. (The love scenes between these two demonstrate better than words how little the age difference matters to them!) Each of the supporting characters is sharply drawn and excellently portrayed as well. The mix of pithy dialog and passionate excess makes this a delightful miniseries. As Russell Baker notes in his introduction, you may not be morally improved by viewing "Reckless" -- but you'll have plenty of fun. (The sequel, a part of the DVD box set, provides a wild yet satisfying two-hour denouement. You won't want to miss it if you've enjoyed what came before.)

I saw only the first part of this series when it debuted back in the late 90's and only recently got a chance to watch all three parts via Netflix (convenient service by the way). All in all, I liked this lighthearted, sometimes genre challenged, mini series. The story of a younger man falling for an older woman seems to work and the actors are all fine. Yes, it does have some romance clichés of running in the rain or a train station goodbye, but the characters have a chance to be explored so it doesn't seem cheesy, like it would be if this were some Tom Hanks vehicle or similar. Robson Greene, who at times reminds me of a separated-at-birth Scott Bakula does a fine job of someone who is head over heels in love and the ebb and tide of desire and rejection throws the series into watchable fare. Personally, I think the series could have been done with two episodes, but that's up for debate I suppose. Apparently, there's a sequel, and that should be arriving tomorrow via Netflix.

Reckless is not worth the while. I didn't enjoy my viewing experience at all, although I really tried to.

The characters were awful in my opinion. I didn't like the way that they were portrayed. A lack of chemistry and depth of feeling. Some characters were unrelatable, others were just plain misplaced/cringeworthy. I just thought, what're they doing here?

The music, rachet music, was foul to my ears and the more I watched, the less tolerable it became. This is critical because music does a lot to the viewing experience and it goes both ways. In Reckless' case, the music was... terrible. Very unfortunate.

So Reckless as a plot and concept does have potential, I do recognise, but this production does not do the said plot/love triangle dynamic justice, at least not to me.