Sweet Jane

Joseph Gordon-Levitt and Samantha Mathis performed outstandingly as the main characters in this totally realistic movie. Having witnessed the HIV, drug, prostitute scene for real because of a "wild" family member, I can relate to the hurt, rejection and fears portrayed. I watched this because I'm a fan of McNamara, but Joseph won my heart for his acting ability as well did Samantha. This should be a must see for all drug users. I gave it a 10.

Like many films that address sensitive topics, it might be challenging to connect with the characters during the initial part of the movie due to the seemingly self-imposed challenges they face. Character development factors largely propel the narrative.

Additionally, unfortunately, this movie may be challenging for sensitive viewers due to its portrayal of serious topics like drug use and AIDS/HIV. However, if one can approach the film with a degree of detachment from these elements, it offers a compelling emotional roller coaster.

In the grand scheme of things, this film serves as a reminder to appreciate the love and life we possess while they are within our grasp and to recognize that our existance may not be as challenging as we may sometimes percieve it to be.

This is another showcase of the truly talented actor Joseph Gordon-Levitt at a young age.

More than anything else, this movie is about the relationship that can form between two people who are somehow flawed. The fact that it takes place against a backdrop of AIDS/drug addiction seems to be largely secondary. The movie depicts a drug addict (who happens to be HIV positive) and her relationship with a 15-year old boy who is in the throes of full-blown AIDS. The audience can see that both characters are in very similar points of their life, albeit for somewhat different reasons.

Samantha Mathis plays "Jane", a junkie prostitute who starts out incapable of accepting or giving love to another human being. As the story unfolds, we learn that she came from a good family, went to college, and has had support throughout her life. But, she fell through the cracks, and ended up in a desperate situation. Joseph Gordon-Levitt plays Tony, whose background is quite different. His brother and mother both died when he was younger, and his father has been incarcerated for most of Tony's life. Tony comes off as rough and uneducated. But, the audience really feels for him, as he's not just some street hoodlum... he's simply a victim of his circumstances.

The movie focuses on the give and take relationship that Jane and Tony have. Sometimes Tony is the strong one, helping Jane to see the weight of her decisions (her heroin abuse and prostitution). Other times, Jane takes on the role of a mother figure for Tony, helping a scared boy through a very rough time. Together, they seem to make a positive difference in each other's lives.

I gave the movie a rating of 7. Samantha Mathis really does an excellent job communicating both the desperation and the depth of love Jane is capable of. Gordon-Levitt does equally well showing us that Tony's intentions are honorable, but sometimes suffer the after being filtered through of the lack of opportunities he's been forced to deal with in his lifetime. Both of them show how human companionship can infuse even the most desperate of people with hope and warmth.

This movie is well worth your viewing time.

This movie is one of those good dramas. No hype, just good emotional story. I like these kinds of movies where you can tell the actors were not rewarded for their great performances, it's not all Hollywood and glamour. It inspired me to write more, like I used to. I recommend it for all those for like good movies, and good dramas, not junk.

I saw this film when I was reviewing it for a film festival. There is fortunately some good acting going on here. I was especially surprised by the kid from Third Rock from the Sun, a show I normally shun like a dark alley. Samantha Mathis is also not bad, although her character is the least well-formed of the two. The story is an interesting, if not familiar one, slipping into melodrama a bit too much. The film definitely exploits the heroin chic that enveloped the indie world following Pulp Fiction and Trainspotting. But, its rather brave tackling of a doomed love in the shadow of AIDS should be commended.