Cours, Lola, cours

Run Lola Run is a very original film in its premise, it guarantees entertainment to the spectator from beginning to end, the film requires the spectator's full attention and because it is short, I suggest not to pause or divert focus, because I believe this film is made so you get lost between Lola's runs, in the end you end up staying what now? What comes next, and then, unfortunately, the movie ends.

One thing I found funny is that Lola never gets tired and doesn't even want to pant, maybe the production should have paid a little attention to this detail since it's the title of the film.

I believe it served as the inspiration for The Butterfly Effect (another classic), the plot is not so deep and fails to explain several things, a problem that would not exist if the film were bigger or had a sequel.

Despite this, the soundtrack, setting, photography, editing, guarantee the adrenaline and action of the film.

Lola rennt or Run Lola Run as we say it, is a German thriller written and directed by Tom Tykwer. This Film will contrast your emotions as it shows you how one little event in somebody's life can change there's, and other peoples lives forever. This rollercoaster ride of emotions will keep you gripped all the way through as it jumps from soft, dimly lit emotional scenes, to the completely contrasting scenes of running and constant action.

The music used in this film complements the scenes very well, when it's a slow scene our ears are graced with soft classical music like when Lola is falling to the ground in a slow motion shot. The complete opposite of this is used in the fast paced running scenes, as we get pounded by constant techno beats. I believe that the director has used techno to try and get us inside Lola's head as she is running and stressing about Manni and all the other events that happen throughout this amazing film.

Lola's Determination to save her boyfriend Manni is very well projected as she enters the bank that her father runs, and throughout the three different versions of the story uses different techniques to try and save him. This involvement with the characters and the three different storylines is very unique to this style of film. I think that the actors have delivered a very memorable and exciting performance which will leave viewers wanting to watch the film over and over again.

I think that this director has used this style of film very well, he is one of this first to successfully use this style and create a very interesting and exciting film. This film is almost the only one of its kind, other than the film 'Sliding Doors' but even in that the character is living two parallel lives but in this film it is replayed over again.

This film used interesting techniques that I had never seen in a film before. I think that the snapshots into the peoples lives gave you a good view of how one little event can change your life forever. By replaying through the same sort of events three times the director lets you really get a sense of feeling for the characters, especially Lola and as the film progresses you actually start to care about the characters and I think this was a really good quality in the film.

Overall I really enjoyed this film, and think that it is one of the best foreign films I have seen in a long time, and would give it a 9/10.

This highly watchable, original and amusing German movie started a renewed interest in German cinema worldwide, and was followed by a number of gems. In itself, it has made a lot of contributions to movie storytelling, and its commercial and critical success is spot on.

The concepts are simple. How do our actions affect our own lives, as well as those whom we touch? What part do chance and random events play in determining an outcome? Can we select a different result by making different choices? In short, what is reality? Well, maybe it isn't all that simple, but while others have plowed these same fertile fields, as recently as the film "Go", and also in "The Music of Chance", based on Paul Auster's novel, no one has dealt with such cosmic existential questions with more brilliant originality, fast paced action, and a pulsing score than in this German cinematic masterpiece.

In a compact ninety minutes, combining snips of animation, cinema verité, quirky characters, situations and dialogue, and a pace that makes most music videos look like they've been filmed in slow motion, three versions of the same story sequence unfold, and each time conclude with a jolting finish that defies convention, and keeps the viewer guessing until the final frame.

This is one of those rare cinematic events that is entertaining, satisfying, and absorbing, as well as flawlessly acted, staged, edited, produced and directed. I thought that Lola ran her race with flair and style, and left all others way behind in the dust.

People seem to get to easily impressed by films these days. No, I'm not a grouch, and I did like this film. Quite a bit actually, even though I'd basically seen the same film a few years ago: D.A.N.G.A.N. Runner, an HK film, predates Lola and is quite similar for the running throughout the film to live/save life etcetera aspect. Not to mention films like Flirt which deal with the same roles in different situations or Sliding Doors with the 'what if...?' aspect.

So this film, though interesting, was hardly new. It takes ideas already seen and twists them just a little bit. But it lacks the characterization and plot that made those other films so interesting. We learn very little about Lola, just a few snippets from her encounters with her 'father' and the bed sequences with her boyfriend, who we learn even less about. And the plot is all about cinematography and film style, there's little essence to it. In other words, it's eye candy and little more.

What that means is that we see great colour with little flavour. Experimentation with technique and style, sometimes it works other times it gets quite sloppy, and not enough attention to fine detail or story. (the cartoon part is cool though). And I would have liked a less Hollywood ending from a film that tries so hard to be contemporary and non-Hollywood.

Overall: Fun to watch. Some of the experimentation really worked. It's hardly a classic though, not even a terribly solid film. But it's interesting, and doesn't drag *too* much. I almost gave it a 6 but relented and instead give it a 7/10.